Conflict in Conrad's Heart of Darkness and Achebe's Things Fall Apart

Heart of Darkness and Things Fall Apart both take place in the imperialist era. Authors Joseph Conrad and Chinua Achebe, respectively, created main characters that came from different continents, but experienced similar cultural clashes. Although Marlow and Okonkwo have different lifestyles, they are both led to question their identities and make life-defining decisions.

The destruction of Okonkwo was revealed slowly throughout the books. He started to make some poor decisions, which became the beginning of his downfall. He killed Ikemefuna just because he didn’t want to be thought weak. He made unwise decisions to only appear to be strong and manly to others in the village. He did not realize how he lost so much from living that way. When, Okonkwo kills Ogbuefi Ezedu’s son, the real tragedy begins. Other tragic heroes usually have a steadier downfall, but Okonkwo had a direct fall in society due to this event. This puts his family into exile for seven years. After a short period of time, white missionaries arrive to Umuofia. When “The

In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a

Going back to the novel, we see Okonwo, who is extremely shocked by the twists which take place in his tribe as a cultural revolution. He sees their ancient religion giving its place to Christianity, and their father’s culture and traditions, which his life was based on, fall apart. To make things even worse, his own son turns his back to him. Okonkwo can not stand this as a result he tries to fight against the people who were the creators of this disaster. But as he fails, he commits suicide, preferring to kill himself, rather than let those strangers kill him.

For all of his desire to be strong, Okonkwo is caught up by the constant fear of being perceived as weak. He is afraid of failure and afraid of being considered weak. This fear drives him to do whatever he can to not become a failure like his father which ironically contributes to his death. While Okonkwo was a strong and important figure in his tribe, he had to keep his reputation that way by making some hard decisions. One of them was when he had to kill Ikemefuna, a young boy from the neighboring tribe. Okonkwo started accepting the decision to kill Ikemefuna because he started to call Okonkwo father. He had to keep his own valor intact and kill the boy to prevent himself from showing any weakness, but deep down, Okonkwo was really upset because of what he did which was ironic, “’When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed.'" (Achebe 65). He continued to roll downhill when the white man comes to try and convert Okonkwo’s tribe. Okonkwo responds by killing one of the messengers that were sent. This cause Okonkwo's own tribe to question his actions. “"Okonkwo stood looking at the dead man. He knew that Umuofia would not go to war. He knew because they had let the other messengers escape.

In the beginning of Things Fall Apart, Okonkwo is highly praised all over Umuofia for his great wealth and power. Achebe praises the achievements of the protagonist as he

Okonkwo is a prideful man who does not like admitting when he is in the wrong, because he is like this he decided he would take his fate into his own hands. Okonkwo was so upset that he killed himself. He thought that by killing himself, he would control his own destiny instead of letting the Europeans control him. “I will never let a white cheeked man control my life.” (Achebe 96). This is ironic, because suicide in the Ibo tribe is known as sin, and is a cowardly way to die. Okonkwo's life ambition was to prove himself as a man and to show the clan and tribe members that he was nothing like his “lazy feminine father” (Achebe 18) but when he killed himself nothing that he did his whole life really mattered,

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

He did it because he knew Umuofia wouldn’t go to war because they let the other messengers escape. Which also resulted in his death. He feared that nobody would follow his expectations on killing the white man. He thought his clan was weakening, he kilt himself in fear of being weak and thought killing the messenger would restore his manhood. In all, Okonkwo ended up how he didn’t want to end up, in

The missionaries conflict with everything Okonkwo believes or values. The missionaries are so outlandish to Okonkwo that his first reaction is just to laugh at them. This is shown on page 147, paragraph 4, “ At the end of it Okonkwo was fully convinced that the man was mad. He shrugged his shoulders and went away.” Okonkwo later begins to understand the threat the missionaries pose to his society and passionately speaks for forcing the missionaries out of Umuofia. However when his people will not listen to him, he feels like he is forced to take matters into his own hands. This is shown on page 204, paragraph 7,” Okonkwo’s machete descended twice and the man’s head lay beside his uniformed body”. The Ibo people do not join in on the violence as Okonkwo had hoped, which contradicted with Okonkwo belief that the Ibo were warrior people. This final loss of Okonkwo’s core beliefs is what shatters Okonkwo’s final sense of identity as a man. As Okonkwo is no longer any of the things he has come to identify himself as, and Okonkwo blames the missionaries for this, his final response to the missionaries is to take his own life. Okonkwo's death is shown on page 207, paragraph 3 “ Then they came to the tree from which Okonkwo’s body was dangling, and they stopped dead.” When Okonkwo identity was ripped from him he no longer saw a point in living and his fight with the

Heart of Darkness and Things Fall Apart illustrate the different ways of presenting Africa in literature. In Heart of Darkness, Joseph Conrad shows Africa through the perspective of the colonizing Europeans, who tend to depict all the natives as savages. In response to Conrad 's stereotypical depiction of Africans, Chinua Achebe wrote Things Fall Apart through the point of view of the natives to show Africans, not as primitives, but as members of a thriving society. Things Fall Apart follows Okonkwo 's life as he strives for prestige in his community. When European missionaries come to Umuofia, Okonkwo 's clan, Okonkwo tries to protect the culture that the missionaries would destroy in the name of "civilizing" the natives. However his rigid mentality and violent behavior has the opposite of its intended effect, perpetuating the stereotype of the wild African in the eyes of the European readers.

When the new religion is brought over by the white men, Okonkwo strongly opposes to it because he felt that its qualities display weakness and would destroy the Ibo culture. He refused to change and stuck to his old ways, but as more and more of his clansmen convert, Okonkwo sees his world start to crumble. “Now he has won our brothers, and our clan can no longer stand as one” (Achebe 176). His clan slowly divides into two clear-cut sides, but the Ibo people didn’t want to fight back the new religion. As a result, Christianity took over everything, from the government, to the judicial system. Feeling powerless, Okonkwo commits his final act of vengeance and kills a messenger, committing suicide soon after. If the Umoufia had tried to fight back Christianity, they wouldn’t have loss so much power this quickly. This reluctance was due to the absence of

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

Heart of Darkness and Things Fall Apart exemplify two different perspectives of African Literature. In Heart of Darkness, Joseph Conrad shows the African Culture through the eyes of the ‘white man’ or colonizing Europeans. In this story the native Africans are depicted as vicious savages.

In Chinua Achebe’s essay, “An Image of Africa: Racism in Conrad 's Heart of Darkness,” Achebe purports that Joseph Conrad’s short story, Heart of Darkness, should not be taught due to it’s racist caricature of Africa and African culture. In Conrad’s book, Marlow, a sea captain, is tasked with venturing into the center of the Congo, otherwise known as the Heart of Darkness, to retrieve a mentally unstable ivory trader named Kurtz. Marlow narrates his adventures with a tinge of apathy for the enslaved Congolese who are repressed beneath the foot of the colonizing Belgians. In Heart of Darkness, the Africans are reduced to “savages” and cannibals with little or no moral values. It is Achebe’s argument that due to these characterizations, it is an abomination that Heart of Darkness be continued to be taught. Despite Achebe’s vehement opposition to the teaching of Conrad’s novel, academics should not only continue to teach Heart of Darkness in a lyrical sense, but also a historical one.