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Contemporary Criticism InJezebel, Drums Along The Mohawk, And Unconquered?

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Contemporary criticism reflects the current audiences that are viewing the subject and their mindsets. Early movies specifically needed to know their audiences, as the reception they received could make or break actors, directors, and even entire studios. However, a movie viewed in modern times can have a completely different effect on the viewer than the original intended audience. Specifically movies, such as the ones shown here, that are based on historical events. In the order of the years they were released, Jezebel, Drums Along the Mohawk, and Unconquered, all focus on romantic relationships, and the different historical periods they are dropped into. Each of these movies take a drastically different look at their characters, despite their similar, specific, genre of romantic historical fiction. Each review of the movies echoes this, with analysis of the characters, historic accuracy, and just overall how compelling the story is. Firstly, Jezebel, directed by William Wyler, tells the story of Julie Marsden (Bette Davis), a southern woman who pushes her boundaries during the antebellum period of Louisiana. Specifically, Julie navigates how much she can stand against the conformity of her society without loosing the love of her fiancé Preston Dillard (Henry Fonda). However, after loosing her love, the movies second act creates a different version of Julie, as she has now become a picturesque woman to try and win Pres back. After she learns that he now has a new wife, she

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