Conflict In Beowulf And Gilgamesh

The Epic of Gilgamesh and Beowulf contain everything we can expect from a great epic literature. It portrays fantastic geographies, exotic characters, exhausting quests, heroic battles with monsters, supernatural beings and natural forces. Most important of all, they are two outstanding stories of a great epic hero who is compelled to meet his destiny and who rises to every challenge with courage and determination.

Upon arrival, Enkidu wimps out and says “Do not go down into the forest; when i opened the gate my hand lost its strength.” (76), to which Gilgamesh replies, “ Dear friend, do not speak like a coward. Have we got the better of so many dangers and travelled so far, to turn back at last?” (76-77). This dialogue between the two friends shows the huge difference in their personalities and highlights Enkidu’s cowardice and tentativeness and Gilgamesh’s bravery and strong will.

The short epic revolves around the namesake character Gilgamesh, who regularly acts impulsively using his intuition and instincts without heeding the advice and wisdom of others. The adventures and downfalls of Gilgamesh illustrate why using reason matters so much. Gilgamesh’s propensity for rashness can be seen early on in the epic when he meets Enkidu and immediately decides to go after the monster Humbaba. Once he decides to go, nothing can persuade him otherwise (Gilgamesh 109-110). Even when Enkidu, who lived in the area where the monster guards, tells Gilgamesh “The haunt of Humbaba is a hopeless quest (110),” Gilgamesh remains steadfast in completing his conquest of the monster. When the elders hear about their king’s plan they sternly tell him:

Further analysis of the poem The Epic of Gilgamesh, described the characteristic of king Gilgamesh from the beginning, middle, and end. Throughout the poem, there are immature and petrified moments of Gilgamesh, but more importantly he learned to grow as he explore his journey. Friendship, love, and fear appears to be essential in this poem. Why are those terms relevant ? and how does it connect with the trait of Gilgamesh ?, let’s continue to find out the truth about Gilgamesh.

The storyline of Beowulf illustrates the epic battle between good and evil, and demonstrates to the readers that external war is not the only conflict hero’s face. Beowulf struggles a lot with his pride. Beowulf’s biggest internal battle was experienced when he was preparing to fight the dragon. He decided to go into battle, ignoring the fact that he had aged, but his pride, and warrior code wouldn’t let him run. What makes matters worse, he decided to go into the battle alone. His hero pride overcame the actions a normal king would’ve taken. The hero ideology at the time was strictly against a warrior running from a battle, and if Beowulf had done so, he would’ve been persecuted by society, as well as his own conscience.

The epics of Beowulf and Gilgamesh are about a pair of heroes who had many common characteristics as well as characteristics that contradict one another. Beowulf is a Christian epic that roots from the Anglo Saxon culture. Throughout the plot, there are numerous biblical allusions. “Grendel who haunted the moors, the wild Marshes, and made his home in a hell not hell but earth. He was spawned in that slime, conceived by a pair of monsters born of Cain, murderous creatures banished By God,” (from Beowulf part one, translated by Burton Raffel pg. 21, lines 17-21) Gilgamesh is a story from the Mesopotamian culture, which is now present day Iraq. As Beowulf, Gilgamesh also has

Battles and fights are some examples of conflict in most fictional stories. They can be many different fights, like the epic battle between good and evil, or a kingdom defending their land from enemies. When people think of the word ‘battle’, they may think of climatic sword fights and war. But sometimes, battles can take place inside of a person. Perhaps a character may have conflicting aspirations and desires that may cause an internal battle and maybe result in something catastrophic. Or perhaps a character has opposing personalities that might clash and cause something important to happen. In many works of literature, the writer

Fame and glory have been the most admirable characteristics in the middle Ages and even before Christ in the ancient civilizations. The epics of Gilgamesh and Beowulf are stories of heroism and immortality gained through fame. The aim of the main characters, Beowulf and Gilgamesh, is to be a good warrior by being courageous, respectful and prudent, a protector and servant to their king (only in the beginning of Beowulf, as he later becomes king and Gilgamesh already is) and their country. In both poems the fights of the main

At the heart of a tale about slaying mystical creatures, scorning a goddess, and traveling to fantastical places, lies the narrative of a profound friendship between two men. In The Epic of Gilgamesh, an ancient Mesopotamian literary masterpiece, all of its events are centered around the development of the friendship between Gilgamesh, the tyrannical and stubborn king of Uruk, and the man created by the Gods to both complement and challenge his nature: Enkidu. Each of the three dream sequences in the epic represent different stages of Enkidu’s life – one portends his birth, another foretells the actions that will ultimately lead to his demise, and the final predicts his death. In the Epic of Gilgamesh dreams are utilized as a tool to

Beowulf’s last test of courage comes in his old age when his people are threatened by a “mighty” dragon. Beowulf felt as if something he had done had caused the irascible beast to wreck havoc on his people, “killing and destroying” them and their homes with its “molten” breath. Knowing what had to be done, Beowulf bravely faced the dragon, while all of his people, except for one, fled in fear. His last battle, which ended in death, displayed Beowulf’s unwavering courage, the type that every hero should possess.

Throughout history, there have been stories of great warriors of one distinction or another. This semester has been full of them. Some have been gods, demigods, or great men protected by gods. Most have, in one fashion or another, been greater than common men. Stories were created to explain how these men came to be and how most have risen to the heights of kings in many cases. The Epic of Gilgamesh and the Song of Roland are two of these stories that tell tale of great epic heroes. They were both larger than life though both were flawed in different and similar fashions. They share the similarities of a complementary companion. Those companions differed greatly in their own character and judgement.

In this argument essay, it consists of three texts: The Epic of Gilgamesh, The Odyssey, and Beowulf. During each of the characters ' journey, they face challenges such as fighting with monsters and with that they either develop a greater sense of mortality or a greater sense of identity. Mortality and identity are common themes in an epic that portrays the importance of character development from the effects of their heroic actions. Some epics result in mortality which means they know that they live to die, while others result in identity which is when they live to discover their own identity. Mortality is developed more effectively in The Epic of Gilgamesh and Beowulf, and identity is shown in The Odyssey. Monsters in these epics that

In today’s society, many humans define themselves by various means. How others perceive them, personality traits, profession, and tangible assets often define individuals. Others use intangible characteristics and their believe system in God or a god/gods. As we age and experience life, many people change the way they define themselves. Throughout the “Epic of Gilgamesh”, “Oedipus the King”, “The Odyssey”, and “Beowulf”, the readers notice how society defines each main character by their heroic characteristics, the relationship between the humans and the divine, and the differences of how each hero’s journey ends.

Equally important is the way that these men carry themselves in the midst of battle. Gilgamesh is an impatient warrior that is known for carrying his side kick Enkidu with him to battle. One can witness his anxiety for battle in the literature when he confronts Humbamba, the sentinel fiend of the Cedar Forest. However, Beowulf is a patiend and independent competitor. In his battle with Grendel, a hellish, Dane preying monster, Beowulf practiced patience by waiting until the monster tried to eat him to attack. He displayed independence in battle by ordering his gang of thanes to remain on the barrow as he set forth in his final battle with a flame hurling dragon.

Imagine that you are the hero of a village. You are the person that everyone looks up to- you have all the fame and fortune you could possibly want. But, this doesn’t just come to you on a silver platter. There are risks to take, challenges to overcome, and lives to be put at stake. You must defeat creatures of all sizes and strengths to gain this honorary title. This is Beowulf’s reality as he must conquer unbelievable tasks that nobody else would dare to face. Because of this, Beowulf is recognized as a boasting person, brave, and selfless; and rightfully so.