Comparison of Las Meninas and Arnolfini Double Portrait Essay example

There are different scenes of this portrait that van Eyck’s uses throughout to identify social standards of the time this piece was done. The fruit is there to identify the intimacy of marriage. The dog and gargoyles also represent various implications of religiosities. Going in enormous detail of what everything means. The gargoyles are there to display deceptiveness in the marriage of the couple’s nature as well as being somewhat

In Artwork 1, Mary is placed in the centre of the image between Christ who is on the left and God who is on the right. The Holy Spirit is between the two which forms the Holy Trinity. The composition can be viewed as forming an inverted triangle or heart shape. Mary is the focal figure with an attitude of modesty, reverence and tranquil emotion with her right hand placed upon her heart in which reinforces this. God is expressed as a picture of wisdom as He is crowning the head of Mary with a garland of roses, along side Jesus. The Holy Spirit is present in the image above Mary and is portrayed in the traditional form of a white dove. Cherubs, angelic beings, are visible at the base of the painting which can be interpreted as guards. The use of blue in their garments symbolising heavenly grace in

Man has been creating art for over 30,000 years. There are cave drawings, sculptures, Egyptian art, Greek Art, Modern Art and plenty more but to many, the Renaissance Art period is considered to be most important. Never had so many geniuses in art lived at one time and never had so many pieces of cherished art been produced. Two examples of Renaissance paintings are Cigoli’s Adoration of the Shepherds and Moretto da Brescia’s Entombment. Both paintings posses the attributes that were popular during the Renaissance period which I will now contrast and compare.

The purpose of this essay is to evaluate two art pieces that were created by two tremendously gifted individuals during the Baroque to the contemporary period. Masters of their movements, both sculptors were able to create masterpieces that revealed an unfolding event that could be read by their viewers from all sides.

In Jan van Eyck’s painting wedding portrait there are a lot of symbols that show something sacred is going on. Such as wearing no shoes, it shows they are on holy ground. Along with they are in their bedroom chambers instead of in a church which means they are there to consummate their marriage and are hopeful for many children which is what the woman is already showing hopefulness by resting her hand on her stomach. Another few things that I found interesting is the single candle lit in the chandelier even though its clearly daylight, it’s supposed to symbolize divine presence and the oranges in the windowsill and on the chest, it’s said they are the golden apples of Hesperides which is said to being a representation the conquest of death.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

The objective of this study is to post the names of three visual artists such as painters and sculptors that were the most influential during the 1960. After identifying the visual artists, a URL will be posted so that the reader can link up to review their work. Finally, a brief commentary will be offered on each of the artists in regards to why they are so influential.

At first glance, the 17th century paintings of the Baroque period, India, and China may not have much in common, but upon closer inspection there are relationships and divergences to consider beyond the surface. These details can be seen between Bichitr’s Jahangir Preferring a Sufi Shaykh to Kings, Wang Hui’s A Thousand Peaks and Myriad Ravines, and Diego Velázquez’s Las Meninas (The Maids of Honor). While each carries the style of its own location of origin, they all showcase influence and subject matter similarities and differences worth making note of, most specifically the presence of duality in focus within the paintings.

Harlie UnderhillDecember 4, 2017Spanish 1B - HudsonLas MeninasThe Las Meninas is a piece of artwork made by Diego Velázquez in 1656 in the Cuarta del Principe in Almcázar in Madrid. It is one of the most famous paintings in the Spanish history. Velazquez was trying to bring this painting closer to Spanish History. The artwork is a painting of the infanata and her attendants. She has two maids around her, and José Nieto in the doorway. Behind the infanata there is a canvas, on the canvas is a picture of Mari Bárbola and Nicolasito Pertusato. The infanatas parents, Philip IV and Mariana de Ulloa, reflections are in the mirror. The artist also includes himself in the painting, painting a huge canvas. When Velázquez was painting the portrait, he was trying to paint like the technique called Baroque. This technique is the style used to exaggerate motion in order to produce drama and tension in paintings, sculptures, literature, dance and music. He was trying to make a complex and credible composition that would convey a sense of life and reality. Velazquez limits between reality and painting.. The composition combines unity and variety. This painting has a specific location, and identified figures, and its a group portrait.

