Contemporar David Kassan

Though this Pop Art movement happened in a few other countries other than the United States and Britain; the movement was also reflected in the country, France. Though in France their movement was known as “Nouveau Réalisme, which is the equivalent to the Pop art movement” (The Art Story Foundation ). This movement reflected the Pop art movement both focused on commercial culture, the Nouveau Réalisme and its artists focused more on their “concerned with objects than with painting” (The Art Story Foundation ).Another movement that the pop art movement was link to in a way was its counterpart in Germany known as Capitalist Realism. Though this movement was a “movement that focused on subjects taken from commodity culture and utilized an aesthetic based in the mass media” (The Art Story Foundation ).The artist within this movement wanted to “expose consumerism and superficiality of contemporary capitalist society by using the imagery and aesthetic of popular art and advertising within their work” (The Art Story Foundation ). These two movements were two movement that were linked to the Pop Art movement.

Although at first glance, Realism and Impressionism appear to be completely separate movements in 19th century art, they in fact were both bred as a response to the new order of Europe that had evolved as a result of the marks made by both the Industrial Revolution and a series of European continental wars. Realist painters and Impressionist painters alike faced controversy in challenging the status quo of the Salons, and took risks to no longer romanticize drastic changes within society caused by industrialization, but instead acknowledge them head-on. Edouard Manet in particular exemplified the gradual transitions from Realism to Impressionism and even to

Realism is the period in American literature from 1860 to 1890. This movement in writing focused on writing about how things really appeared and how they really were instead of writing in a dark manner. The stories, Life On The Mississippi and The Celebrated Jumping Frog of Calaveras County written by Mark Twain best represent the realism movement in American literature at this time.

Realism was a direct result of the social and economic changes of the 19th century in Europe. It originated in France in the after the Revolutions of 1848, which were a series of political outbreaks throughout Europe. It was around 1906, when Jonas Lie discovered the beauty of impressionism in Claude Monet’s paintings when he went on a trip to Paris while visiting Norway to reconnect with the Norwegian side of his family. He was fascinated by Monet’s use of color and light and incorporated that style in his later works. Lie’s artistic talent in mixing the two art styles is evident, as seen in his painting Dusk on Lower Broadway. (See fig 1.) The brushstrokes look like they were made quickly but with precision, creating a piece of art that looks realistic from far

Realism wishes to “revolt against the exotic subject matter… and for this reason it is also commonly referred as bourgeois realism.” One finds this aspect of realism as well in “The Lady with the Dog” in which

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly

They both started in Europe and spread out in U.S; both were influenced by the events of the everyday life; both used nature as their muse; both focused their work on representation of the lower class, humble people, ordinary events, injustice done to the society .Since life started to change with the industrialization people started to shift from Romanticism toward Realism. As the fact has it, in times when there is poverty, not enough food, struggle and pain , society withdraws from the spirituality, emotions and dreams and focuses more on the everyday life and tries to get by as each day passes. That is what happened with Romanticism and Realism. The larger-than-life hero and events were left behind as the real and contemporary art (Realism) started to outgrow Romanticism. Both arts are unique in their elements of representation but the same on their core. Romanticism embodied sense, emotions, spirituality, interest on the folk culture, supernatural events and the hero figure; focused on passion and inner struggles and creative spirit; interested on mysterious and embracing the grandeur of nature instead of the God. Realism instead embodied the opposite elements, ordinary characters and real life events, describing lower class and every day struggles, social issues; the language used is simple and nothing literary as it is in Romanticism.

I have found the realism arts to be very fascinating. The three pieces of art that I will be discussing are Francisco Goya's The Third of May, 1808 oil on canvas 8ft 9 in. x 13ft 4in, Eugene Delacroix's Liberty Leading the People, 1830 oil on canvas 8 ft 6 3/8 in. x 10ft. 8 in. and Honore Daumier, Fight between Schools, Idealism and Realism, 1855 Caricature

Realism is the artistic attempt to recreate life as it is in the context of an artistic medium. It began as a revolt against the conventions of the classic view of art in the late 1800s in America and Europe in the form of an artistic movement (McConnel, R. 1997). There are many themes involved with realism that shall be discussed. These include accuracy and independence.

Realism, in contrast to Romanticism, represents the reality of life in America. From the late 19th century to the early 20th century, America experienced enormous industrial, economic, social, and cultural change. Realism focuses on showing everyday activities and events among the middle and lower class society without romantic ideas. In the early 20th century people started to pull away from fantasy and started focusing on the reality around them. Realism emphasises on truth, class, and social commentary.

Everyone could relate to realism because it was more realistic. Realism lasted through the mid 19th century and included writers such as Flaubert, Zola, and Dickens.

The paint I have chosen to observe is Gustave Courbet's The Stonebreakers. Now as to how he rebelled against the traditions of past art style be following the art movement of portraying realism in his art work, basically he changed what his subject matter would be for his art work. So instead of painting royalty, fairy tale stories/myths, or even religious figure or stories to paint how the world is by painting a young man and adult breaking rocks. Although very simple when hearing what the subject matter is he portraited this scene of every day work of the common folk was done with excellence detail, showing the workers hardships and the load of their work with its semi-dark color scheme which is devoid of bright colors. Instead of painting

Realism in literature is basically the successor to romanticism. It first took off and gained footing in 19th century France. The literary style is a more straightforward and realistic style of writing in comparison to romanticism which was all about exaggeration and symbolism. Realism is often interchangeable with naturalism and branches out into regionalism which is interchangeable with local color. This type of writing is responsible for one of the greatest era of literary works.

Realism was a huge movement in late 1800s to early 1900s. All art forms were influenced by it. Writers, artists, actors and more started taking a more simple direction and tried to depict life as it actually was. In visual art it was common to see ordinary people doing every day

Realism seemed to supplant the old forms of theatre. Realism developed and iconography of images, altered behavioural codes, and class structures. Through time there was many cultural changes and that influenced the arts i.e.: Freud theorised human internality, Marx theorised sociology, Max Weber and Emile Durkenheim founded the theory on external human subject, Einstein explained relationship between observer and the phenomenon they observed and saussuream semiotics described they way ‘’reality’’ was constructed out of signs. Forms of theories and discoveries influenced practitioners. Realism is conventional as in Brecht’s use of realism he used illusions, hallucinations, and dreams within his pieces of theatre.