Consumer Culture : An Era Of Lifestyle Essay

The economy is a very fragile thing; however it can have an enormous impact on people. Americans especially are affected because they are so greedy, they always want more. Because Americans are very materialistic, they can become overly arrogant and possessive since they are used to getting their way, on account of having money.

In the introduction of Chapter 1 “Consuming Passions” “The Culture of American Consumption,” it talks about how American popular culture is grounded in consumption. With the media in our hand, it is a huge influence towards the advertising world. With how styles of clothing have been changing over time, this talks about how from the earlier times wearing a simple type of blue jeans can change between who wears them over the years. As stated, “ By the 1950s, however, blue jeans began to bear an additional class significance as “casual wear” for middle-class Americans.” (72). In 1970 these pants have then become a simple fashion wear. They have also been introduced as a hipster type wear. Then in 1980 through the early 2000s, baggy jeans were

The 1950s is described as the “‘golden age’ of capitalism,” where a comfortable standard of living became accessible to many new, middle-class Americans (991). According to Foner, “the official poverty rate, 30 percent of all families in 1950, had declined to 22 percent a decade later”(991). The poverty rate declined as more Americans entered white-collared jobs with increased wages. Essentially, the “American standard of living” during the 1950s was characterized by the ability of citizens to participate in the mass consumerist society; this was only possible through an increase in income. Jack Straus, the chairman of the board of Macy’s stated “‘The consumer is the key to our economy...The luxuries of today are the necessities of tomorrow’”(Foner 994). The American economy was based off of consumers; “In a consumer culture, the measure of freedom

The effects of the Cultural Revolution are seen on a nationwide level, with national trends and ideals rapidly changing due to the Cultural Revolution. The desire for material things is particularly prevalent, with the ideal man possessing “Western-style clothing, leather shoes, bell bottom trousers, and a cassette recorder”(Anyi 139). Anyi demonstrates this desire by highlighting it with the dialogue of

Without question, the 1920s “new era” was one of the eras in American history that made the most progress, especially from immense business and industry contributions. These business and industry contributions to America included the creation of automobiles, radios, house appliances, and much more. Not only did these product contributions change America, but also efficiency improved within the “new era” increasing the production of goods. Overall in this time period, the consumer culture had a significant change with the development of mass production industries, welfare capitalism, and government efforts to enforce prosperity abroad.

For decades now, humans have always been so quick to judge a book by it’s cover; one’s clothes help create the cover to this book. Norton brings up various styles individuals wear and how it displays their character to the world. For instance, “a display in the window of polo provides an embarrassment of semiotic riches” (Norton 88). One who wears the brand polo is someone who is of the upper class due to it’s vogue aesthetic and price tags. This goes for any high end designer brand like Michael Kors or Chanel; if one is seen covered in such a luxury, there is no doubt they are living in wealth. By wearing this clothing, one is being told to attain the typical preeminent behavior of the rich, having an attitude that they surpass all others. Moreover, Frank focuses on a particular group who have this rock and roll flare. He believes “we consume not to fit in, but to prove, on the surface at

During the 1950’s art took a major turn in history from traditional styles depicting people and scenes of everyday life to abstract thoughts and ideas that were transformed onto a canvas to express emotions and ideals in society. People, events, and society have always impacted several styles of art, but the consumer culture in the 1950’s impacted art in a new completely unique way. Post WWII society was more industrialized and more focused on developing and selling new products. The postwar generation had more disposable income to spend on the latest and greatest products and the market turned to advertisements in mass media to get their products out there to consumers. With televisions and films increasing in popularity the market flooded these forms of media with catchy flashy ads that showed favorable people like movie stars using products. With the increasing use of mass media, the culture shifted to consumerism which effectively shifted art as well. Art was directly impacted by the consumer culture because of society’s use of advertisements, photographs, and films which artists like Richard Hamilton and Andy Warhol used those elements in their own works to portray the change of societal standards in a new modern style of art called pop art.

