Consequences And Deceptment In Native Son By Richard Wright

In the film “Native Son” by Richard Wright, Bigger Thomas is the main character of this film. In the begging Bigger had to kill a rat, he lived with just is sisters and mother meaning he had no father figure in his life. Bigger went straight to the streets with his friends to plan a robbery on the Bum’s store. They felt like since the owner was a white male they needed to bring guns; the plan fell threw. Bigger gets a job offer from the Daltons family, he goes to watch a movie about the daughter Mary Dalton. Leads to Bigger finding out that Mary is dating a communist and that herself is rebelling against her family. After the movie he met up with his friends again and when one of them are late Bigger gets full of anger bringing out a knife of his friend. After the argument with his friends Bigger goes

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

From the first pages of the novel, Bigger is associated with the color black. The most obvious is his skin color, as well as the fact that most of the action of the plot is located in the Black Belt of South Chicago. The Black

Wright implies, suggest, and even says that Bigger Thomas is an embodiment of the black revolt against the injustices of white caste society and that this revolt often takes the form of crime against this same white society. Borne into a white society, hostile and indifferent, Bigger becomes the total embodiment of that city hatreds and prejudice against the black man.

In book one, talks about crimes Bigger have done against other blacks, but never against a white man. He and his best friend Gus “play white,” and Bigger talks about, how “they don’t let us do nothing” referring to white people (Wright 17). Bigger feels that white people are going to force him to do something he cannot control. Bigger talks about robbing a white man named Mr.Blum. His friends are hesitant about the robbery and Bigger tells them, “ If old Blum was a black man, you-all would be itching to go. ‘Cause he’s white, everybody’s scared” (Wright 20). Bigger and his gang of friends have no problem committing crimes against their own people. They had never thought of committing a crime that involves crossing a racial boundary.

The sense of agency is formed through the responsibilities and interaction with others. It is essential in life, but how is one’s life different if they do not have that sense of agency? Native Son is written by Richard Wright. The protagonist named Bigger Thomas is a poor, uneducated, and 20-year-old black man. He lived in a one-room apartment with his mother, little brother, and little sister. Bigger was originally part of a gang, but then he left and got the opportunity to work for Mr. Dalton. However, on the first day of his job, he accidentally killed the daughter of Mr. Dalton named Mary Dalton. In my opinion, Bigger portrayed as a person who does not have agency over his life. The factors that formed Bigger into a person with no control

As the title suggests, it can be blamed on American society because he is a product of this country. In the journal article, Aimé J Ellis argues that Bigger’s murder is “understood as a kind of performance of black male identity that expresses not only an apparent sense of defeat but also an undeniable sense of insurrection and self-assertion.” Through his work, Wright shows the reality of 20th century America and makes readers ponder about who should they blame for Mary’s death and how are biased societies responsible for producing the criminal that comes out of them. He also insists that readers find a real meaning of the story, which is to critique "American society."

I would argue, however, that Bigger always detested whites treating him like a nobody and after accidentally killing Mary Dalton, he began being more open about he he feels since he had little to lose. Anyway, Bryant’s main argument is that the white world does not see Bigger, and this is one of Bigger’s biggest fears. Indeed, when they accuse him of rape, this takes away the subjectivity that would have been associated with him had he simply been called a murderer. In addition to making Bigger seem less than human by labeling him as a rapist, the authorities do not think that Bigger is intelligent enough to carry out a murder as complex as Mary Dalton’s. All this goes to show that Bigger is a symbol that whites have used as an excuse to discriminate against Blacks, and who Bigger is as a person is not something that really matters. The reason Bigger has negative feelings towards all Whites for the majority of the book is because they only see his skin color.

