Contemporary young adult fiction is a genre of literature that generally takes on a story line concerning modern day teenagers facing the issues of the current times. This genre of novels is normally seen as more appealing to teenage girls because of the constant presentation and treatment of romance and death as topics of choice for authors of the genre. Two notable authors in this genre are John Green and Jodi Picoult, the authors of the two novels of exploration: The Fault in Our Stars and My Sister’s Keeper, respectively. The contemporary young adult fiction genre has a story line that highlights the characters and their development more than the development of the plot. The antagonist in this genre is more frequently becoming a force rather than an actual person – as seen in these two novels of study, where the antagonists are cancer and inevitably, the factor of time.
Death and romance are not only prevalent and important themes in contemporary young adult fiction but in literature in general; from Shakespearian plays to poetry to classic novels we see a constant recurrence of these themes. Authors of all genres use these themes as functional devices in their works to powerfully manipulate the reader’s emotions. The ways in which they are presented may have changed as literature has changed, the general idea, discussion and reaction by readers has not. This therefore makes for a reason as to why the genre is worthy of study; in order to see how the authors of this
Our cohort is nearing the end of its secondary education and therefore it is important that we reflect on the ways in which it has shaped our attitudes, values and beliefs. For example, over the past five years, we have read, analysed and evaluated various literary works such as novels, plays, poems and films in our English studies. These texts have expressed various ideologies, explored interesting themes and introduced us to fascinating characters. These elements have left a lasting impression on our attitudes, values and beliefs. In addition to this, English literary texts have provided us with historical knowledge as well as a thorough understanding of the role that aesthetic devices
She does not understand why the older and well-known authors are not being read in high school. Prose uses a personal experience from her son’s sophomore English class. He had to read a “weeper and former bestseller by Judith Guest” (424), about a dysfunctional family dealing with a teenage son’s suicide attempt. “No instructor has ever asked my sons to read Alice Munro, who writes so lucidly and beautifully about the hypersensitivity that makes adolescence a hell,”(424). She again mentions books she approves of that should be read in English classes.
Meghan Cox Gurdon’s article has many varying points of attack, while Sherman focuses all of his resources on one point; young adult (YA) literature isn’t detrimental. Gurdon contends the argument that youths being exposed to darker themes makes the themes less effective and ultimately undermines the intensity of the subjects, as well as spread them. She states this as “Self-destructive adolescent behaviors are observably infectious and have periods of vogue. That is not to discount the real suffering that some young people endure; it is an argument for taking care” (par. 13). Gurdon says young adult literature takes away a child’s innocence and negatively affects moral development (par. 6). In contrast, Sherman believes that YA books help people dealing with those troubles to overcome and accept them. He states, “... Does she believe that a YA novel about murder and rape will somehow schock a teenage
In 1966 Truman Capote shocked the world with a novel unlike anything ever seen before. Capote’s novel “In Cold Blood” not only entranced readers with its often dark and mysterious tone, stunning imagery and controversial elements but introduced its audience to an all new genre, a non-fiction novel. In 2001 Lois T. Stover commented on the complexity and depth found in quality young adult literature, she stated that “Good young adult literature deals with the themes and issues that mirror the concerns of society … it help readers understand the complexities and shades of grey involved in dealing with these issues." “In Cold Blood” is a superb example that there is nothing simple about quality young adult literature, themes and messages found in capotes crime/thriller novel did and still relate heavily to our growing society. “In Cold Blood” explores numerous social issues; including the detrimental effects of mental illness, the banality of evil and the importance of family however it’s the commentary Capote makes on the so called “American dream” that questions its authenticity, takes centre stage throughout the novel.
Beautiful imagery laced amidst a wondrous storyline, accompanied by memorable and lovable characters are all elements pertaining to enjoyable works of fiction. Tales that keep one up late into the night forever reading just “one more page” forever propelling the intrinsic imagination for a novel enthusiast. Yet, at times there are deeper meanings hidden between the lines. Symbols, analogies, and latent parallels all connecting to real life events and situations being portrayed by the author. Using literary theory can bring a more profound understanding of the reading material at hand, as well as unique insight as to what the author was feeling or intending to portray at the time of writing.
