Conflict is a Major Issue in Othello

In Othello Act 3, the plot is able to advance with the introduction of Othello's internal and external conflict forcing him to make a decision. In scene 3, Othello faces an internal conflict after hearing from Iago that he had seen Desdemona and Cassio lusting for each other grew worrisome. He questions Desdemona virtue contemplating if his “wife be honest” or “think she is not” (385-386). Othello inner self struggles with the idea of the his first love Desdemona with someone else. This allows for jealousy to shroud over Othello’s thoughts and choices. This internal conflict allows to advance the play by making Othello make rash decisions on what he believes to be true. Furthermore, in scene 4 Othello now doubtful and full of suspicion,

Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.

determine as to which one will win, so that is why one cannot exist without the other. However, there are some whose emotions are unbalanced, which causes them to near towards one side more than the other one ­­ and many times the side a lot of people prefer to lean on is evil. Shakespeare’s play O​thello​is set in 16th­century Venice and Cyprus. Othello, a noble black general from the Venetian army has secretly married Desdemona, daughter of Venice senator Brabantio. Othello chooses inexperienced Cassio to be his lieutenant, while he decides to give the ensign position to Iago, a malicious but very experienced man who, with his stealth and knavery, will ultimately ruin almost everyone’s life since for a long time, he was desiring the position of lieutenant just like Cassio. At the end of the play, Othello, Desdemona, Iago’s wife Emilia, and his sidekick Roderigo die due to his revenge against Cassio, for obtaining the position he wanted and Othello, for being the man who he hates the most. The play ends with Iago being told that he will be punished and tortured for his actions. However, despite the fact that Iago is punished at the end of the play for doing all of the malicious things he did, he still manages to wear down Othello’s relationship with Desdemona, get Cassio demoted from his lieutenancy, and cause Othello to show his cowardness by

Iago warns Othello that “[Desdemona] did deceive her father, marrying [Othello], and when she seemed to shake, and fear your looks, she loved them most.” (Shakespeare 3.3.207-210). We can see that Iago is trying to make Othello jealous by pointing out that Desdemona has already betrayed someone that she loved so what would prevent her from doing it again. Iago manipulates Othello by claiming that Desdemona gave Othello’s handkerchief away “yours by this hand! And to see how [Cassio] prizes the foolish woman, your wife! She gave it to him, and he hath given it to his whore” (Shakespeare 4.1.170-173). The final blow to manipulating Othello, Iago tells him that Desdemona gave Cassio her handkerchief confirming her betrayal. This is the end to behaving rationally for Othello. Mark Rose insist that Iago is “playing his victim [Cassio] with wine has robbed [Cassio of his reputation]. The presentation of Cassio as a decent man changed into a drunken madman foreshadows the actions of Othello to come” (Rose 285). This displays the idea that Iago is manipulating anyone in any way in order to get to Othello. In this case he is manipulating Cassio’s reputation so that later in the play Iago can use Cassio against Othello to make him jealous of his wife cheating on him with Cassio. Iago is easily able to set this in motion because he damaged Cassio’s reputation so much that Othello doesn’t trust him, or want him

The tragedy Othello is filled with a complex web of separate conflicts that are connected with each other. The external conflicts are very obvious, such as Iago trying to replace Cassio as lieutenant and Othello's belief in Desdemona's affair. In addition to these conflicts, however, many characters in the play also face their own internal conflicts in which they have to make a choice between two opposing forces. An excellent example of this internal conflict can be found in analyzing Roderigo. Roderigo's love for Desdemona creates conflict because he faces the choice of going back to Venice since he has no money left, or staying in Cyprus because he wants to pursue Desdemona. In more general terms, Roderigo deals with the conflict of

The event of Othello’s elopement is the turning point for Iago’s obsession and plot to destroy his life by sabotaging his relationships with Desdemona and his closest friends. Othello’s tragic flaw of trusting the wrong people leads him to his demise. Iago’s first plan of action brings Brabantio, Desdemona’s father, into play. He speaks of how “The Moor”, Othello, is deflowering his daughter’s purity. “Even now, now, very now, an old black ram / Is tupping your white ewe” (1.1.88-89) (Othello.) Iago’s obsession goes so far as to bring his own wife into his plot without her knowledge. Iago asks Emilia to steal Desdemona’s handkerchief as “evidence” of her infidelity. “My wayward husband hath a hundred times / Woo’d me to steal it; but she so loves the token....I’ll have the work ta’en out, And give’t Iago: what he will do with it Heaven knows, not I; I nothing but to please his fantasy.” (3.3.292-299) (Othello.) A man who prided himself on being trustworthy was so blinded with jealousy and hatred that he would sabotage his own wife to take down Othello’s life.

