Contributions And Achievements Of The Temple Of Hatshepsut

A woman becoming Pharaoh had been almost unheard of in ancient Egypt until Hatshepsut was born. Hatshepsut was the second daughter of the pharaoh, Thothmes I. After her sister, Neferu-khebit, died, Hatshepsut was the next heir to the throne unless a male married her and became Pharaoh. After Thothmes passed away, Hatshepsut fearfully, yet confidently, claimed the throne and commenced one of the most successful She-Pharaoh reigns ever recorded. Pauline Gedge’s Child of the Morning explained the social, political, economic, and cultural aspects of ancient Egypt’s society during Hatshepsut’s reign as Queen and Pharaoh.

Ancient Egyptian and Greek statues have many similarities. Hatshepsut in a Devotional Attitude is an Egyptian statue from 1473-1458 BCE. It is almost 8 feet tall and almost 2.5 feet wide. It is made of granite and is a statue of Queen Hatshepsut, the wife of Tutmose III, one of the most dynamic egyptian kings of the eighteenth dynasty. The Marble Statue of a Kouros (youth) is an Archaic Greek statue from 590-680 BCE. It is a little over 6 feet tall and about 20 inches at its widest. It is the representation of a nude male figure and is made of marble. However, the artists of both the statues are unknown.

Hatshepsut had many major accomplishments as pharaoh such as constructing paths that helped reach neighboring towns . She also built the temple of Djeser-djeseru also known as the holiest of holy places according to History . Some other things she constructed are many monuments in the ancient site of Karnak . She also helped restore a historical site named “Precinct of Mut “,she installed two obelisk structures of herself in this site .Finally she constructed many dwellings , temples , and monuments. Overall Hatshepsut was a hardworking and wise pharaoh

She was responsible for many famous buildings such as the enormous memorial temple at Deir el-Bahri. It is considered one of the architectural wonders of ancient Egypt. The temple Deir el-Bahri is a testament to the accomplishments of Queen Hatshepsut. By building many significant projects she left a huge legacy behind for historians and archaeologists to

Indeed, the monument served a particular religious function, according to the tenets of Ancient Egyptian theology and cosmology. The housing

While there are several notable Egyptian temples, monuments, and tombs; this paper will focus on the analysis and evaluation of the Mortuary Temple of Queen Hatshepsut at Deir el-Bahri, C. 1458 BC. First and foremost, it is important to identify the historical figure who influenced this construction of this temple. Queen Hatshepsut ascended to the throne of Egypt after her son’s passing and was the first and only female pharaoh in about 1473 BC; nearly a thousand years after the construction of the Pyramids at Giza. The

Ptah was also a creator god who built the boats that carried the souls of the dead into the Underworld. Osiris was the ruler of the Underworld and husband to Isis, the goddess of fertility and the ideal wife. Isis’ song, Horus, was the god of the sky and depicted with a hawk-like head often portrayed with a double crown. These deities were worshipped daily by the Egyptians in temples built by the ruling pharaoh and his priests. The pharaoh was viewed as the intermediary between the deities and his people. Through his kingship and divine power, he was expected to maintain universal peace and order. Egyptians also underwent extensive and excessive processes to preserve their souls after death through tombs, mummification, and offerings to the gods for preservation of the deceased bodies (“Ancient Egyptian Religion”). The concept of life after death is rooted in ancient Egyptian religion where funerary processes and burial rituals were fundamental and crucial to an afterlife.

This is shown in the portal of Anubis, Anubis the protector of the dead, was the god associated with mummification and the afterlife. Through the association with mummification and the afterlife he was generally portrayed as a half human half-jackal form. Animals were usually also highly symbolic figures in Egyptian art, however the Egyptians did not worship animals, the animals were used as powerful symbols for the gods in which they worshiped, the use of the jackal portrayed the ideals of death. As the jackal itself was strongly associated with the cemeteries of ancient Egypt, it was a creature whose scavenging habits threatened the preservation of the body, in an effort to counter this threat and employ it for protection the jackal head was a symbol for Anubis. The distinct black colour of Anubis, was symbolic not of the jackals skin but that of rotting flesh and the fertility of the black soil of the Nile Valley which symbolized that of rebirth, as shown in the artwork below.

