Essay on Comparison of "Fight Club" to "The Epic of Gilgamesh"

I believe that one of the ultimate questions that all members of the human species asks is ‘How can I find happiness?’ and reflected in this question is a desire to find a happy, fulfilling, quality life. Many people try to find such happiness through their careers, material possessions, and all manner of other pursuits. What a large portion of these people do not realize is that happiness and the elements necessary to achieve a quality life may not come from place, position, or possession but from attitude. In both Gilgamesh by Stephen Mitchell and Sunny Chernobyl by Andrew Blackwell, the reader can see these ideas explored in great detail.

Further analysis of the poem The Epic of Gilgamesh, described the characteristic of king Gilgamesh from the beginning, middle, and end. Throughout the poem, there are immature and petrified moments of Gilgamesh, but more importantly he learned to grow as he explore his journey. Friendship, love, and fear appears to be essential in this poem. Why are those terms relevant ? and how does it connect with the trait of Gilgamesh ?, let’s continue to find out the truth about Gilgamesh.

Gilgamesh is not a completely flawed character; he possesses, and obtains through his adventures, many positive qualities or virtues. For example, he is courageous. This virtue is evident during his battle with Humbaba. This forest giant is a fearsome adversary, aided by the gods, with a considerable size and strength advantage. Defeat of Humbaba takes the combined efforts of Gilgamesh and Enkidu. To succeed, Gilgamesh had to gain the courage to undergo this task. Enkidu rallies his friend by saying, “O Gilgamesh, remember now your boasts in Uruk. Forward, attacks, son of Uruk, there is nothing to fear.” (Sandars 20) With this, Gilgamesh’s “courage railed” (Sandars 20). He defeats and eventually kills Humbaba for which he is subsequently praised.

The two immediately become companions because Gilgamesh finally finds his match. They set off on an adventure to destroy the cedar forest and its guardian, Humbaba, all to be forever remembered. Gilgamesh appears to be improving his ways and not exasperating his people. However, Gilgamesh then takes his journey to be remembered one step too far and kills the bull of heaven. This infuriates the gods so greatly that they decide that one out of Gilgamesh and Enkidu must pay for their actions. The gods therefore bestow a deadly illness upon Enkidu, which brings about his death. Enkidu’s death devastates Gilgamesh, for he not only loses his best friend, but also comes to the realization that he soon too will die. Not only does Gilgamesh lose his best friend, but he also comes to the realization that he will also die some day. Thus, Gilgamesh decides to seek out immortality so he will not have to endure death.

David Flincher's movie, Fight Club, shows how consumerism has caused the emasculation of the modern male and reveals a tale of liberation from a corporate controlled society. Society's most common model of typical man is filthy, violent, unintelligent, immature, sexist, sex hungry, and fundamentally a caveman. In essence Tyler Durden, is the symbolic model for a man. He is strong enough to withstand from society's influences and his beliefs to remain in tact. Jack, the narrator, on the other hand is the opposite. He is a weak, squeamish, skinny man who has not been able to withstand society's influence; therefore, he is the Ikea fetish. Unlike Tyler, Jack is weak minded. Both Jack and Tyler are polar opposite models of

end, Enkidu 's death also forces Gilgamesh to continue living the life he still has left. He was so

Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.

Enkidu's death left Gilgamesh frightened and confused. The despair in his heart was so great that he could not rest; would he ever be at peace? He became terrified of his own death. Puzzled and searching for answers, Gilgamesh set out on a quest for Utnapishtim. It is on this great journey that Gilgamesh learns of a

