Comparison of Hurston's Their Eyes Were Watching God and Walker's Color Purple

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

Society has always thought of racism as a war given to the lowly African American from the supposedly high class white man, but no one thought there would be prejudice within a hierarchical class system inside the black community. However within that class system, history has shown that darker colored women are at the deep trenches of the totem pole. In the novel, “Their Eyes Were Watching God,” African American women are put under harm and control exposing the racism and sexism with their community. Through the life of Janie Crawford, Zora Neale Hurston portrays the concept of a woman finding her independence in a black, hierarchical, and racist society.

Nanny controls Janie’s love life, her first marriage with Logan at least, because of her experiences with slavery in the past. Her purpose is to have readers acknowledge Janie’s background and take that into consideration when the setting fades into the town in Florida with Joe as the mayor. Janie does show minimal resistance against the marriage between her and Logan because she does not yet have the experience of what love is supposed to be like and “asked inside of [herself] and out” (25). By not just superficially contemplating the idea if “marriage [ended] the cosmic loneliness of the unmated” or if “marriage compel love like the sun the day”, the concept of love and marriage is something that deeply troubles Janie. The pear tree symbolizes sexuality and it functions as a catalyst for Janie’s curiosity regarding what love is. With the imagery of the pear tree and the bee, it shows that love to Janie is interpersonal for the most part. However, this interpretation Janie has from seeing the pear tree and the bee changes as the novel progresses. At this point in the novel with Nanny attempting to inflict her own values and mentality onto Janie, Janie is viewed as the mule at the moment because Nanny is brought up in the slavery time period with patriarchal system to run their society and the ideas of women being independent and having their own voice are just

young man who isn’t Nanny’s ideological view of a husband, stating to Janie she must get

De white man is de ruler of everything as fur as Ah been able tuh find out… de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world as fur as Ah can see (14).

     “’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.

Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

Nanny’s idea of a marriage is “a haven from indiscriminate sexual exploitation and as a shelter from financial instability” (Jordan). Janie’s marriage to her first husband, Logan Killicks, is an unexpected grief and he disgusts her sexually. She tries to love him but their relationship lacks intimacy, romance, and fun. Throughout the novel, Janie is on a mission and she soon finds out “that marriage did not make love. Janie’s first dream was dead, so she became a woman” (24). Killicks think Janie is spoiled and “counts Janie among the livestock on his farm, estimating her value by her ability to produce greater surplus value” (Ha 33). It is when Janie realizes Killicks plans to put her to work on a mule because she does not bore him any heir that she runs off with Joe Starks.

     Community is an important concern in both black and women's literature. The racist and patriarchal nature of American society, what Morrison refers to as the master narrative of our culture, places blacks and women and especially black women in a position of powerlessness and vulnerability. Communities serve as a protective buffer within which black women must function in order to survive. However both Hurston and Morrison identify and criticize how the patriarchal nature of the master narrative is present in black communities. The male-female hierarchy in the black community mirrors not only the patriarchy of the dominant white culture, but also the white-black

Nanny makes Janie believe that marriage makes love and forces her to wed a much older man, Logan Killicks. Jones believes that Janie?s first efforts at marriage show her as an ?enslaved and semi-literate? figure restrained to Nanny?s traditional beliefs about money, happiness and love (372). Unfortunately Janie?s dream of escasty does not involve Killicks. Her first dream is dead. Janie utters, ?Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think? (Hurston 23). Logan began to slap Janie for control over

Hurston’s Their Eyes Were Watching God further demonstrates the author’s perspective of colored women. The main

Janie's grandmother was one of the most important influences in her life, raising her since from an infant and passing on her dreams to Janie. Janie's mother ran away from home soon after Janie was born. With her father also gone, the task of raising Janie fell to her grandmother, Nanny. Nanny tells Janie "Fact uh de matter, Ah loves yuh a whole heap more'n Ah do yo' mama, de one Ah did birth" (Hurston 31). Nanny's dream is for Janie to attain a position of security in society, "high ground" as she puts it (32). As the person who raised her, Nanny feels that it is both her right and obligation to impose her dreams and her ideas of what is important in life on Janie. The strong relationship between mother and child is important in the African-American community, and the conflict between Janie's idyllic view of marriage and Nanny's wish for her to marry for stability and position is a good illustration of just how deep the respect and trust runs. Janie has a very romantic notion of what marriage should be. "She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace . . . so this was a marriage," is how the narrator describes it (24). Nanny's idea of a good marriage is someone who has some standing in the community, someone who will get Janie to that higher ground. Nanny wants Janie to marry Logan Killicks, but according to her "he look like some ole

“Their eyes were watching god” a novel that looked how societies view on women, written by Zora Neale Hurston, portrays a society where “nigger women” are considered a “mule”. Throughout the novel, the protagonist, Janie Crawford, strives to find her own voice but struggle to find it because of the expectation in the African American community. Each one of her husbands play a big role in her life long search for independence and her own voice.