Iago’s manipulation of Othello is the most significant in the play Othello. Although, Iago’s elaborate plan would never have worked without careful manipulation of Othello’s honorable lieutenant, Cassio. In the third scene of act two, Iago uses his established credibility and pathos to manipulate Cassio’s emotions. The scene starts with Othello telling Cassio to assist Iago in standing guard through the night. When Iago arrives, he begins his manipulation by shifting the conversation to Othello’s wife Desdemona, which leads Cassio to say, “She is indeed perfection” (Shakespeare, 2.3.22). Iago uses this conversation to direct Cassio’s emotions. Immediately after Cassio confesses his feeling for Desdemona, Iago tells Cassio he has a “stoup of wine,” and wants to have a toast to Othello’s health (2.3.23). With persuasion from Iago, Cassio takes part in the toast and gets drunk. Shortly after Cassio leaves, Iago sends Roderigo, a former suitor to Desdemona, to start a fight with him. Not long after, Roderigo runs back pursued by Cassio. Iago, knowing

He tells Iago “Oh, that men should put an enemy in their mouths to steal away their brains! That we should, with joy, pleasance revel and applause, transform ourselves into beasts!” (2.3.232). Iago then suggests that Cassio asks Desdemona to sway Othello to give him his job back. He agrees and decides to visit her the next morning. In act 3 of Othello, Cassio brings musicians to play for and woo Othello. They are not of much help. He then asks Emilia, who is Iago’s wife, for alone time with Desdemona. They talk and come to an agreement. A little while afterwards, Cassio gives Bianca a handkerchief, so she can copy its embroidery. It just so happened to belong to Desdemona. This is exactly what Iago wanted to happen because he placed the handkerchief in Cassio’s

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

He gloats about the easy in which he can manipulate Roderigo (the fool) into giving him money. Directly after this, you hear of Iago’s feelings towards Othello (the Moor). You learn of Iago’s suspicion about his wife having an affair with Othello. This gains pity from the audience, because you feel that Iago is a man deeply distraught over the idea of his wife cheating on him. Iago then begins to contemplate how he would seek vengeance on Othello and gain his title. Iago plans to use Othello’s trust and opinion of him to his advantage. He speaks about how he will use Cassio as his pawn to lure Othello into believing his wife, Desdemona is being unloyal to him. Iago discloses that Othello’s character is naive and will be easy to manipulate. As his closing statement he states that, with a little help from the devil, his monstrous plan will be a success.

Othello is a play about jealousy’s causes and effects. Each character in the play had different reasons to be jealous and each of them chose to deal with it a certain way. All three characters Iago, Othello, and Roderigo had such cases and in the end dealt with different conflicts and outcomes. It’s important to understand that their actions in dealing with their jealousies were a reflection of their characters, and persona.

It is then on a theme of hate that the play opens. It is a hate of inveterate anger. It is a hate that is bound up with envy. Othello has preferred to be his lieutenant a military theorist, one Michael Cassio, over the experienced soldier Iago, to whom has fallen instead the post of “his Moorship’s ancient”. Roderigo questions Iago:

Jealousy of power is first displayed through Iago, a solider under Othello’s command. ”One Michael Cassio, a Florentine, a fellow almost damn'd in a fair wife, that never set a squadron in the field”(Act 1, Scene 1). Iago is consumed by jealousy of Cassio, which he masks with hatred of Othello, because Othello took up Cassio as lieutenant and not Iago. In this same scene, we are also introduced to Roderigo, a wealthy Venetian, who is desperately in love with Desdemona, Othello’s wife. This scene is significant because it crafts Iago as the perfect villain. He plans on exploiting Othello’s insecurities in exchange for his own vengeful agenda.

Desdemona foreshadows her own death by telling Emilia about the willow song. Desdemona thinks that no woman would be unfaithful to their husbands. Emilia thinks that if no one is looking she would cheat on her husband, she says women have the same desire as men. She also explains that if the women cheats it is the mans fault. In the meantime Iago torments Othello until he faints by continually bringing up that Cassio slept with Desdemona. Pish! Noses, ears,and lips. --Is't possible?--Confess--handkerchief!--O devil!--". Othello is very nervous that his wife is potentially sleeping with Cassio. Iago then makes sure that Othello hears Bianca and Cassio talking about his relationship but Othello thinks he is talking about Desdemona, here we can see that the character of Othello has changed a great deal. Cassio is killed by Roderigo which puts Desdemona in harm of being murdered. Desdemona still loves Othello but he murders her because he was tricked into Iago’s evil

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.