How does one define happiness? For many people, this question makes people think what exactly it means to “be happy.” Many philosophers have different views on the definition of “happiness,” but one that strikes several scholars is Aristotle’s view on happiness. Aristotle believes that happiness is an activity of the soul in accordance with perfect virtue. This stems to another question, what is virtue? There are two types of virtues; intellectual and moral. Intellectual virtues engage in your mental capacity and moral virtues are the balance or imbalance of the morality of a moral decision. To achieve perfect virtue, moral virtue needs to have a balance, in which a feeling of emotion is rationale, with not too much or too little of that emotion (Aristotle, 11). Aristotle’s view of moral virtue is evident in several novels and films, but more noticeable in the classic film The Wizard of Oz. In the film, The Wizard of Oz, many characters experience feelings of emotion where they have too much, too little, and balanced feeling of emotion. All in all, several characters in the film The Wizard of Oz apply different feelings of an emotion, such as confidence, compassion, and courage throughout the story, resulting in showing Aristotle’s view of moral virtue as a plausible theory of a path to happiness.

The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.

For most of us, achieving some state of Happiness is a core objective. Indeed, in a great many of the philosophical musings on the very purpose of our lives here on Earth will tend to focus on the importance of achieving happiness, of sharing happiness and of bringing happiness to others. It is therefore reasonable to propose the knee-jerk response that happiness is the end in and of itself. However, as Kant asserts, this is an incomplete understanding of our supposed purpose here. As the 18th Century German philosopher asserts, happiness lived without the principle of good will, can have the capacity to be a rather unsavory force. According to Kant, in fact, this concept of good will is a core determinant as to whether the characteristics by which we can be defined may be considered virtues or vices. Kant argues that this truth "holds with gifts of fortune; power, riches, honor, even health, and that complete well-being and contentment with one's condition which is called happiness make for pride and often hereby even arrogance, unless there is a good will to correct their influence on the mind and herewith also to rectify the whole principle of action and make it universally comfortable to its end." (Kant, p. 7) This principle underlies the initial rejection of the assumption that Happiness, however formulated, is the

The Epic of Gilgamesh details two fundamental types of heroic journeys or questions: external and internal ones. The first journey is an external one, in which Gilgamesh proves himself to be the most valiant of all warriors, overcoming Enkidu and Humbaba. The second type of journey is an internal one, in which Gilgamesh seeks to understand the meaning of life, after the death of his beloved friend Enkidu. When Gilgamesh realizes that his strength is meaningless in the face of the gods and he cannot triumph over death, he realizes he must seek another answer to the problems of life.

Fight Club is a movie based a man deemed “Jack”. He could be any man in the working class, that lives and ordinary life. The movie starts out giving an overview of his life, which consisted of a repeat of flights and cubicles. He is basically to the point of break when he takes another business flight and meets a man that calls himself Tyler Durdan. They instantly become friends and after an unfortunate explosion in “jack’s” apartment, he moves in with Tyler. One night after last call at a local bar, Jack and Tyler start fighting in the parking lot for no reason other than essentially to feel free and do something other than the norm. Later in the film this bar-back fight turns into a club run by the both of the men, or so it seems. At the

Analysis of the Themes in Fight Club It is easy to understand how and why many who view Fight Club (Fincher, 1999) would argue that is in essence a critique of post modern consumer culture within America or indeed the western world. After all we are faced with Character(s) Jack (Edward Norton) who seems to gain no cultural sustenance from the world in which he inhabits. More over it seems to do him harm in the form of insomnia.

Another characteristic of an epic fulfilled by The Epic of Gilgamesh, is that the hero of the story goes on a journey in search of immortality. This is seen in many epics of the ancient world (Kramer 8). After the death of Enkidu, Gilgamesh realizes that one day, he too will die. From the beginning of the story, it can be seen that Gilgamesh has an obsession with fame, reputation, and the revolt of mortal man against the law of separation and death (Wolff 694). Tablets IX, X, and XI are all dedicated to this journey for everlasting life. Hoping to learn the secret of immortality, Gilgamesh makes a long and difficult journey in search of Utnapishtim, the one human being who has obtained it. Although several people told him along the way that he would not succeed in gaining eternal life, he didn’t let that stop him. When he finally finds Utnapishtim, he tells him there is no way for Gilgamesh to have what he has. He also reveals to