Conflicts And Traditions In Alice Walker's 'Everyday Use'

     Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.

Alice Walker’s story “Everyday Use” is a story decipating family and heritage. She released the story with a collection of other short stories called In Love and Trouble: Stories of Black Women. This collection revealed Walker to be one of the finest of late twentieth century American short-story writers (Phy-Olsen). According to Cowart, the story address itself “to the dilemma of African Americans who are striving to escape prejudice and poverty.” One of the main characters, Dee, made drastic changes and would like her mother and sister to see things her way. Dee’s statement to her mother and sister regarding their disregard of heritage is very ironic considering the fact her name is a part of the family’s history, her new behavior, and her

Alice Walker is a well-known African- American writer known for published fiction, poetry, and biography. She received a number of awards for many of her publications. One of Walker's best short stories titled "Everyday Use," tells the story of a mother and her two daughters' conflicting ideas about their heritage. The mother narrates the story of the visit by her daughter, Dee. She is an educated woman who now lives in the city, visiting from college. She starts a conflict with the other daughter, Maggie over the possession of the heirloom quilts. Maggie still lives the lifestyle of her ancestors; she deserves the right of the quilts. This story explores heritage by using symbolism of the daughters' actions, family items, and tradition.

A daughter who uses her mother's gifts in contrast to a daughter who preserves them, is far more valuable just like in “Everyday use” by Alice Walker because heritage values can be preserved. From here on, Walker utilizes a prideful tone which later shifts into an authoritative tone by illustrating a proud mother who becomes defensive because of her modern daughter’s opposing views.

In "Everyday Use," Alice Walker stresses the importance of heritage. She employs various ways to reveal many aspects of heritage that are otherwise hard to be noticed.

In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.

Alice Walker is a writer of many powerful short stories, novels, essays and poetry. She used her work to bring black women’s lives to the main focus, such as the rich and important in the US American Literature. In the short story “Everyday Use” written by Alice walker, she showed the conflicts and struggle throughout the African- American culture. “Everyday Use” addresses the dilemma with African Americans, trying to escape prejudice and poverty. The short story “Everyday Use” focuses on the encounter between a mother and her daughters. The setting of the story takes place in the driveway of the mother’s house. The mother and her youngest daughter Maggie wait for her oldest daughter Dee and her male friend to visit from school. Alice

Through humorous comments, the mother paints a picture of what she is thinking, and allows the audience to see her as she is, and not as the world and those around her perceive her to be. Specifically the mother describes the characters appearance, and actions, as well as offers analogies, such as mothers on T.V. To support her view of reality, or how things really were, in her opinion. As the story progressed, she reveals cultural differences between Mama, Maggie and Dee. Walker also points out the importance of respecting your immediate heritage such as parents, and other family, and truly knowing and internalizing the real meaning of racial

The story 'Everyday Use', written by Alice Walker, is a story of heritage, pride, and learning what kind of person you really are. In the exposition, the story opens with background information about Dee and Maggie's life, which is being told by Mama. The reader learns that Dee was the type of child that had received everything that she wanted, while Maggie was the complete opposite. The crisis, which occurs later in the story, happens when Dee all of a sudden comes home a different person than she was when she left. During the Climax, Mama realizes that she has often neglected her other child, Maggie, by always giving Dee what she wants. Therefore, in the resolution, Mama defends Maggie by telling Dee that she cannot have the

Dee shows that she does not value heritage by changing her name to Wangero. She adopts an African name "Wangero Leewanika Kemanjo" and rejects her identity. She tells her mother that the name Dee is dead and that she "couldn't bear it any longer, being named after the people who oppress me". When Dee does speak of her changed name, "it's as if there is not even a tombstone to make the presence of her absence and it is as if her return seems less a return, she appears a curious visitor who has momentarily stopped off a road which began and ends elsewhere". Through heritage, her name was chosen after her aunt and Grandma Dee.

She now seems to be embracing and acknowledging her African roots and disowning her actual family heritage. Upon returning home, Mama, the protagonist, learns that she has changed her name to Wangero Leewanika Kemanjo. This is the first her Mama has heard of this and it causes her to question Dee’s motive for doing so. After all, it appears Dee was named in the family tradition and to Dee’s Mama, her name is symbolic and seems to be a way of recognizing and honoring the women in the family by naming a baby girl of a later generation after their elders. Dee was named after her Mama’s sister, Dicie, who was named after her Grandma Dee, who was named after her mother. (Kirsner and Mandell, 2012, pg. 348). However, to Dee, her name is a symbol of oppression and humiliation and denotes things that she has come to believe are beneath her and her new status in life. She is now a beautiful, educated, and sophisticated woman, who is proud of her newly made self. She now seems to have renounced her past, completely missing the fact that it is her past and her heritage that played an important part of shaping her to be the woman she has become (“Characterization and Symbolism,”

Through contrasting family members and views in "Everyday Use", Alice Walker illustrates the importance of understanding our present life in relation to the traditions of our own people and culture. Using careful descriptions and attitudes, Walker demonstrates which factors contribute to the values of one's heritage and culture; she illustrates that these are represented not by the possession of objects or mere appearances, but by one's lifestyle and attitude.

In Alice Walker’s “Everyday Use”, Walker juxtaposes two different daughters in their quest for a cultural identity. The narrator, their mother, talks about how each daughter is different; Dee went off to college and became well-educated, contrary to their impoverished and low status as black women in the south. Meanwhile, Maggie isn’t nearly as educated as Dee is, but is still literate. The entire story centers around Dee’s visit with her new Muslim significant other. The story’s climax is when Dee wants to take two special quilts back home, but those quilts are for Maggie. These precious quilts comprise their culture. Henceforth, Dee does not deserve to take the quilts with her because she has decided to take on a culture that varies significantly from her own and she is already used to getting what she wants.

Dee is clearly distancing herself from her mother and sister. She goes so far as to change her name from Dee to Wangero Leewanika Kemanjo, saying, "I couldn't bear it any longer being named after the people who oppress me." Yet, she wants the quilts that are made by the very people that she despises. Mama is uneducated but not so ignorant as to realize Dee's unrooted, superficial motivation to have the quilts. "For her, heritage is something to be displayed on the coffee table and on the wall." Dee blatantly disrespects her mother's authority and free will.

Dee however, always thought she was too proud to live with what her Mother provided for her. She still loved her Mother, no doubt, but she said things like "She wrote me once that no matter where we "choose" to live, she will manage to come see us" (415). Another way that Dee thought she was too proud for what her Mother provided for her was when she changed her name. She felt that it was too below her, and that it did not even deserve to be associated with a living person. After she tells her Mother her new name, and her Mother asked her what happened to her old one, she said that "She's dead…I couldn't bear it any longer, being named after the people who oppress me" (416). With this statement, Dee sums up everything she thinks about her history and her Mother. She feels that the only way that she could change herself and her background is by changing her name, or killing her other