Confessions : Confessions As The Pilgrim Travels Through The Second Circle

Paolo and Francesca represented, or symbolize, sinful love by example. They show how an intrinsically noble emotion, love, if contrary to God’s law, can bring two essentially fine persons to damnation and spiritual ruin. Dante’s personal response of overwhelming pity should not blind us to the justice of the penalty. Dante describes himself as fainting at the end of Francesca’s recital, his purpose is partly to portray the attractiveness of the sin. Dante allows the lovers the bitter sweetness of inseperability in Hell, but they have lost God and thus corrupted their personalities; they can hardly be considered happy. In a sense, they have what they wanted; they continue in the lawless condition that

In verse 25, Dante describes the choir of anguish to be "like a wound" with a simile. Next, by using a metaphor, he describes the fate of the adulterous sinners and their punishment as being battered eternally by the winds and storms of hell, as they were figuratively battered by the winds of passion in their lives on earth. He describes with a simile how "as cranes go over sounding their harsh cry, / leaving the long streak of their flight in air, / so come spirits, wailing as they fly" (v 46-48). Finally, he makes use of another simile to iterate how after Francesca tells of her tale of love, Dante faints and falls, "as a corpse might fall, to the dead floor of hell" (v 140).

The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.

What goes around comes around. When sinners reach hell they are forced to experience the counter-suffering of contrapasso. For each sin, Dante gives a specific punishment relating to that sin. Some of these sins include violence towards self, violence towards God, sorcery, and hypocrisy. For the despicable lives they lived on earth, they are doomed to suffer relating consequences for all of eternity.

Dante's Inferno explores the nature of human suffering through a precautionary light. As Dante and Virgil move through the Inferno, Dante sees what has become of people who overindulged in things such as, lust, gluttony, violence, and bribery. Few of the punishments described in the Inferno have a direct correlation to the sin that the souls committed while they were living. Rather, they are a representation of what happens when we commit those crimes against ourselves and others. We create hells for not only ourselves, but those who we have sinned against. These hells are almost impossible to come back from as most of these sins cannot be taken back or undone. Some of the punishments that were clear representations were the punishments of

Robert Herrick, an English poet, once said, “Hell is no other but a soundlesse pit, where no one beame of comfort peeps in it.” Picture any type of Hell with relief, happiness, or even the smallest crack of a smile. There is no place. In fact, one can only think of the complete opposite, whether it is a Hell filled with neglect, pain, disgust, or a never-ending life of horror. This is the place created by Dante Alighieri; The Inferno is exactly the type of Hell where no person would want to be. Even those who acted upon the lightest of sins suffered greatly. While each realm contained a different sinner, the punishment that each were forced to face was cruel, repulsive, and sometimes rather disgusting. Through grieving tears without an

According to aforementioned quotation, it portrays that the great monster Minos, as the infernal judge and the agent of God’s justice, represents the human’s conscience and morality. For the time when the sinners come in front of the monster, it reminds the readers to think about themselves: what they have done in the past, or more precisely, their own sins. The monster Minos, moreover, plays an important role to the development of the story as his terrifying treatment of the sinners’ souls and his dreadful method of indicating the circle of Hell for all sinners help increasing the readers’ horror, as well as adding the highly alarming atmosphere to the story.

Canto V of Dante's Inferno begins and ends with confession. The frightening image of Minos who «confesses» the damned sinners and then hurls them down to their eternal punishment contrasts with the almost familial image of Francesca and Dante, who confess to one another. In a real sense confession seems to be defective or inadequate in Hell. The huddled masses who declare their sins to Minos do so because they are compelled to declare or make manifest in speech the character of their offenses and although they confess everything (each soul «tutta si confessa», v. 8) it is not an admission of guilt prompted by true contrition or the timely desire to reform their lives. In Hell

Inferno, written by Dante Alighieri illustrates the idea of justice through the belief that with each action arise a consequence. What you sin above ground, you deal with under. Through this he gives examples of the sins done and the punishment that is inflicted from doing such thing as a disgrace to God. All through Dantes imagination and his views as to how it should be done, there is a punishment for each area of sin committed which is why a person who bribes will be in the further in the level of hell, as compared to someone who has killed an innocent.

In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.

Reason, logic, and pure thought are the compasses of humanity. Unfortunately, today no one even bothers to look at the compass or to ask for directions. The lack of logic and reason in our everyday decisions leads to the larger scale chaos that results from apathetic actions. Slowly, almost imperceptibly, as in Dante's case, we have slipped from our guide of Reason and shown pity to people, like Francesca and Paolo, who fall to carnal lusts, or to those like in the Wood of the Suicides. Like Dante, we are only too eager to hear their stories and report back to those above, still in the Dark Wood, of their fate. We feel as though the punishment which God, in His great Wisdom, has dealt out for them were unfair. And we fear for our own

The author (2007) also points out the importance of the Roman Catholic views point about confession and penance has three significate merits to confession. The first significate merit is that consistent confession forces one to confront one’s sin, meaning that one will not merely overlook or diminish one’s transgressions; instead it will cause one to take their sin more earnestly (p 213). The second significate is that the act of penance, paying a price for sin, creates a mindfulness of the significance of sin, meaning that it will not allow one to have a carelessness understanding toward sin of thinking that one will always be simply forgiven; instead penance combats this predisposition by arresting consequences for one’s sin (p 213). The third Significate merit is that it lifts the burned of guilt by forgiveness being granted during the ritual of penance, which can be extremely redemptive for some individuals (p

As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.

In The Inferno, Dante descends through the nine circles of Hell, encountering increasingly serious sins, most of which are crimes. The levels of Hell can be interpreted as a gradation of crimes, with penalties in proportion to their relative gravity of sin. While crimes are transgressions against human law, Dante’s Christian orthodox ambitions translate the treatment of these seemingly earthly crimes as sins, transgressions against divine law. For the purposes of this paper, the two terms can be used interchangeably because Dante’s perception of crimes on Earth is in parallel to the punishment of those crimes as sins in Hell. For Dante, the most punishable sins are those of betrayal. With a lucid examination of Dante’s political

“I came to a place stripped bare of every light and roaring on naked dark like seas wracked by a war of winds” (Canto 5 inferno), this when Dante goes into the second circle of hell and watches as the lustful are swirl around in this never-ending storm of lust. Dante is using this point of view to try and give a realistic vibe to the readers. He talks to Francesca and Paolo two lovers who were murdered after found having affair against Francesca husband Giovanni Malatesta. After talking to them Dante is starting to get a sense of how real his journey is, he is feeling overwhelmed Dante falls to the ground and pass is out. “And while one spirit Francesca said these words to me, the other Paolo wept, so that, because of pity, I fainted, as if I had met my death. And then I fell as a dead body falls.”(139-142)