Amun and religion played a large role in Hatshepsut’s reign due to the use of a higher being to consolidate her reign. The limestone bust of Hatshepsut as Osiris, a portrait from her mortuary temple at Deir el Bahari depicts her as the male god Osiris, giving her a sense of power as she is depicted as a powerful god, god of

During her reign, Hatshepsut had started trading expeditions from Punt (present-day Eritrea) that brought ivory, ebony, gold, leopard skins and incense into Egypt. When Hatshepsut was trading with Punt, she utilized trade as a technique to give herself a chance to expand the economy of her country. In order for trading to be accomplished, Hatshepsut had established vital trade routes to aid in implementing exchange with other countries. As a result, Hatshepsut became the first monarch in the New Kingdom to trade with Punt. Through her action of expanding trades with trade routes, she demonstrated that she is an influential leader because she was not afraid to try new ways of making her country better and more prosperous. Along with trading with Punt, Hatshepsut had also traded with countries in west Asia which are in east of Egypt through her vital trade routes. Thus allowing boats filled with goods to be imported back to Egypt. In addition to expanding trade to help her country prosper, Hatshepsut had also built many great monuments such as the Palace of Ma’at, Gebel el Silsila, Chapelle Rouge, and the Deir el Bahri that exhibits the immense growth of her country. These tremendous monuments displayed that Egypt under Hatshepsut’s rule had prospered because it proves that the economy of that time was great since Hatshepsut was able to afford

Moreover, talking specifically about the Gods, Osiris was the one determining the good and bad, judging the everyday morality to determine if the person deserved an everlasting life (McKay, A History of Western Society, p. 23, Egyptian Religion.’’). The confessions were performed in proper funeral rituals and as a consequence Osiris was assisted by Anubis, the God of the of mummification, since the human body needed to be mummified for the

Senenmut, an excellent architect within Ancient Egypt who came from a large educated family, was appointed by Hatshepsut to oversee any royal works, as well as overseeing slaves, fields, and gardens. It is said by some Egyptologists that he initiated a very personal relationship with her—he was even a tutor for Hatshepsut’s daughter. This suggests that Hatshepsut befriended Senenmut for her own advantage, in order for her building plans to be carried out as she pleased. Not only did she effectively choose a skilled architect, but she kept high standards for the location for her memorial tomb. This was at a natural bay near the Theban Mountains, facing the entrance to the Amen-Re Temple at Karnak. This location was especially chosen because it was the existing tomb of her father, and had great importance as it was previously a cult center for Hathor (goddess of ruling kings). A new entrance was created with a staircase leading to a new burial hall carved out of rock. Although her choice called for those extensive alterations of the existing tomb, Hatshepsut wanted to be remembered as a highly regarded leader and appointed Senemut to carry out with those building plans. Hatshepsut’s choice resulted in one of the most beautiful temples in Egypt, known as Djeser Djeseru, meaning holiest of the holy. This specific project displayed Hatshepsut’s creativity

The Large Kneeling Statue of Hatshepsut is a magnificent piece of art located in the Egyptian section next to many other statues of the great pharaoh Hatshepsut. Out of all the statues of Hatshepsut, the Large Kneeling Statue of Hatshepsut was kept in the best shape and caught a lot of attention from the people in the room. Its great size is something truly remarkable, considering it was built in the New Kingdom of Ancient Egypt. More importantly, this statue is the first structure in art that depicts a woman leader. Not only is it a truly unique piece of work, but also it is a piece that is revolutionary for its time. The massive size of this statue leaves one wondering if women have always been just as powerful as men, if not more.

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

Guarding the entrance to the 100 feet tall temple are four enormous statues of the Pharaoh, who ruled for roughly 66 years during the 19th dynasty. Each statue stands 67 feet high and depicts Ramses seated on his throne, wearing the double crown of Upper and Lower Egypt. Adorning the sides of the thrones is the symbolic unification of Egypt by the Nile Gods. The whole upper body of one of the figures is destroyed, damaged by an ancient earthquake. You can still see the remains of the torso and head at the base near the feet. Statues of Ramses mother Mut-Tuy, principal wife Nefertari, and son, Prince Amonherkhepshef, stand at his sides, almost as high as his knees, and smaller statues between his legs are thought to represent either his daughters or lesser wives. The frieze topping the temple facade shows 22 baboons worshipping the sun. The recessed statue above the entrance is that of the falcon-headed Ra-Harakhti (associated with Horus) and is flanked by two Bas-reliefs of Ramses, presumably worshipping him. Three connected halls inside the temple dig 185 feet deep into the mountain, where pictures of the King's "grand" accomplishments can be seen covering the walls. The temple was completed near the 24th year