Connie Fits ( The Category Of The Girl Next Door

At home, she kept to herself. She was very ostracized by her mother, for her mother didn’t like the way Connie acted. She was considered a child—a lazy child stuck in her own thoughts. In Connie’s eyes, her mother never had anything good to say about Connie because her June was always doing something right. Whether it’d be paying bills or cleaning up around the house, June was the praised child. By being put down so much it pushed Connie to isolation, which led her to think more of herself and do nothing but daydream. I think playing the role of the child didn’t bother Connie so much because she was the youngest of everyone; however, what seems to bother her more is how her mother views her. What we later see is that when Connie is being threatened by Arnold, she screams for her mother over the undialed phone which shows how terrified Connie is faced with a real-life

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

In the beginning of the story, the way Oates describes Connie’s behaviors help construct Connie’s state of mind as a doubtful and vulnerable young girl. The author perfectly capture the essences of Connie’s character by illustrates how Connie has, “a quick, nervous giggling habit of craning neck to glance into mirrors or checking other people’s faces to make sure her own was all right,”

In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates we the readers see the conflict of a teenage, conceited, superficial girl when faced with a situation that brings her to an entire new understanding of life. We see Connie in the beginning without a care in the world other than looking good for the next guy she will hook up with. Oates explains, “She was fifteen and she had a quick, nervous giggling habit or craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right” (Oates Web). I really enjoy Oates’s expression of how strong Connie’s arrogance is, especially because this totally changes by the end of the story. By the end of the story Connie is way less selfish and more aware

Connie does not want to be the nice and innocent pretty girl. She wants to be known for being very sexual. In the story she makes fun of her sister June because she is very modest and not sexual and causes conflict with their family. Also June is overweight twenty-four years old and still living at home. But she also does chores and does them without complaining to her parents. While Connie is a way from home she has two totally different ways of acting. Be that as it may, Arnold friend ‘s landing in her home drives her two sides to consolidate fiercely. As it were, Connie is not completely sexual until Arnold's interruption into her home until then; her sexuality was something outside of her "actual" self, the self that she permitted her family to see. Arnold also has a friend named Ellie. While Arnold drives up to Connie’s house Ellie stays in the car and she listens to music while Arnold speaks to Connie. Also Connie’s mother shows a large amount of frustration towards her and the way she acts and dresses. Connie and her mother fight constantly. But towards the end of the story when Connie is attacked my Arnold she cries out to her

who always been deprived of father-figure, she feels the need to acquire attention from boys in

The beginning of the short story enlightens the reader into the relationship that Connie has with her mother. Connie’s mother does not agree with her admiration for herself. This is due to Connie’s mother’s own insecurities. Oates writes, “Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie” (Oates 3043). Connie was aware that her mother was jealous of the way she looked and envied her young adolescence. Her mother was nagging her daily and constantly comparing her to her sister. The constant comparison and nagging left Connie to deal with internally judging herself. Oates expresses Connie’s strong unhappiness with her mother by stating “…but around his bent head Connie’s mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over” (3043). Connie’s frustration with her mother lies deep within her internal judgments. She repeatedly obsesses over her mother’s words and desires attention from older males. Even though she does not feel as if she fits in with her sister June, there are some characteristics that she likes about her sister. One of these characteristics is that June is older. Since June is older, Connie is allowed to go out when her sister does which allows her to embrace her rebellious adolescence. She wishes she was older and battles with her internal misconception of her age. In the story, Connie is at an age where she is experimenting with her surroundings. Young girls are regularly comparing themselves to their friends and their elders. The obsession of comparison leaves Connie continuously striving to be better and to increase her attractiveness. Her misconceptions suggest to her that she needs to be more sexual. Her varying internal conflicts leave her with a void that she tries to fill otherwise.

Amanda Calkins is someone that very few people would consider a role model. A twenty one year old girl in culinary school who doesn’t have much to her name other than a beat up yellow volkswagen beetle, a cat named Dinah, and her weekly pack of marlboro red cigarettes that she carries around in her black leather purse. She is always running late, constantly swearing, and has the most unpredictable temper. Her skin is white as the snow, and her edgy black shaggy hair frames her face giving off a very mysterious look. Tattoos and piercings cover her rawboned and angular body, and her baggy clothes make her look all skin and bones. She is a very independent woman who doesn’t let the thoughts of anyone else interfere with her life and has

In the story Oates mentions about Connie that “everything about her has two sides to it” (1), by this Oates means the way Connie would act at home was completely different from the way she would act out in public and with her friends. In Connie’s home setting Connie was a very self-centered character. She believed “she was pretty and that was everything.” (1), Connie may be extremely insecure about herself, considering that she believes her looks are all she has to offer. Connie and her mother’s relationship was not the best. Her mother would continuously point out things Connie would do wrong and would compare Connie to her sister, June. In one

