ENGL 331 Restoration & 18th Century Literature
Complexity: Analyzing Industry and Idleness
On the surface, William Hogarth’s overall message seems simple; those who work hard and continue to stay diligent, as well as focused, will relish in riches whilst those who slack off like Tom Idle are destined towards poverty. However, if read more closely, Hogarth actually challenges that superficial reading by the immense amount of detail put into each plate specifically in regards to each person. At first glance, we are able to see exactly what he intended, Francis Goodchild’s good fortune contrasted against Tom Idle’s misfortune. In addition to this, Hogarth intended for another message to be received. As Hogarth praises Goodchild throughout the plates, he also effectively criticizes not only his work ethic, but him solely. More or less, Hogarth’s purpose with Industry and Idleness was to raise the moral of the lower class people and encourage the reader to look past the superficial reading for something more fulfilling.
It is vital to look at both apprentices’ backgrounds by analyzing the many hidden messages and themes that Hogarth inserted into each plate. By doing this, the reader can get a renewed sense of contemporary society during this time frame. Aside from this, it can also help to understand the ethics of the eighteenth century and the aspects of life. This plate series is based on a “moral code” in which Hogarth gives specific notions of morality directed towards
18th century’s perception of the Puritan Society was that Puritans were a zealous community of people that lived with strict moral standards which allowed them to live in perfect harmony. However, the truth is Puritans were overly zealous whose values created paranoia and intolerance for other views. Through the characters Dimmesdale and Chillingworth who are also falsely perceived, Hawthorne suggest they are representative of the dour living of Puritan society that is hidden by the puritan’s tranquil and utopian outlook.
Without an honorable reputation a person is not worthy of respect from others in their society. In Nathaniel Hawthorne’s novel, The Scarlet Letter, the struggle to shake off the past is an underlying theme throughout the novel. Characters in this novel go through their lives struggling with trying to cope with the guilt and shame associated with actions that lost them their honorable reputation. Particularly, Hawthorne shows the lasting effect that sin and guilt has on two of the main characters in the book: Hester Prynne and Reverend Dimmesdale.
Most times, anything abnormal or odd tend to be pushed under the rug. Edgar Allan Poe subtly brings attention to topics the are typically ignored. E. A. Poe had far from a perfect childhood. His father left when he was young and his mother died when he was three. Poe also seemed to have a lonely childhood after his parents were gone. He was separated from his relatives and didn’t appear to have many friends. He attended the army and after went into West Point. His academics there were well but he was eventually kicked out because of poor handlings of his duties. Before Poe died, he struggled with depression and a drinking problem. Some believe Poe’s tragic lifetime was the inspiration for some of his stories. Such as, “The Fall of the House of Usher”. A possible theory about this story is that Roderick and the Narrator were one in the same. This essay will discuss the possibility of them being the same through plot, characterization, and personification.
While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted,
Throughout the course of history, social hierarchies have existed across the globe, spanning from prince to pauper or business tycoon to lowly scrivener. Authors, in turn, have written works regarding social class, often examining the negative effects of societal structure on personal growth. Charlotte Brontë’s Jane Eyre takes place in Victorian England, in the age of industry and genesis of industrial capitalism. The novel’s protagonist, Jane, first lives a life of neglect, then a life in poverty, and eventually finds her happy ending. Through Jane’s personal experiences and interactions with fellow characters, Brontë analyzes the effects of social class. Professor Chris Vanden Bossche’s article analysis “What Did ‘Jane Eyre’ Do? Ideology, Agency, Class and the Novel” examines social inclusion and monetary pressures placed on the central characters during this pivotal era of English history. Through the Marxist lens, Jane Eyre can be understood in terms of complexity and character motives. Vanden Bossche effectively argues that external forces, like money and people, both motivate and repress Jane into choosing her own path. Thus, a more developed explanation is made for Jane’s various behaviors regarding social inclusion and societal rebellion.
