Concert Review

The music concert this review covers is the Plano Symphony’s rendition of the Beethoven’s Choral Fantasy in C minor and Symphony No. 9, The Choral, in D minor. The concert was held at a church in April 16, 2016, and it was a sold out performance. Since it was a night simply dedicated to Ludwig van Beethoven, the symphony titled the concert as “Best of Beethoven.”

For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see

The music played throughout all of the concerts adhered to be diverse. The instruments, the individuals performing, and the conductor all proved to be outstanding. The concerts proved to be interesting as I witnessed them, first hand.

In the third section Ms. Donna Wood looks like an African goddess and her body has an unexpected gracefulness. Even stage color was bright reddish, warm atmosphere around the dancer, like a sunrise in the morning. Stage would fill with colors. Music and performer are singing together. A sound of music tempo gets faster. She has the happiest face ever, no pain and no slavery. She jumps, she swings her leg and arms, and even she pulls her dress up and shows her leg an entire dance. Sound and lightening create the environment and good mood. She uses high level of dance than in previous two sections. She moves in between melody. I liked how she uses

In “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild begins by introducing unique aspects of the Africanist aesthetic including how it embraces differences and instead of the traditional European idea of resolving conflict, Africanist aesthetic presents a question and demonstrates the beauty in accepting conflict. One way in which the Africanist aesthetic differs from European ballet is how they utilize polycentrism, having multiple centers of movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways include the high-affect juxtaposition, changes in mood, movement, or tempo, to the drastically contrasting sharpness and intensity in the movements. Gottschild’s main point in her article is to describe how the Africanist aesthetic is much less strict

On April 11th, 2017 in the Louis Armstrong Theatre, I attended the GVSU “University Band”. This up-beat ensemble lasted about 90 minutes; the talented students of GVSU’s university band joined together to perform multiple different songs ranging from a Waltz to a Dixieland Jamboree. All of the songs that the band played for the audience were all well-known, popular songs that they all enjoyed. Having the opportunity to attend this concert has opened new musical paths for myself and has allowed me to enjoy and kindly critique something that I perhaps would have never had the chance to otherwise.

The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until

MUS 110CL Concert Critique Guidelines and Rubric After either attending a live concert or watching a full length concert online, write a critique of the performance following the format below. Here are a few examples of full length concerts you can find online (by conducting a web search using the criteria below) that could be used for this assignment:         Coldplay Live In Boston 2012 (Full Concert DVD) Sting: If on a winters night-Live from Durham Cathedral 2009 (watch all 14 songs on concert) Eric Clapton, Jeff Beck, Jimmy Page, Ron Wood, Bill Wyman, Jan Hammer, Charlie Duke Ellington The Great Paris Concert Richard Galliano/Winton Marsalis - Billie Holiday meets Edith PIAF Wynton Marsalis and the Lincoln Jazz Center

The music accompanying each dance move was very African rooted, with drums and other percussion instruments creating a guide through each dance move. This dance based on the Candomblé religion, provides insight into the personalities of each Orixás and provides knowledge of rituals of the religion. Many of the dance moves were accompanied by the memory of an Orixás and embodied their force of nature. For example, all the dance moves for the Orixá of water, or Yemanjá, were flowy and delicate, sort of water

One thing that immediately came up was the fact that the dance appeared to be a blend of cultures and styles. This is accurate because USF Naach is a Bollywood fusion group and so the songs we use include both English and Hindi songs; we also include elements of classical Indian dance styles (Bharatanatyam), bhangra, raas, contemporary, and hip-hop. I hadn’t really considered the cultural blend as much with this particular performance until I heard others point it out; another dance we do has a storyline that is much more focused on the differing cultural values of India and America and this is the one I had associated with cultural blending. After the studio I was thinking about how relevant fusion dancing is today in America because many of us grew up not entirely fitting into either the traditional Indian or American cultural norms, while others grew up in India and experienced a drastic change when they came to the US. Thus, fusion provides a balance between the two

The movements were very specific and showed the story of the dance. The partners used many movements that contained many body

The overall concert offered a wide verity of choir song, from classical pieces composed by Mozart to musical show tunes. The combination of which resulted in an overall enjoyable experience. The concert was not the first choir concert I had ever attended so I went in expecting it to be similar to the high school choir performances I have seen before. I was not expecting the scale of the concert to be so large. Instead of being one choir and an hour-long program there were four groups along with a much longer program. Each of the choir groups had a different dynamic, sound and feel to it. The differences made it interesting.

On Saturday, June 22, 2015 Lambeau stadium in Green Bay, Wisconsin welcomed Jason Aldean and Kenny Chesney. Both of them are going to their own different tour; Chesney The Big Revival and Aldean Burnin’ It Down Tour into a co-headlining night. Not having been to many concerts, this was my first country concert and it got pretty wild. Along with the amazing performances, with the powerful effect their songs had on the audiences there was a lot more drama than expected. When the concert had come to a close there were over 25 arrests and kicked out over 100 other people. This concert definitely left its mark, but might have not been for the best reason. Other than the drama over the packed in audiences this concert was truly memorable.

On Wednesday July, 8 I attended a concert at the Mimoda Studio located in Los Angeles the concert started at eight o’clock. On that day there was a group of four Instrumentalists performing a cello concert. The performances consisted of acts of big composers such as David popper the cellist also Alexander Konstantinovich ,it last about an hour. The show did not include programs so I will have to go off my notes some of the pieces that were played for David popper were Serade, Ballet scene, Gavotte, and La Chanson villageoise. The pieces played from Alexander Konstantinovich were impatient, land of heroes. There were also some Armenian chants played from the medival times, that were either composed by Sahakdukht orkhosrovidukht.

Eiko and Koma are a Japanese performance duo. Eiko believed that the history of modern dance is each artist string to define, define and define. So a person has to dig really deep into their mind and body. In the clip “LAND Rehearsal”, the way Eiko and Koma dancing are slow and dramatic and their dancing style is a little unusual so I believed this piece involved many traditions from their