Conflict Between Ant-Man And The Wasp

Stefan Babich, a blogger for Periscope Magazine, a blog for women.Wrote a online article in 2011 that Brings up an issue many of us might not have even knew existed, that there is a lack of female protagonists in Pixar films. Babich brings up many points that are important to think about, because whether we realise it or not films,books,video games, and the media in general, at times do treat women to be less than their male counterparts.

Moreover, few women have leading roles in films especially in ones that are comic based, because the majority of the audience consists of heterosexual males that want to see women in passive roles. Portraying attractive women that abide by cultural norms satisfy most men’s desire for dominance and masculinity. Solomon and Maasik imply in “Heroes and Villains: Encoding Our Conflicts” that economically movie industries consider female lead movies as losses because the safest way to make money is by appealing to adults and children who have already approved of successful cartoon series and books (444). Movie industries are more concerned about making money, so their agenda is to go with what already works and maintain the safest profile. However

The film industry has created the conventional gender roles of society into their movies; A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarilythat of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. Men were typically employed, successful gentlemen, while the woman’s only job was a housewife. The film industry was mostly dominated by men. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had

In the media we see today, and movies that are continually coming out all have a central idea in common. They all show and represent the idealistic perspective of male versus female in society. From cartoons to chick flicks to romances and comedies we notice identifiable differences and trends represented between the two genders. In the movie I watched, “Clueless,” there are many examples illustrating male superiority over female, ideas of what femininity should be, and female appeal towards the male figures in the film.

In Hollywood films, the main protagonist of mostly all film are males showing how strong, smart, and how they are the perfect hero, yet woman are seen as the damsel in distress, soft, and weak. Women are seen as the girlfriend, the wife, or the mother. The value of the woman in films is determined by their male counterparts and their overall outer appearance. In movies women are seen as the same with all women are ditzy, dependent on someone, they need someone to hold their hand also that woman are too emotional, yet there are movies that show women as strong and dependent. Movies with female leads are growing and they show how woman are just as strong as male leads. Yeah, many women are strong in their own way; I know I sure am.

Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.

In addition, we will explore the context in which the members of the group communicate with their intended audience using mass communication. The last part will try to examine the recent changes in the comic-book world in regard to giving the traditional male superhero role to a female lead and what changes might it bring forth by breaking some of the female gender stereotypes and norms.

According to an article called, “How Horror Films Are Bringing More Gender Equality to Hollywood” it states that, “University of Southern California communications professor Stacy Smith, who researches depictions of gender and race in film and TV, found that of the 5,839 characters in the 129 top-grossing films released between 2006 and 2011, fewer than 30 percent were girls or women.” This explains that males still have a dominating place in movie character roles in this generation. In general male figures in the movie industry could be seen as the more ruling characters as they are more

Although modern media has made great strides in terms of female representation, we still have a long way to go. While women show up more often in movies, literature, and the like, their portrayals are steeped in the stereotyped idea that “sex sells”. As a result, the female characters, whatever their capabilities or likability, are undermined by the ridiculous standards given to them.

The presence of media is prevalent in our technology savvy lives. Yet with inequality shown in media, we are constantly bombarded with sexist concepts. This issue was specifically exemplified in the movie “The Avengers” where a bunch of superheroes get together to collectively defeat an enemy.

Now, something I like to do when I watch movies is to look up everything about the production. The cast, the trivia, the soundtrack… those quizzes to see which character you’re most like… Aww… I got Captain America again? Obviously I’m Iron Man! I looked up the directors of this particular film and found something alarming. There were no women. You might be thinking, if the numbers for female directors are so low, maybe it’s because they aren’t passionate enough or have the right amount of experience. Well, that’s False; 50% of film school graduates are women. There are some women who do get their big break, but it’s not much fun now that they are sitting with the cool kids at lunch. As cited in the letter to the US Equal Employment Opportunity Commission, “More than one award-winning female director has been told a particular showrunner “doesn’t hire women”. Another director stated that producers and studio executives told her agent “not to send women”. Most of these directors were told to stick to more “women oriented” projects, such as women-centered television shows, romantic comedies, or commercials for “girl” products. You know, I was going to add a joke about menstruation, but then I decided that it would seem like I’m ovary-acting. According to a 2015 report by the Sundance Institute and Women in Film’s Women Filmmakers , females seem to not even be considered

The film industry has created the conventional gender roles of society into their movies. A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarily that of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had successful careers and did many activities outside of home. “Women were shown doing housework and men were the beneficiaries of their work” (“Women’s roles in the

Frequently, most superheroes in cinema are portrayed by male characters rather than women, creating a distinction between gender roles. Indeed, through the passage, “These results may suggest to viewers that women are less important, knowledgeable, and capable than men – and less likely to be a hero” (Miller et. al) women are much less likely to be featured as the hero within the film, and more likely to be featured as the “damsel in distress” of the story. Furthermore, women are much more likely to be depicted in a sexualized fashion, even when displayed in the role of hero. This feature of women with a lack of dominance defies feminism, as they lack roles in superhero films and they are portrayed with the sole purpose of boasting

Film scholar Louis Gianetti says, “In the field of cinema, the achievement of the Women’s Movement [of the 1960’s] has been considerable, though most present-day feminists would insist that there is still much to be accomplished in the battle against patriarchal values” (428). Gianetti’s words are an understatement. Women in Hollywood are underrated, underrepresented, and generally shoved into the background of the film industry. However, with film becoming one of the most pervasive and influential art forms of the 21st century, women’s leadership in the film industry is vital not only to the feminist movement, but to the perception of the modern female overall.

The simplest way to increase gender equality is by creating more roles for women. According to 2007-2012 film statistics reviewed by the New York Film Academy, the “average ratio of male actors to female actors is 2.25:1.” With less females onscreen than males, men continue to be the majority in movies. It is important to portray realistic representations of everyday life in where “women comprise 50 percent of the population” (Green, Women In Film Los Angeles). It is also important for women and young girls to have a variety of role models to look up to. With more women in movies, young girls will begin to understand that being a woman does not limit what they can do. Organizations such as Women in Film were created to help by “promoting equal opportunities for women, encouraging creative projects by women, and expanding and enhancing portrayals of women in all forms of global