Contemporary Ballet

Dance has come a long way since it first began, and that road has been paved by different styles and choreographers. Modern dance is one of the biggest contributions to dance today. It all began with the rebellion against classical ballet. If it wasn’t for Modern, many aspects and styles of dance would not exist today. Also, without choreographers we would have no dance. One of the most influential Modern choreographers is Twyla Tharp.

As a revolutionary contemporary ballet choreographer, Kings’ dance pieces are often put together without restrictions and the moves are often modern. For example, the dance move at 0:17 to 0:27 consists moves that are traditional and contemporary and conveys a message of struggle and breaking free. The female dancer first bends one of her knees while straightening the other knee while making a big circle with her arms. Then, she straightens up her body while bringing her arms together to her chest with her

The repertoire includes such classics as Tchaikovsky‘s "Eugene Onegin" and "Swan Lake" and works by Mozart, Verdi and Rossini. Other popular productions are Massenet‘s ballet "Manon" and the operas "Don Juan" by Mozart, "War and Peace" by Prokofiev and Wagner‘s "Das Rheingold". The latest productions are Tchaikovsky‘s "The Nutcracker" Puccini‘s "La Boheme" and Verdi‘s "Macbeth". The most famous Russian ballet companies are; Tatchkine, St. Petersburg, Bolshoi companies just to name a few of the most famous.

Dance is found in all cultures. It is considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place throughout the 20th century, currently known as the Russo-American Era.

The main topic of my research paper is comparing and contrasting the difference between Chinese Classical dance and European Classical ballet. The questions I will develop in the paper included as follows.

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead, the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle. Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.

Loud, colorful, and live. Three words that describe the engaging form of dance, Ballet Folklorico.

Dance is one of the most beautiful, expressive forms of art known to mankind. It expresses joy, love, sorrow, anger, and the list truly goes on for all the possible emotions that it can convey. Dance not only can express how one feels, but it can tell a story or even be used to praise a higher power. Dance has intricately played an important role to every culture over the course of time. Two forms of dance that have not only stood against the test of time but have influenced the development of other various styles of dance is none other than Classical Ballet and Modern Dance.

With emphasis on movement and method, Classical ballet also focuses on the five positions of ballet and emphasizes the turn out of the legs. The emphasis on technique is universal throughout Classical ballets; in addition, Fokine created five principles to follow. First, the choreography should not be pre-made, but instead be created for each new instance. Second, mimetic gestures must have a purpose within the ballet and must not be used for pure divertissement. Third, the dancer should be expressive from head to toe. Fourth, the entire stage of dancers should be expressive. Fifth, dance must have an alliance with the other arts and not be a slave to one specific form. For example, there is no specific style of music to use; instead, dance should be free to pair with any type of music. The five rules can be found in more detail in Jack Anderson’s book, Ballet & Modern Dance a Concise History on pages 134-135. The importance of full expression and the inclusion of other arts within the ballets are key to the intentions of Classical

The choice of movements had different positions that resulted in call and response. The dancers used round motions that created shapes like ovals and circles. They constantly elongated their arms and made curvy motions with their upper body. The majority of dance movements were jazzy, soft and flowing. I did not notice any sharp movements or lots of energetic motions; it was more sensational and calming. The choreography reminded me of Martha Graham. Martha Graham believed that emotion favored before movement. The dancers in this performance did have many movements but based on the theme, emotions was the dominant target to the audience.

The dance demanded a very fast footwork with least body movements and arm movements. It was generally performed while wearing shoes with heavy wooden soles with heavy noisy steps and with of leaping and kicking.

Just when social dancing was at its height, World War 2 put a stop to its popularity. Lack of attendance, plus the intricate rhythmic patterns of modern jazz music, which were too complex for social dancing, led to the closing of dance halls and ballrooms. With the demise of social dance, the growth of jazz dance as a professional dance form began. During the 1940’s, jazz dance was influenced by ballet and modern dance. By blending the classical technique of ballet with the natural bodily expression of modern dance, jazz developed a sophisticated artistic quality. Unlike early jazz dance, which was performed by talented entertainers without formal training, modern jazz dance was performed by professionals trained in ballet and modern dance.

French Ballet began in the 17th century. It was a flamboyant entertainment presented in front of the aristocracy and royalty in the courts. French Ballet was also performed when they were celebrating marriages and showing off the wealth and power of the ruler. Besides, Ballet was called “la belle danse”, and it means “the beautiful dance.” In order to help the audience to recognize the characters in the story, dancers usually wore extravagant costumes. Moreover, the idea of different ballet movements was based on the social dance of royal courts, like beautiful arm and upper body movements and floor patterns were included. Also, in the beginning, only men were allowed to dance ballet, and women played the first ballet with parts until 1681.

Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.