With the rise of industrialization, globalization, and mass production, the manufacturing productivity has been dramatically increased and accordingly the availability of consumer goods. And with the rise of the mass media, various products have been targeted on broad groups of consumers. Consumerism, which is propelled by a system of mass production and high levels of consumption, has been one of the themes in art works from twentieth century till now.

The author James B. Twitchell identifies consumerism as being the next evolution of our social behavior. “In our postmodern world we have, it seems, exchanged knowledge of history and science for knowledge of products and how such products interlock to form coherent social patterns” he asserts (Twitchell 321). The implication is that, where we used to rely on crafting items and learning skills for ourselves, we instead find that technological progress has now enhanced the means of production to be so efficient that the value we provide to one another now is not by what we can offer, but by what we decide to buy. These purchase trends are used as a means of forming social connections, and I agree. I have personally observed consumption trends lead to social connections. Certain cultures and sub-cultures have specific styles or looks associated with them. Like-minded or similar interested people can easily identify each other. If an individual is impassioned by rap music, he or she consumes certain brands and types of goods that another person, who’s enthusiastic about country music, would refrain from acquiring.

The dominance of capitalist countries has facilitated the conformity of global civilization and cultural environments resulting in an increase of consumer cultures (Sarmela, 1977; Chaney, 2004). As capitalism experiences a natural and unavoidable expansion, consumers engage with consumer culture creating invisible products such as social status, identity, cultures, and ethical relationships (Sternberg, 2017). There are two sides to consumer culture that are the values held by society; those who conform and those who rebel (Turow & McAllister, 2014). All participants of society align with either submission or resistance to dominant ideas, values, and social structures. However, as a result of continued progressive diversity and fragmentation, the distinction between submissive and resistance are blurred. Nevertheless, those who resist and rebel are still participants of consumer culture. Instead they instead form sub cultures in society with alternative beliefs, values and ideas that challenge the mainstream (Chaney, 2004). In order to better understand the relationship between consumption practice and the resistance of consumer culture, theories of reflexive project of self, prosumers, lifestyle commodification, and incorporation will be analyzed in relation to the vegan movement.

The chosen article is Two Cheers for Consumerism by James Twitchell. In this article he talks about consumerism, commercialism, and materialism. He argues the stand point of consumers and the role they live by every day. In other hands the critics, Academy, gives the consumers and overview description to their consumers.

As a country, Americans love to shop. Whether in malls, grocery stores, on the Internet, or elsewhere, the culture of buying is deeply ingrained in American culture. Fueled largely by advertising and the current credit system, America’s consumer culture is depleting our planet’s finite natural resources and polluting our environment. Consumerism has instilled in Americans an artificial, ongoing, and insatiable desire for mass-produced and marketed products, and the money with which to buy them, with little regard to their actual usefulness or necessity. This constant desire to acquire more possessions is poisoning the planet, as it can never be sated and thus results in the never-ending exploitation of the Earth’s natural resources, and

This essay will be addressing ideologies of consumer fetishism and pseudo-individuality through examining the commodity signs found in the mass marketing and advertising of designer cosmetics, particularly Chanel.

Understanding consumer buying behavior entails marketing, relationships, and consumer behavior. Consumer behavior comprises all the consumer decisions and activities connected with the choosing, buying, using and disposing of goods and services. Marketers must pay very close attention to consumer behavior that occurs before the purchase and after the particular product has been used. Studying consumer habits is one of the steps in marketing search and analysis. In addition to other basic principles of consumer buying habits, marketers also need to study the decision and actions of real people. Until recent history the study of consumer behavior was focused on generalized consumer decisions. With

In Orderly Fashion, Patrik Aspers discusses the social order in the fashion industry. In Sharon Zukin’s Point of Purchase, she examines consumerism through the twentieth century, which brings the arguments of the above-mentioned authors into synthesis.