Conflict In Arthur Miller's A View From The Bridge

Conflict is the essence of drama. It can contrasts both inner e.g. when Sheila is deciding on whether to sell herself to the Jap’s. It can also be physical, an example

It is difficult to isolate the play’s conflict to anything other than on a thematic level. Every time a conflict has a potential of presenting itself, the fantasy element

In William Shakespeare’s play ‘Romeo and Juliet’ there is alot of conflict particularly in act 3 scene 1. The audience find conflict interesting to watch because it creates drama and tension. Shakespeare uses many dramatic devices to present this; some of these techniques include foreshadowing, puns and irony to add to this effect. Another reason why Shakespeare uses conflict in the play is so that the audience are able to get attached to it and watch the conflict grow. The fact that the scene is set in a public place encourages the characters to show off, the characters do this because they want to show their strength and show people that they are not afraid. The conflict in the

Romeo and Juliet is a story based on conflict. The conflict in the story is Capulet against Montague. From ancient times, the two families have held grudges against each other. As the book states. “Two households, alike in dignity...from ancient grudge break to new mutiny. Where civil blood makes civil hands unclean (1.Prologue.1-4).” The grudge between the two families has led to fighting and even death.

In this essay I will address how conflict is successfully used in Act 1 Scene 1 to prepare the audience for the rest of the play. It will firstly show how Shakespeare uses physical conflict between the two feuding families. Secondly I will demonstrate the idea that Shakespeare introduces emotional conflict through the character of Romeo, and his outpourings of love for Rosaline. Finally I will show that the character of Romeo demonstrates both physical or external conflict and emotional or internal conflict. The purpose of the prologue is to clearly outline the plot of the whole play in fourteen lines and it also allows the audience to be settled before the actual play

On the other hand Benedick and Beatrice’s relationship is different; their relationship is not superficial but deeply rooted within them. They enjoy insulting each other as Benedick says to her ‘what my lady disdain! Are you yet living?’

In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.

‘Romeo and Juliet’ by William Shakespeare incorporates the theme of conflict through many different characters and situations. The definition of conflict is “a fight, battle, or struggle; especially a prolonged struggle; strife” The play mainly focuses on the tragic lives of Romeo Montague and Juliet Capulet; the two characters belong to the Montague and Capulet households respectively, which have held ongoing grudges against each other for years. The play ends with both main characters committing suicide, to be together in heaven. As with many of Shakespeare’s works, the theme of conflict is a strong one. For a start, there is the ongoing conflict between the two families; the Montagues and the Capulets. The audience is unsure how this

Throughout Romeo and Juliet the theme of conflict is conveyed in many forms, mostly through physical violence; reflected in the era of the Renaissance where there was political turmoil and many European nations were at war. Shakespeare presents the theme in other forms as well; family versus family, sacred versus profane, parent versus child and language versus inner conflict. Conflict is a key in the structure of the play; it is highlighted in the beginning, middle and end. As an audience we are constantly being reminded of conflict which is reflected within the era the play was written in. The Renaissance was the 'rebirth ' of classical learning and was also the time when Science challenged many traditional Christian beliefs which resulted in Catholics fighting Protestants; the Gunpowder plot and the Spanish Armada. Shakespeare chose to dramatise conflict as it was the context in which he was writing plays. It is therefore arguable that this period was characterised by irreconcilable opposites in politics, religion and art. Nothing in the world can exist without its opposite- just as love cannot exist without hate, violence cannot exist without peace.

According to Ann Charters in The Short Story and its Writer, "conflict is the opposition presented to the main Character of a narrative by another character, by events or situations, by fate, or by some aspect of the protagonist's own personality or nature. The conflict is introduced by means of a complication that sets in motion the rising action, usually toward a climax and eventual resolution" (Charters 1782).

 The Crucible, written by Arthur Miller, is a play that takes place in the sixteen nineties during the famous but tragic witch trials. The entire community is in pandemonium yet certain characters are also fighting internal conflicts. Miller uses three characters that manifest this internal battle ever so clearly: Mary Warren whose whole world turns upside down, John Proctor who must weigh the importance of his family against his reputation and Reverend Hale who must decide whether to do his job, or do what he knows to be right. 

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

By using the intense phrases like ‘I lose more blood’ this could also convey that love is something he knows he may be hurt by. Similarly Beatrice states that no man is good enough for her and then also declares her intentions of remaining bachelor. However Beatrice’s confident chatter can be just a cover of her inner insecurities. She may talk as if she definitely will not marry when really she is afraid of this as her age is rapidly increasing; this is a feeling of desperation. Overall, the similarity between their views and feelings sparks a kind of sweet compatibility between them. This shines through their obstinate attitudes reflecting the idea that a love relationship has the potential to evolve. However, this is also makes the end (where they are indeed in love) more surprising therefore presenting their relationship as quite volatile.

Beatrice is the only person with Catherine that stand with Eddie until the end because she doesn’t want to leave her husband in those crucial moments alone, in fact he keeps her husband in her arms until Eddie dies “he dies in her arms, and Beateice covers him with her body” Beatrice will never leave her husband alone and will always support him until the end and she will never let people talk badly about him, she will defend it until the end.

Eddie is trying to disguise the fact that he is jealous when he turns to Marco, " But I understood, Marco, that you was both comin' to make a livin' for you family. You understand me, don't you, Marco?" This scene tells us that Beatrice is supportive of the relationship between Catherine and Rodolfo and tries to overrule Eddie in the house.