“Strawberry Spring” offers the reader an opportunity to “show that we are not afraid” of facing our fears (King, “Why We Crave” 1). After all, anyone who has heard of Stephen King will automatically know that reading one of his stories may result in a thrill. For example, near the beginning of the narrator’s encounter, “a junior named John Dancey” happened upon a “dead girl lying in a shadowy corner of the Animal Sciences parking lot” (King, “Strawberry Spring” 2). Accordingly, the explicitly specific imagery used to reveal the brutality of Gale Cerman’s death is quite unsettling! Most of us spend our entire lives avoiding our “hysterical fear” of death, and allowing us to read such a description is “daring [our] nightmares” (King, “Why We Crave” 1). “Strawberry Spring” fulfills Stephen King’s claim that one reason we watch and read horror is to show “that we are not afraid” (1).
Literature is the window to realizing the negatives of society and how destructive certain norms can be. Readers are brought into a completely different story than their own, but by using similar issues in today’s world, the readers can actually learn from the story and its overall message. All writers write for a purpose, whether it’s for a new meaning to life, to live a different life than our own, or to impact others on an emotional level by teaching them to see the importance of the little things. As a reader, you search for pieces of literature that interest you whether you find the story like your own, or wish you lived the life in the story. By using issues in today’s within their works, authors are able to grab the reader's attention long enough for them to get across what they wanted to get across. Often in many works of literature, writers use societal issues as their basis for the work’s themes and symbols. By doing so, this allows the reader to question the morality behind social norms and how impactful certain ideals can be in people’s lives.
Sex and relationships are recurring themes throughout the genre and are essential elements teen narrative. Their portrayal ranges from comic interactions to serious exchanges and emotional liberation from restrictive forces. Timothy Shary explains the significance of these two thematic threads: “Romantic longing and sexual curiosity take on heightened intensity and profundity for youth in the adolescent years struggle to recognise and cope with the emotional and psychological changes”(2002). The character’s experience with sex are usually comedic and linked to sexual discovery and loss of virginity, which are continually present topics in the narrative. It is is often a determinant that shapes teen identity, as well as providing a commentary on societal questions regarding a desire of intimacy. The sexual exploits between the teen male and female investigates teen behavior and the conceptualization of feelings and emotions in their discovery of identity.
While not all works of young adult literature stand up to critical analysis, many of them do. Although no work of young adult literature may ever be raised to canonical status because of its less romantic setting or less sophisticated language, it is an important category of literature to which adolescents and young adults can relate as well as one from which they can grow personally and socially, gaining skills that can be used for critical thinking and analysis for the rest of their
All throughout America, high schools have a set academic structure that guide students in learning the path of our literature. One of the literature techniques that students are taught to learn is dark romanticism. Flannery O’Conner attempted to copy the novel, “The Devil in Tom Walker”. O’Connor set a great example of dark romanticism by writing “The Life Your Save May Be Your Own” due to the desolate locations, the hidden symbols, and the deaths by murder or madness.
As an adult reader who has crossed over to the reality of life, reading about these characters can be a transparent, futile exercise because as adults looking back at youth we have the experience to know where these characters are headed before they even start their journey. However, for young adults who are still in the throes of existential angst this is a powerful novel that handles teenage rites of passage and coming-of-age issues such as loyalty, friendship, belonging, and even death and loss very well.
A young adult novel’s audience often desires relatable characters and a meaningful plot that helps them to find resolutions to their own uncertainties concerning life. Many authors employ the literary technique realism to satiate these cravings. Today, there are some popular novels that attempt to imitate this, such as the coveted The Fault in Our Stars or Divergent. These selections, while widespread in the hands of young adult readers today, will not stand the test of time in the way that The Outsiders has, written by S. E. Hinton in 1967, has. This novel, both produced by and intended for teenagers, instead is a better candidate of realistic young adult fiction. Other selections, from Hinton’s era and from today, do not radiate the same
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As
It is beneficial to study certain subjects because of their relationship with Modernist theories. Young-Adult and Children's literature are transcendent because the narrative is interchangeable among an extended spectrum of readers. Both classes of literature deconstruct into its basic elements and define the essence of youth. I have arrived at such thoughts through the studying of modern short stories, which focus on the literary works that followed the great war. Modernist techniques have become the influence of all literary works that have followed. Studying modern short stories has formed an urge to review literature in the view of
Literature is an imitation of societal values and is thus a reflection of the human experience of a time period. Written works emphasize the elements of culture, by means of characters, particular events, setting and theme, specific to the time period in which it was composed. Furthermore, literature mirrors the troubles or hardships of society and projects the core values that define said society. Thus, as culture has changed over time, literature has remained a critical facet in representing time periods of the past. Essentially, the culture of a time period is manifested through writing in the projection of society’s values, symbolism of the center of community and literature itself.