Confessional Devices In Sylvia Plath

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

Sylvia Plath inserts both her feelings and life experiences into her literature- and was also highly influenced by Dickinson herself- but especially into her novel The Bell Jar. Plath uses parallelism to her benefit when she first attempted suicide in 1953, it is stated in the book just as Plath recalls the predicament and Plath admitted to saying herself that the attempt of suicide with her mother’s sleeping pills was “ blissfully succumbed to the whirling blackness to the eternal oblivion”(“Sylvia Plath”. Project Gutenberg) and goes into very immense detail of her thought process before the attempt to meet death. Stating this and reliving this in her novel only help her become new. Plath wanted to be better, so writing about it not only

Sylvia Plath is known as a profound writer, depicted by her lasting works of literature and her suicide which put her poems and novel of debilitating depression into a new perspective. In her poem “Lady Lazarus,” written in 1962, her mental illness is portrayed in a means to convey to her readers the everyday struggle of depression, and how it affects her view of her world, herself, and even those who attempt to tackle her battle with her. This poem, among other poetry pieces and her novel The Bell Jar, identify her multiple suicide attempts, and how the art of dying is something she has become a master of. Plath’s “Lady Lazarus,” about her trap of depression and suicide attempts, is effective and thought provoking because of her allusions to WWII Nazi Germany and the feelings of oppression and Nazism that the recurring images evoke.

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

Sylvia Plath's poems evoke the worst of subjective fallacies. Probably some of our charged reactions are symptomatic of the times and the culture; but more of them seem to stem from the always-too-easy identification between troubled poet and what might be the tone of imagery and rhythm of the poem considered. Because Plath worked so intensively in archetypal imagery (water, air, fire as bases for image patterns, for example), many of her poems could be read as either "dark" wasteland kinds of expressions, or as the reverse, as death-by-water, salvation poems--destruction implied, but also survived, phoenix-like.

Sylvia Plath’s work is marked with her trademark style, one full of enigmatic analogies and ambiguous metaphors. Sadly though, the life of Sylvia Plath was indeed shorter than anyone expected. Nevertheless, in the thirty years Plath meandered through the world, she left an everlasting impact. Remembered as one of the most dynamic and admired poets of the twentieth century, Plath cultivated a literary community unlike any predecessor. Additionally, since a sizable portion of Plath’s work was read posthumously, her suicide brought the much needed attention to physiological illnesses. Unfortunately though, Sylvia Plath will never know the perennial impact she left from her distinguished works that have touched numerous lives.

Most of the time poems are written to have a deeper meaning rather than only having a literal meaning which allows the writer to tell an idea or reveal deeper emotions they have. Several poems written by Sylvia Plath were written with a deeper meaning as a way to admit her profound emotions. Throughout Plath's life she suffered from severe depression which in turn impacted many of her poems. Her husband, Ted Hughes, was also having an affair with another woman which worsened her depression. A year later Plath's depression got the best of her and she committed suicide in 1963. Her poem "Cut" was written close to her death and thus contains her pain and deep emotions. Within "Cut" Plath details the experience of cutting her thumb, she compares the pain she felt to the pain she has had throughout her life and the pain people suffered from during events

In fact, Sylvia Plath’s depression, her relationship with Ted Hughes, and her German roots and culture are all reflected in her poetry. One aspect of Plath's life reflected in her poetry is her depression. Plath became depressed in 1953 when she learned she had not been accepted into

Born in Jamaica Plain, Massachusetts in 1932, Plath was the daughter of Aurelia Schober, high school teacher and student at Boston University , and Otto Plath, German immigrant and Boston University professor. At the age of eight, Plath lost her father due to complications from diabetes, which had a drastic affect on her emotionally. From the way she talks of her father in her poems it is easy to tell that Otto Plath had been a strict father, and both his overbearing relationship with his daughter and death heavily influenced her future relationships and her poetry. In one of her more famous poems, “Daddy”, Plath uses multiple

parents, and how she saw herself. Whether Plath wrote about nature or someone else, she

Sylvia Plath is well known for her rather obscure themes in her writing. One theme that appears in almost all of her poems is that of isolation from mankind and the world. In Plath’s case, isolation can also mean isolation from expression, from freedom, or from people. Plath’s poems “Daddy”, “Lady Lazarus”, and “Tulips” all express isolation through separate literary techniques such as metaphor, juxtaposition, and imagery

Following her husband’s departure, Plath became deeply depressed and struggled significantly with her mental illness ("Sylvia Plath Biography”).

By just reading Sylvia Plath’s works of writing, it is apparent that she had an infatuation with portraying negative and brutal thoughts. For example, her poem “Daddy,” she clearly expresses her rage towards her deceased father. The poem is full of contradiction and the interpretation is up the reader. Pieces like this gives insight into Sylvia’s mental sanity, which was questioned at times. In her early

Sylvia Plath (1932-1963) and Anne Sexton (1928-1974) both explored similar themes such as tone, structure, and symbolism. Many of their poems were cries for help, which resulted into metal illness, depression, and suicide. In 1958, Anne Sexton and Sylvia Plath met, and much to their surprise had a few things in common. They both were fascinated with death and suicide. Both Sexton’s and Plath’s poetry are considered as confessional poetry in which they were very honest, depressed, and had suicidal or homicidal tendencies. Sylvia and Anne’s views on what happened in their life and on independence, are what nearly separates them from other confessional poets. Sexton and Plath’s poetry range over a variety of topics such as death, suicide, rage, and mourning. They both utilize a convincing use of symbolism, deep image, metaphors, and soul-searching. Plath’s “The Colossus”, “Full Fathom Five”, “Daddy”, and Sexton’s “And one for My Dame” and “All My Pretty Ones”, are very enraged and different feminist perspectives, giving different views on the relationships with a father and a husband.