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In Basil Davidson’s video “Different but Equal,” he outlines the European perception of Africa upon their discovery of the continent. Claims that the Europeans were making about African culture, however, were far fetched and did not depict Africa in a positive manner. History according to pre-European Africa was rich and diverse, but once Europeans saw for themselves how different their continent was from Africa, they began to make up their own version of African history.

By reading this poem, the reader can understand the viewpoint of many Europeans, and how they viewed themselves as being significantly “more intellectual” than the Africans.

Chinua Achebe was educated in the West, though he hails from an African tribe. His exposure to both African and Western thinking gives him a unique perspective on the colonization of Africa, which is argued to be barbaric by some, but beneficial and necessary by others. In “Things Fall Apart,” Achebe perspective comes through as he masterfully describes a pre-colonization African tribe, and how colonization percolated through it. His authentic accounts of the positives and negatives of both tribal society and colonization leave the reader to answer the question of whether imperialism was morally justifiable or not.

When Idi Amin’s policies are forcing Asians to leave Uganda, Mina’s father Jay asks his lifelong native Ugandan friend Okelo, “Where should I go? Where should I go? This is my home” (Nair). Okelo replies, “Not any more, Jay. Africa is for Africans—black Africans” (Nair). Although the pain of being forced to leave Uganda so that its indigenous people can regain control of the economy is massive for Jay, it is this remark by his closest friend that devastates him, because what it tells him is that he does not belong in Uganda. He is not wanted, not accepted—not even by his best friend.

Okonkwo considers Nwoke to be weak, lazy and is more feminine than masculine. He feared that Nwoke will turn out to be like Unoka so, “he sought to correct him by constant nagging and beating” (11). Achebe shows that Okonkwo wants his son to be strong and fierce like him, but when this was not the case he feels that harming Nwoke will teach him. Though instead of the punishment helping Nwoke become manly, it had a negative effect on Nwoke leading him to fear and resents his father. In addition, the small relationship they had was completely broken when Nwoke finds an interest for the Christian religion. When Okonkwo hears that Nwoke is among the Christians, he gets furious and disowns his son because he does not want Nwoke to join the church . Likewise, when Obierika ask Nwoke how his father is he answers saying, “I don’t know. He is not my father” (124). This shows that instead of working out their different opinions they fought and in the end tore their relationship apart. One can not miss the reality that if Okonkwo was kind and not hurtful towards Nwoke tun he would have stayed with the Ibo culture. If this was the cause then the father and son would have had a better relationship. In the end the reader can conclude that Nwoke and Okonkwo’s relationship failed because of the actions and feelings they had for each

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

In Derek Walcott’s From in a Green Night: A Far Cry from Africa, the author explains and dives into the topic of colonialism and self-reflection through his own experiences of being trapped between his Kenyan and British descent. Similar to Fanon’s concept of complicity, Walcott also understands both sides of the story in an unbiased manner. In his poem, he uses imagery to describe the violent past in which Kenyans and British people have committed to each other, the ‘savage’ nature of humans during colonization, and his own internal speech where he himself is confused of his cultural and social identity. This paper will explore the core concepts of Walcott’s writing and further explain it through Fanon’s lens to amplify the meaning of the poem.

The world is full of cultural collisions. Every day people meet other with different worldviews. This concept of cultural collision, is shown perfectly though Chinua Achebe’s Things Fall Apart. In the story it is the cultural collision, of the introduction of Western Ideas into the ibo society, that causes Achebe’s characters to grow and change. One character in particular is forced to reevaluate his sense of identity because of the cultural collision. This is the character of Okonkwo. The collision challenges Okonkwo’s sense of self, as a religious leader or an Egwugwu, as a leader of his people, and as a man. It is Okonkwo’s response to these challenges, that shapes the meaning of the book of that as your world changes so must you or you

Chinua Achebe shows the reader the change of Africa as seen by the main character of the novel, Okonkwo. Okonkwo has the hardship of living in an ever-changing society. It is thru Okonkwo that the reader is able to visualize a society of immense cultural standing, and not as European colonizers would say, a society of savages. The main theme of culture is present in all areas of the novel, which helps to show to the reader all of its underlying themes, themes of tradition and themes of religion. Achebe sees the themes of culture, tradition, and religion in one bright light and European colonizers see those same themes in a totally different, somewhat snobbish dim light. However these themes are viewed, one thing is certain, change is on the horizon.

