Constantin Brancusi Essay

To study the human anatomy he went a step further to study the corpses of the dead which was forbidden by The Church), the prior of the church of Santo Spirito, Niccolò Bichiellini, received a wooden crucifix from Michelangelo, it was a detailed view of Christ’s face. But his contact with the dead bodies caused problems with his health, obliging him to interrupt his activities periodically. Michelangelo produced at least two relief sculptures by the time he was 16 years old, the Battle of the Centaurs and the Madonna of the Stairs which show that he had achieved a personal style at a precocious age. In Michelangelo's personal diary he recounts his first two works: "My first work was a small bas-relief, The Madonna of the Stairs. Mary, Mother of God, sits on the rock of the church. The child curls back into her body. She foresees his death, and his return on the stairway to heaven. "My second work, another small relief. My tutor read me the myth of the battle of the Lapiths against the Centaurs. The wild forces of Life locked in heroic combat. "Already at 16, his mind was a battlefield: his love of pagan beauty, the male nude, at war with his own religious faith. A polarity of themes and forms...one spiritual, the other earthly, I've kept these carvings on the walls of my studio to this very day."

The masterworks of Bernini and Canova shared similarities along the lines of the sculptors’ works were crafted with precision and a keen eye for detail and were successful in giving their works a realistic effect. Both workers were masters in their own time and were able to manipulate marble to as though they were constructing a painting. They both incorporated classical forms in their works, depicting great scenes from mythical stories that could be viewed in great detail at a 360-degree angle.

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

Manuel Neri served two years in the U.S Army then returned to the Bay Area, where he transitioned from working with ceramics to plaster. He is known primarily for his life-size symbolic sculptures in plaster, bronze, and marble. Neri has created plaster figures that merge contemporary

I found it very difficult to find information on Constantine Brancusi in hard copy, therefore, you will see at the end of my paper that all of my sources are websites. The little information I did locate on the artist was very, very little. Therefore, I combined the small amount of information with some research I found on artists that were strongly influenced by Brancusi.

“There is no greater name in Italian art—therefore, no greater in art—than that of Titian,” (Claude Phillips “Earlier Works of Titian”1897 page 5). This artist was more than just a normal painter that played around in his work studio; he was the father of what was bound to become something greater than he even believed. We watched him work with imaginative textures and animated colors to generate the masterpieces of not only the Renaissance; but also of modern day work. All kinds of artists—painters, singers, writers, sculptures—are exploring their muse by studying how he worked with his paint brush; they idolize him and one day want their work to be as exceedingly renowned as Titian’s. His work has been carried on for many years after his

Vito Acconci and his art were influenced by the minimalist movement, in fact Acconci often refers to minimalism as his “father-art”, however Acconci tried to make a clear distinction between his own art and minimalist ideals. Acconci creates a source in his art, by including his body in the artwork the viewer clearly understands that everything

By the end of the classical age, Greek sculptors had reached perfection in form and movement. This meet “Aristotle’s idea of excellence as the exercise of human will dominate by reason” (Fiero, 2006).

Brought into this world on April 15th, 1452 was the famous artist Leanardo Da Vinchi. One of the atist that was able to master the “Vanishing point” Though he was mostly known for being an incredible artist, due to him not be a profile artist, he had many other outside interest. H e was known to be many other things, such as a painter, a sculptor, an architect, a military manufacture, an inventor, and a drafts man. However, within this essay, I’m going to be describing his journey through out his art work.

Vasari, an artist, and well known writer provides the reader with a detailed view inside the lives of artists across history. His view takes the reader on a journey through the struggles of these renowned artists. Vasari describes each painting as if they are narratives ready to come off the walls. Three artists that Vasari takes a great liking to are the artists Leonardo Da Vinci, Raphael of Urbino, and Michelangelo Buonarroti. Vasari’s words for these artists come off as endearing and appreciative. To Vasari these were more than just artists, they were inventors and contributors to society as we know it.

Gian Lorenzo Bernini was a traditional sculptor that was born in 1598 and created art pieces such as “Apollo and Daphne” for well-known churches in Rome. On the other hand, Ron Mueck is a contemporary sculptor from Australia who is known to use hyper-realism when creating magnificent sculptures of the human form.

Indeed, it is not possible to imagine someone could compete with Gianlorenzo Bernini in feeling of the Baroque style in sculpture. Thus, the most prominent works of the artist, known for

In the Romano Pitesti case, Tickton-Jones’ Management Team is faced with a situation that is not altogether uncommon in the business world, in that some employees feel that members of the Sales staff are being given “special” treatment by the company. Romano’s actions have probably not been as bad as what has been described to Management, but due to the fact that employees are still trying to find their place in the new, combined company, any hint of “unfairness” is immediately put under a microscope by other employees, and therefore, Management will have to take some sort of action, in order to show the other employees that their concerns are being taken seriously.

Ahl tells how Masaccio was underappreciated in his time, but since his works were not as accessible as some of his contemporaries. It was the way in which Masaccio was able to influence generations of artists after him that art historians today consider him a master of art. Masaccio looked to antiquity and architecture to further develop his use of linear perspective which literally pulls the viewer of the Trinity into the work itself.

With Leon Bakst he saw the reproductions of Fauve canvases, the sketches of Van Gogh and of Cezzanne his ambition to go to Paris was