Confronting the Past, Living the Present, and Enjoying the Future in Toni Morrison's "Beloved"

Although this event is repeated several times, it is never repeated for the some reason or in the same way. We go from meeting Amy before Denver is born, to the actual birth on the boat, and finally the story of naming the baby after she is born. This sequence of events, and the use of the story over and over again, show its significance in Sethe’s life so far. Not only was it the start of a wonderful relationship with her daughter, but it was also the start of some pretty horrible memories. This is referring to Sethe’s sudden urge to try to kill her children as protection from future slavery. While she thought this was a good idea at the time, it turned out to be yet another horrible memory in her life. Using this story a number of times in the text shows the overbearing weight Sethe must carry with this

After reading Toni Morrison’s novel Beloved, I could not help but feel shocked and taken aback by the detailed picture of life she painted for slaves at the time in American history. The grotesque and twisted nature of life during the era of slavery in America is an opposite world from the politically correct world of 2016. Morrison did not hold back about the harsh realities of slavery. Based on a true story, Toni Morrison wrote Beloved about the life of Sethe, a slave and her family. Toni Morrison left no stone unturned when describing the impact slavery on had the life of slaves. She dove deeper than the surface level of simply elaborating on how terrible it is to be “owned” and forced to do manual labor. Morrison describes in detail, the horrors and profoundly negative impacts slavery had on family bonds, humanity of all people involved and the slaves sense of self even after they acquired their freedom.

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

Morrison uses the voices of two people, lost from each other in remembrance, and brings them together by juxtaposing memory against memory until finally their recollections converge in the same episode. After a sexual encounter, Sethe and Paul D reflect on their shared experiences in slavery at the Sweet Home plantation. It is against this backdrop that both characters struggle to tackle their feelings of inadequacy. Although Sethe and Paul D share their memories, there is only so much that they are willing to divulge since "[s]aying more might push them both to a place they couldn't get back from" (Morrison 72). While Paul's coping mechanism is to place all of his painful memories in the tobacco tin buried in his chest, Sethe's coping mechanism is prevention. The characterizations of Sethe, Paul D, and Sethe's daughter Denver continue through the use of flashbacks. By juxtaposing memory with scenes from the present, Morrison offers a better understanding of Denver and her reaction to Paul D. Lonely and troubled, she finds solace inside her own small world and connection to the memories her mother has shared with her regarding her birth. Denver feeds her hunger through these memories as well as through perfume and the boxwood arbor. It is in this first trimester that Morrison begins to connect imagery with the retrieval of past events. For all, the baby ghost acts as a catalyst for remembering the past.

As a young woman, Denver is lonely and terrified. She knows that, "her mother had secrets -- things she wouldn't tell; things she halfway told" (38). These secrets, she understands, are

It is shown that after the act of taking the life of Beloved and attempting the life taking of Denver, Howard, and Buglar, that Sethe truly does love her children. The way Sethe tried to go about saving her children seems unethical and horrible, but there did not seem to be all too many options for Sethe to save her children from the slave life. Howard and Buglar left Sethe and Denver to get away from Sethe, they had even warned Denver about what she had attempted to do to them. Although Howard and Buglar ran from Sethe and there was the attempted murder in the barn, Sethe still thinks of them because they are her children. Denver was tossed as an infant that day in the barn, and she clearly survives. Even after all the events and situations created from the presence of Beloved there is still a strong bond of love between Sethe and Denver. Sethe loves Denver very much, she is her one surviving child that is still with her.

     Toni Morrison's Beloved - a novel that addresses the cruelties that result from slavery.  Morrison depicts the African American's quest for a new life while showing the difficult task of escaping the past.  The African American simply wants to claim freedom and create a sense of community.  In Beloved, the characters suffer not from slavery itself, but as a result of slavery - that is to say the pain occurs as they reconstruct themselves, their families, and their communities only "after the devastation of slavery" (Kubitschek 115).  Throughout the novel, Morrison utilizes color as a symbolic tool to represent a free, safe, happy life as well as involvement in community and

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Krumholz argues that Beloved is a mind healing recovery process that forces the characters to remember and tackle their past. In her essay, “Toni Morrison”, Jill Matus regards Beloved as a form of cultural memory that analyzes vague and possibly removed history. Furthermore, in his book, Fiction and Folklore: the Novels of Toni Morrison, Trudier Harris focuses on the issue of ownership and slavery in Beloved. In all, historical background is a huge player in understanding Beloved. Morrison set the novel during the Reconstruction era, after the Civil War, which sets the entire tone and plot for the main character, Sethe.

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.

Morrison and Twain each present freed slave mothers as self-sacrificing. Each woman 's traumatic experiences as slaves create a deep fear of her children 's enslavement. In Morrison 's Beloved, Sethe is so distressed by her past; she murders her child to save her from slavery. Morrison uses Sethe 's drastic sacrifice to comment on slavery 's psychological effects. Meanwhile, Twain 's Pudd 'n Head Wilson portrays Roxy as a sacrificial mother to create sympathy for black people. From a cultural perspective, Roxy counters all of the propaganda about black people in the nineteenth century. Roxy plans to kill her son and herself, but figures out a different way to save her son from slavery. Both characters are selfless mothers, but the authors use this sacrificial behavior to prove different points about slavery. Morrison uses her characters selflessness to show the distress slavery can cause, while Twain capitalizes on the sympathy it creates to humanize black people in the public 's view.

In Toni Morrison’s Beloved , Morrison uses the narratives of former slaves to critique the lasting effect that slavery has on human beings. Morrison illustrates through the stories of the characters in Beloved that, when individuals are stripped of their identities and conditioned not to speak against to injustices done to them, even if they are to escape or receive their freedom they will still be enslaved mentally. However through the use of the character of Beloved, Morrison submits that the only way that one can truly be freed from this mental captivity, is to revisit all the painful memories. Morrison's use of “rememory” in Beloved highlights the lasting effect that slavery has over Black people. Beloved’s ability to cause characters like Sethe, Denver and Paul D to relive their memories of their past, allow them to achieve an improved understanding of themselves, however the manner in which they feel compelled to revisit the past due to Beloved’s presence proves that one is never free from the past unless they confront it.

Despite her desire to move past these experiences she shows an inability to have the life she wants as she is constantly haunted by her life prior to 124 Bluestone Road. She acts as the source for the others’ mental distresses, yet that is not to discredit her own struggles attempting to find her new identity. There are distinct phases that Sethe goes through in her life that are presented in the work: the period of trauma, grief and suppression, guilt and depression, and a mental break. The period of trauma occurs prior to the start of the book, but it is presented through flash backs as well as when she spoke of Sweet Home with Paul D. It is explained that she was physically and sexually assaulted while enslaved (Morrison pg. 20).