Contextualization And Racism In William Shakespeare's Othello

Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is

Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.

Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce

Shakespeare was a literary pioneer and was able to inspire conversations about race in a predominantly white European society while living in England through his play Othello which is unique in the sense that it features a non-white hero as the protagonist. Although race is not at the center of Othello, it plays a pivotal role in deciding the course of the play and explains the actions and motives of the characters.

Iago’s next achievement in Shakespeare’s play Othello is to convince Othello that his wife is cheating on him. He wants to destroy their marriage because he believes Othello has slept with his wife, Emilia which is another motive as to why he hates Othello. Starting in Act One, Scene Three Iago wants to start “poisoning” Othello’s mind with thoughts of his wife having an affair with Cassio. He states in lines 385-387, “Let’s see. After some time, to abuse Othello’s ear that he is too familiar with his wife”. Iago is going to put the impression that Cassio and Desdemona are having an affair. Iago wants to put these thoughts into Othello’s head; therefore Othello can experience the same betrayal and heartbreak that he is experiencing. He believes Othello will trust his word because Cassio is good looking and a smooth talker. In Act Three, Scene Three Iago starts hinting to Othello that his lieutenant, Michael Cassio could be having an affair with Othello’s wife Desdemona. Iago tells Othello, “Look to

Racism has been an inevitable aspect of human society throughout the centuries, from Elizabethan England to “ Separate but equal," here in The United States not too long ago. Shakespeare’s tragic play Othello, portrays a young, and recently married Moor named Othello. His own demise is initiated by various deceits, such as his lofty new position as the Venetian Republic’s army general. During the time Shakespeare lived there was an overall idea of racial superiority among the English against those of color. This prejudice, distrust, and racist ideology set forth by the English onto minorities is apparent throughout the entirety of the play. This then gives a detailed insight into the cultural aspects of racism and manipulation toward those of different and inherently unequal origins, and skin color.

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

Iago, who presents himself as Othello’s confidante, signifies the antithesis of the virtues of the play, and Othello’s belief in the lies this villain tells destroy these values and lead to his demise.  Iago is disloyal from the start.  From the beginning he tells us, “In following him [Othello], I follow but myself. / … I am not what I am” (I, I, 55-62).  Iago feigns devotion to Othello only to bring him down, and in doing so he makes himself seem virtuous and turns the true virtue, in Desdemona, to vice.  When scheming to make Othello think that Desdemona is having an affair with Cassio, Othello’s lieutenant, he plays on her concern for people, and her willingness to help Cassio come back into Othello’s favor: “So will I turn her virtue into pitch, / And out of her goodness make the net/ That shall enmesh them all” (II, iii, 360-62).  As the opposite of all that is valued in the play, Iago is able to make the virtue of the other characters into their downfalls without them suspecting it.  He observes of Othello, “The Moor…Is of a constant, loving, and noble nature” (II, I, 288-89).  He then plans to use this nature to “Make the Moor thank me, love me, and reward me / … Even to madness” (II, I, 308-11).  Iago uses Othello’s trusting nature and Desdemona’s goodness to create the

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for

Throughout time, writing has evolved such that gender, race and creed have taken on a more pivotal role in fiction. Some people argue that race in William Shakespeare’s tragedy, “Othello,” is hardly an issue. However, to many people, race is everything in “Othello. The challenges that Othello, the lead character, faces are directly attributed to his “Moor” complexion and if he were of a different nationality, the outcome of his situation would have been drastically different. These claims are supported by the articles of “Othello’s Alienation” by Edward Berry and “Race Mattered: Othello in Late Eighteenth-Century England” by Virginia Mason Vaughan that argue that race is a major element in “Othello.”

Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black

Othello’s race does not prominently impact his demise, although Shakespeare touches upon the issue of race, the reason for Othello’s demise lies somewhere else. However, the allegations of race directly lead to its tragic ending. Feelings of inadequacy and distrust without question aid in the tragedy. The fact that Othello’s skin color is important alters the interpretation of the tragedy within the play. The racism represented in Othello is not just about an instance of prejudices and prejudgments made by a crowd of people against another, but in fact has much more subtle and devastating consequences, specifically, that it is proliferated not only by the discriminatory section of society, but also by the target of this discrimination.

In many of his works, William Shakespeare explores ideas of gender differences and racial tensions. Othello, a play whose characters are judged again and again based on appearances and outward characteristics, is one such work. The protagonist's different ethnic background provides a platform for probing ideas of racial conflict. Similarly, the presence of well-developed yet opposing female characters adds a dimension of gender conflict and feminist views. These seemingly separate themes of Othello-sexual difference and racial conflict-are closely connected because of similar ties of prejudgment and stereotype. The play's treatment of sexual difference and gender roles strengthens Othello's racist tones

The protagonist of the play, Othello, becomes the monster driven by racial prejudice that Venetians depict him to be. The word “moor’ is an indicator of the divide between Othello, a Morrocan with darker skin, and the Venetians of Italy, with fair skin. Even those who respect Othello use the word “moor” to replace his name. By the end of the play, he becomes the cruel character Iago wanted him to be.