He turns his quest for escape into a game as he attempts to put all the pieces into the right places. He makes attempts to pin the disappearance on the Communist Party, particularly Jan. Trying to make an innocent person and group look guilty for a crime is sadistic behavior. Bigger seems to want to hurt Jan by making him look like the murderer. However, Bigger’s thought process was “Reds’d do anything. Didn’t the papers say so?” Bigger was taught by society that the Communists were evil. The newspaper shaped his thoughts. Bigger also chose to try to get away with the murder because he was happy to have choices for once. He was so used to following the customs and laws of his community that he was excited about the chance to make his own

In the beginning, when Bigger started working for the Dalton’s, he had to drive Mary Dalton, the daughter, to the University of Chicago. However, she wanted him to pick up her boyfriend, Jan, and head to a restaurant. When Bigger was in the car with Jan and Mary, “he was very conscious of his black skin...Jan and men like him” made Bigger feel insecure of who he was. (Wright 67) Even though Jan and Mary did not say anything that would insult his race, the presence of white people made him self-conscious. Being

Bigger wants to break through that blindness, to discover something of worth in himself, thinking that "all one had to do was be bold, do something nobody ever thought of. The whole things came to him in the form of a powerful and simple feeling; there was in everyone a great hunger to believe that made them blind, and if he could see while others were blind, then he could get what he wanted and never be caught at it" (p.120). Just as Bigger later hides himself amidst the catacombs of the old buildings, many people hide themselves deep within their minds in order to bear the ordeal of life and the oppression of an uncaring society. But their blindness allows them something that Bigger cannot achieve: it allows these people to meld into the society that is the city, while Bigger must stand at the outside of that community alternately marvelling and hating the compromises of those within.

To Bigger, the deliberate murder of a white woman represents the ultimate rebellion against the crushing authority of “whiteness.” Since Bigger convinces himself that he did not kill Mary accidentally, but rather he consciously challenged and defeated the unfair oppression he faces. Bigger says “he had killed a white girl they loved and regarded as their symbol of beauty made him feel the equal of them, like a man who somehow cheated, but had now evened the score (pg 164).” Certain that Bigger does not have the ability to determine life and death, he feels that he now possesses a power that white America has used against him since his birth. In Bigger’s act of justification, his alleged “victory” is an act of design; he believes that killing Mary gives him a new life, one that he actually controls “he felt a certain sense of power, a power born of a latent capacity to live (pg

She tells Bigger, “I think I can trust you” (Wright 64) in order to toy with his emotions and disobey his boss’ orders as Bigger, Mary, and Mary’s communist boyfriend Jan Erlone take the car out for a night in the loop. After a rousing evening on the town filled with booze and conversations about communism that left Bigger offended and ashamed to be black, it became Bigger’s duty to make sure that Mary was placed safely in her bed after being too intoxicated to stand on her own. Because Bigger strives to obey his boss, he feels inclined to personally place Mary in her own room in order to avoid trouble. This shows that Bigger Thomas took Mary to her bedroom with no intention of causing any problems in his new workplace reminding the reader that Bigger is not an evil human being, just a product of his environment. After being in Mary’s bedroom, Bigger decided to overstay his welcome due to his curious arousal with white women. To Bigger’s surprise, “a hysterical terror seized him” (Wright 85) as Mrs. Dalton makes an appearance in Mary’s bedroom to check on her daughter. Bigger automatically assumed that if he was caught in Mary Dalton’s bedroom at an odd hour of the night he would be immediately fired and accused of raping a white woman that could ruin his already tragic life forever. Due to her blindness, Bigger was not seen immediately, but he realized if Mary kept mumbling, Mrs. Dalton would make her way

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).

The oppression that Bigger experiences from his mother is the root of his tendency to want control. She deprives him of his own identity which leaves him to do the only natural thing: create one. Bigger also has control over Buddy, but he does not need to use violence to accomplish it because Buddy is entranced with everything that Bigger does. Wright also foreshadows the events of the novel in the opening scene. The rat is a symbol of the white world’s view of Bigger: an annoying and dangerous monstrosity who does not belong in a civilized environment. Literally, Bigger must gain control over the rat due to his compulsion to commit violent acts. Bigger’s killing the rat symbolizes his destruction of himself that he creates through the violence that he commits.