Analyzing Connie, the female protagonist in “Where Are You Going, Where Have You Been?” reveals the character’s journey of rebellion, a search for identity, and the protagonist’s psychological problems. Connie appears to be a seemingly normal teenage female during the first few sentences: fifteen years old, physically beautiful, and appears semi-narcissistic. As one reads on, underlying psychological issues begin to unearth themselves. Connie has a habit of needing to know that she is beautiful; she is continuously “…craning her neck to glance into mirrors…checking other people’s faces to make sure hers was alright.” (Perrine’s 487) Being a somewhat typical habit of teenage girls, always wanting to look at themselves, whether it is out of admiration or self-judgment, Connie is constantly aware of herself and appearance, despite her mother’s nagging. In “Where Are You Going, Where Have You Been?” this appears to be an indication of a present insecurity, a lack of a sense of who Connie is. In the first paragraph, Connie describes beauty as “being everything” (Perrine’s 487); we are able to interpret the fact that without her beauty, Connie would be nothing. She continuously attempts to establish her own identity; she tests the boundaries with her parents, develops a separate persona when she is away from home, and searches out approval from older boys at the drive-in. This lack of self eventually plays a part in leaving with Arnold Friend, at the end of the story.

Connie focuses on herself and how she looks, rags on her sister and her appearance, and is in feuds with her family more often than not over petty things. Like most young teenagers Connie’s looks are very important, “She was fifteen and she had a quick nervous giggling habit of craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right.” (233). Connie constantly worrying about looks indicates that she cares about others opinions and what others to find looks appealing at all times. Many young girls believe they need to have the best looks in order to be accepted by their mothers and family and therefore Connie’s obsession over looks could have to do with the fact she feels if she is prettier than her sister, her mom may love her more and give her more attention. Connie focuses on her sister’s negatives to help herself be more appealing, “She [June] was a secretary in the same high school Connie attended, and if that wasn’t bad enough—with her in the same building—she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother’s sister.” (233). Connie is clearly jealous of her older sister’s attention and therefore attacks her looks. Connie’s obsession with her looks and ragging on her sister tells us that she acts like a normal teenager at home, and this normality may help Connie in convincing that when she goes out she really does only do the normal teenager things they think she is

When she is away from home she wears her clothes a certain way, talks differently, and laughs in a specific way. Oates states, “Everything about her had two sides to it, one for home and one for anywhere that was not home” (Oates 887). At home Connie does not go the the same lengths of being sexually appealing that she does when she is out with her friends. Her personality outside of her household is entirely different in that the way she walks, talks, and dresses is catered toward the opposite sex. These actions are all ways Connie manages to prove she is not a child and show she is mature.

The author puts Connie out to be a bad kid but is she really? Yeah, Connie is not the most respectful or well-behaved kid but who is at the age of fifteen. The author shares some instances where Connie does not make the best decisions. The author shares, “She spent three hours with him, at the restaurant where they ate hamburgers and drank cokes…and then down an alley a mile or so away” (Oate’s. 109). The quote shows how Connie put herself in situations that a girl her age should have never been in. The author gives Connie the identity of not being confident in herself when she says, “Connie would raise her eyebrows at these familiar complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything.”

When picking my adolescent I had quite a few choices to pick from but I decided on my adolescent 15 year old sister since I know a lot about her and have seen first-hand how she is coping with this adolescent stage. Patricia is a normal 15 year old girl still in high school. She lives in a household of 7 with 3 older siblings and one younger one. She mentioned that she lived in a small home with three dogs, two fish, a bird and six other humans. Both her parents are field workers so they aren’t really at home much. Patricia has a younger 7 year old sister that she pays attention to a lot, they have a really close relationship, and she cares for her younger

In my novel, Two Steps Forward, by Rachel Cohn, the protagonist of the story, Annabelle, has a very strong personality. Annabelle is very blunt and will pretty much tell you the truth- sometimes it’s ugly. In the book, Annabelle, her baby sister Bebe, and her mom, Angelina, all decide to spend the summer in Los Angeles because Angelena feel as if they need a break from her husband. In this small family house, there is a lot of arguing, bullying, and screaming, and no one gets along. Annabelle fights with her mother all day every day and yells things like, “GO AWAY,” and her mom responds with, “How dare you speak to me in that tone?” (Cohn 54) Annabelle and her mother love each other but do not get along because Annabelle is constantly nagging