This chapter in Africans and Their History by Joseph Harris presents some of the roots of the stereotypes and myths about Africa in the past and for the most part are still held today. Harris discusses how the “greats” of history, geography, and literature starting a path of devaluation of Africans that writers after their time followed. Harris also denounced the language that these “greats” used to describe and talk about Africans. He asserts that this language inherently painted Africans as inferior and subhuman.

Even though the novel depicts a societal conflict between colonizers who attempt to impose change and tribesmen who reject that change, Achebe avoids stereotyping the colonizers as “bad” and the tribesmen as “good.” The protagonist, Okonkwo, is portrayed with little sympathy. An angry, callous man, he is shown to act outwardly only in violence. Growing up, his father was a weak, effeminate man, and Okonkwo aspired to be everything his father was not: “He was ruled by one passion—to hate everything his father had loved, one of these was gentleness” (13). Even though his motives are established, Achebe does not attempt to justify the selfish and detrimental actions of Okonkwo. On the contrary, Okonkwo’s uncle Uchendu is rendered as a selfless, compassionate, and wise old man. When Okonkwo is banished from his tribe, Uchendu receives his nephew with open arms and helps him re-establish his life. “As soon as Uchendu saw him with his sad and weary company, he guessed what had happened, and asked no questions” (129). By showing both undesirable and appealing characters, Achebe offers a reputable and non-biased portrayal of his native people to unfamiliar American audiences.

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

The strengths of Achebe’s novel and Issacman’s reading are how they illustrated how colonialism tears culture and tradition apart. In Achebe novel, it is has many historical contexts that occurred British colonialism that brought over their government and religion and their indirect ruling at the beginning of the 19th century in Africa.   When the Christian missionaries came over and basically said that the traditions were wrong, Okonkwo would not stand for it. However, one of the weakness of the novel is Okonkwo overbearing expectations of his family and himself and the extremes he took to restoring his village to the way it was before which is too much as well the conflict of colonialism did not come until halfway through the book.   However the strength of the novel is how Achebe illustrated the Igbo culture before the arrival of colonialist and missionaries. This helped us actually understand why Okonkwo and Africans felt at that time in colonialism in West Africa. From Achebe perspective, he shows the characters in the novel and in history how Africans view Europeans as odd and possibly threatening invaders. We experience colonialism, therefore, from the perspective of a colonized people. As Okonkwo friend, Obierika metaphorically explains how colonialism tore apart the Igbo culture

“Ghana’s history is a metaphor for what occurred in the immediate aftermath of independence in Africa,” is a quote by Kofi Awoonor, Ghana’s leading literary figure and one of Africa’s most acclaimed authors. Three of his poems illustrate the hardships and trials that the Africans faced after their claim of independence from Britain. As said by Awoonor himself, “...high hopes were crushed by the greed, corruption, and lust for power…”. The author uses multiple literary devices as a way to emphasize the adversities they faced. Kofi Awoonor symbolizes the downfall of Ghana after independence through the use of theme, mood, and symbolism in his Three Poems.

Chinua Achebe’s Things Fall Apart is a modern example of postcolonial literature and is one of the most influential pieces of its genre. Postcolonial writing presents important themes and lessons of justice, equality, and freedom that can be applied to present times. It reminds us of how important our freedoms are and why we need to protect them. The colonized write about their exploitation and show how there is persecution in their colonized society. Postcolonial authors use specific methods to undermine their colonizers and reveal their backward logic. Things Fall Apart has various examples of meta-narrative, decolonization struggles, and colonial discourse worked in throughout the novel. Chinua Achebe’s writing styles showcase these techniques to subvert his European colonizers.