The Puritan society influences the morality in The Scarlet Letter, while in Ethan Frome, Ethan makes his decisions based on his own ideas of morality. The similarity in the moral sensibilities of these novels is significant because it reveals that the ideas of morality can be seen across time periods, as it was not only an issue at one specific time. In conclusion, the insight provided by Hawthorne’s The Scarlet Letter and Wharton’s Ethan Frome reveals that the moral ideas expressed in these novels can be found across settings and time
The Scarlet Letter by Nathaniel Hawthorne presents the reader with the harsh, life changing conflicts of three Puritan characters during the 17th century. Hester Prynne, Arthur Dimmesdale, and Robert Chillingworth must endure their different, yet surprisingly similar struggles as the novel progresses. Despite their similarities, Hawthorne shows these individuals deal with their conflicts differently, and in the end, only one prevails. Nathaniel Hawthorne’s intricately critical diction helps determine his didactic tone; during the course of The Scarlet Letter, Hawthorne reveals that happiness can be harnessed through one’s perseverance.
In the world of The Scarlet Letter written by Nathaniel Hawthorne, I Hester Prynne have been forced to assign relative blame to Chillingworth, Dimmesdale and myself. It is distasteful for one of us to assign blame to all seeing as though we would all approach it differently and I can never know the true feelings of my counterparts. The blame I shall assign is who among us is most responsible for the misconduct in the puritan society we lived in.
The novel had been considered by some people, mainly the higher ranked and important persons of the 19th centaury, as a criticism of ‘Victorian double morality’ meaning they felt it was presenting a false image of what went on in London. They may have also have felt that it was encouraging other people to do things considered wrong-like. This shows duality between the novel and the behaviour in London during the 19th centaury.
The novel begins with a joint description of the protagonist, Newland Archer, and 19th-century New York haut monde. Society is governed by the dictates of form and convention, in which all things considered unpleasant are avoided at all costs, and the precepts of decorum and appearances are strictly adhered to. The
In history it seems that some value of materialistic items can control a person’s life; in the present, the same controlling is happening. William Hogarth backed up this theory by painting A Rakes Progress, which illustrates the life of Tom Rakewell in the 18th century. Through Hogarth’s paintings, he releases his thoughts and uses his work to speak to society. The theme of the gain and loss of money, drinking, prostitutes, and gambling is represented for the 18th century by William Hogarth’s painting.
Jane Eyre, often interpreted as a bildungsroman, or a coming-of-age story, goes further than the traditional “happy ending,” commonly represented by getting married. Instead, the novel continues beyond this romantic expectation to tell full the story of Jane’s life, revealing her continual dissatisfaction with conventional expectations of her social era; as a result, many literary critics have taken it upon themselves to interpret this novel as a critique of the rigid class system present in 19th century Victorian society. One literary critic in particular, Chris R. Vanden Bossche, analyzes Charlotte Brontë’s Jane Eyre through a Marxist lens, asserting the importance of class structure and social ideology as historical context and attributing this to the shaping of the novel as a whole. This approach of analysis properly addresses Brontë’s purposeful contrast of submission and rebellion used to emphasize Jane’s determined will for recognition as an equal individual.
This essay examines a passage from Edith Wharton’s The House of Mirth to show how it fits within the broader context of the novel. It considers whether the excerpt deals with similar themes from which it has been drawn, for example, money and class, or whether it introduces new ideas. It does this by cross-examining the passage with other parts of the novel. Moreover, the passage presents two key characters: the protagonist, Lily Bart, and the detached lawyer, Lawrence Selden.
The artwork of William Hogarth is influenced greatly by social factors and the culture of eighteenth century England. In many of his works, Hogarth satirizes English society, rich and poor alike. His paintings and engravings depict the society of which he lived, with the costumes and ways of life of the times all shown in his work. Much of the time he is being satirical, exaggerating some of the faults of the people, other times he is being bitingly realistic in his views. It seems no-one is safe from his caricatures, from the lords and ladies, to slaves, servants, prostitutes, criminals and the poor.
In the top story of one the buildings fortunate to still be standing, is a man who has hung himself from the rafters. Willaim Hogarth used all these startling scenes to grab the attention of the viewer and give them an insight on London at its lowest. Through “Gin Lane,” Hogarth expressed the ravenous effects gin had on the people of London and how it affected the living environment as well.