Comparison of Streetcar Named Desire the Play and the Movie

   A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a

Comparing the play versus, the movie versions of A Streetcar Named Desire has been entertaining and enlightening. Originally written as a play, Tennessee Williams later adapted it into a screenplay for the film version. Consequently, both versions were extremely popular in their own right. Drama and social taboos create an emotionally charged viewing adventure. Williams characters are complex, exciting and just crazy enough to keep the audience spellbound. The DuBois sisters are complete opposites sharing only their love for each other as common ground. Blanche, the older sister, shows up for an impromptu visit with her sister Stella Kowalski. Stella and her husband Stanley live in New Orleans, in the French Quarter. Blanche has become destitute and has lost the family plantation. Stanley, incensed by the idea that Blanche has taken the plantation from him, sets out to destroy her by any and all means. The characters and performers provide a riveting and consequently soulful performance that is hauntingly unforgettable. Williams writing moves the audience to tears with dynamic characters, conflict and catastrophe of unimaginable depth.

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

In his plays, A Streetcar Named Desire by Tennessee Williams uses different ways to show in the play of social realism. It show each of individual character and focusing on how particular way of viewpoint contrast with men, and the perspective of looking at women. The play explores struggle of two character Stanley and Blanche, between appearances and reality which made the play’s plot more affected reality. Throughout this play, it show the symbolize of the gender roles and the power of men over women in the 1940’s in New Orleans.

In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.

‘A Streetcar named Desire,’ is an interesting play, by Tennessee Williams. The character 'Blanche DuBois' is created to evoke sympathy, as the story follows her tragic deterioration in the months she lived with her sister Stella, and brother-in-law Stanley. After reading the play, I saw Blanche as the victim of Stanley's aggressive ways, and I also saw her as a hero in my eyes.

Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted

The dawn of the twentieth century beheld changes in almost every aspect of the day-to-day lives of women, from the domestic domain to the public. By the midpoint of the twentieth century, women 's activities and concerns had been recognized by the society in previously male-dominating world. The end of the nineteenth century saw tremendous growth in the suffrage movement in England and the United States, with women struggling to attain political equality. However, this was not to last however, and by the fifties men had reassumed their more dominant role in society. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. In this play male dominance is clear. Women are represented as delicate, reserved, and silent, confined to a domestic world that isolated them from the harsh realities of the world. By analyzing the character of Stanley; a masculine and Stella; a symbol of femininity; and other characters of this play, readers can clearly see how male-dominated world it was.

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe

In this play, the women are portrayed as very sexual beings who like getting the attention from men and whose self esteem comes from the male characters. Stanley and Stella's’ relationship demonstrates a female's need for male approval. Although Stanley is physically abusive to Stella, Stella still stays in the marriage. Men can be different with being Sexual like Stanley is. Stanley is the most powerful figure in the story and he uses sex to show how he is the dominant sex. Stanley is married to Blanche's sister Stella Kowalski and they are having a baby. However Stanley did take advantage of Blanche when she was drunk, and raped her. “My clothes are stickin’ to me. Do you mind if I make myself comfortable?” [He starts to remove his shirt.]

When she arrives on her sister’s doorstep, the tragic hero of Williams’ play A Streetcar Named Desire, Blanche DuBois, is blatantly out of place. However, with no where else to go, the former aristocrat arrives at the home of Stella and her husband Stanley in downtown New Orleans. Once there, Blanche seeks refuge from reality through the acceptance of men. However, Stanley, sees through Blanche’s compulsive lies and investigates her suspicions past. After being confronted and sexually abused Blache’s increasingly disillusioned mental state compels Stella to put her sister in a mental hospital. Willy Loman, the protagonist of Arthur Miller’s play Death of A Salesman, experiences a similar mental deterioration. After an unsuccessful business

Elia Kazan directed the film A Streetcar Named Desire and produce by Warner Brothers in 1951. The novel was originally written by Tennessee Williams and promoted as a play in 1947 and turned into a film later through out its success . The awards received were the Pulitzer price award in 1948 and was nominated for best motion picture, best writing and screen play. The novel was basically about a former English school teacher named Blanche Dubois (played by Vivien Leigh), who decided to join her sister at her house, Stella Kowalski (Kim Hunter) and her husband Stanley Kowalski (Marlon Brando) in New Orleans. During Blanche is at Stanley’s and Stella’s home, Blanche is trying to