The painting Giovanni Arnolfini and His Bride was painted by Jan van Eyck. Shown in this painting is a man and woman who are to be married. What makes this piece of art special, beyond the talent of Jan van Eyck, is the amount of symbolism depicted. Every object is painted with care, and is intended to show the holiness of matrimony. This includes the pair of clogs which symbolized a sacred event, a dog that was a symbol of fidelity, a burning candle and a mirror that symbolize the all-seeing eye of God, and a small statue of Saint Margaret the patron saint of childbirth. Many if the objects in the painting were from traditional Flemish customs, and it shows some Flemish marriage practices, such as one lit candle in the chandelier. Even the placement of the couple is symbolic. The man is placed near an open window, which represents the world, and the woman is next to the bed, which may indicate the woman’s place is at home bearing children.

ZOOM Velázquez made a painting called Las Meninas and many artists admired his work. One in particular was Picasso. He was so interested in Velázquez’s work that he made over 50 remediations of it. Velázquez was an official painter for King Philip the fourth and he painted many pictures of the royal family.

Las Meninas was Velázquez’s largest oeuvre measuring 3.21 m by 2.81 m (Umberger 96). Velázquez’s masterpiece is one that draws sharp criticism ranging from those who find this work as a complete piece with its pictorial features prominent in the artwork, to those who find it hard to interpret its content conclusively (Ancell 159-160; Snyder 542+; Steinberg 48; Bongiorni 88). Despite such disparities, Velázquez’s masterpiece was able to project a day in the life of the royal family while at the same time achieving his artistic ideal. This work explores this artwork in light of the royal family and personal gratification by Velázquez as a celebrated artist.

In the previous writings I wrote about Hendrick van der Burch, “An Officer and a Standing Woman”. I wrote on how well he composed the figures, the use of color and light throughout the image, and the amount of symbolism. I ended the paper saying I will compare this painting to another, and I chose Van Eyck’s Arnolfini Wedding. The contrast and the similarities are great between the two the artist. First of all they’re both oil painters and from Northern Europe, specifically Netherlands. Although they’re from the same location, the both lived in two different time eras being 200 years apart from another.

Q9-2: What is the message? For Jan de Heem means at least in part a celebration, an invitation to share, at least visually and thus imaginatively, in its world. The feast on the table was a feast for the eyes. How is it portrayed symbolically in the piece and the vocabulary term used for this kind of painting. This painting is an example of Vanitas. The vanitas tradition of still life painting is specifically designed to induce in the spectator a higher order of thought. This is a reminding the viewer of the frivolous quality or vanity of human existence. It’s a still life painting with the enjoyment of the pleasurable things in life. The overturned goblet, the half peeled lemon, the oyster on the half-shell, the timepiece beside it , all remind the viewer that the material is celebrated in the painting in long lasting as the spiritual and may be greater importance than material wealth. The artwork is of a huge meal, most that has been left uneaten. Southern fruit in a cold climate is of luxury and the peeled lemon is untouched. Was a sign of unwanted consumption in the artwork.

What do a window pane, a cup, a mousetrap, and a wine rack have in common? They are all hidden symbols in “The Merode Altarpiece” Fig. 1 that contain a secret meaning to the viewer which upon first glance does not appear to have a religious meaning. To put commonplace objects and make them spiritual was an everyday practice in art in the northern Flemish region of Europe. This is especially true in two very well known artworks “The Merode Altarpiece” Fig. 1 and “The Portrait of Giovanni Arnolfini and his Wife” Fig. 2 by Jan van Eyck. In particular, “The Merode Altarpiece” is the poster child for hidden symbols due to the number of symbols throughout the work. Throughout this piece, there are constant signs of symbolism. A few of the examples of symbolism throughout this triptych are; the window panes symbolize Mary’s virginity, the wine holder is a symbol of wine for the Eucharist, the vase of lilies are yet another symbol of Mary’s virginity also including many others (REVEL 19.3). While in Jan Van Eyck’s “Arnolfini Portrait” the symbolism is a bit more suited to show the wealth of the patron. Van Eyck shows the wealth of his patron so efficiently in his oil on panel painting through the elegant drapery, the dog which could also be a sign of fidelity, the clogs as traditional wedding gifts, and the chandelier. These artists are trying to convey a sense of religion being close to home at