Controversial Political Cartoons

Thomas Nast is known as the "Father of the American Cartoon," having created satirical art during the 19th century that critiqued slavery and crime. In this political cartoon, Thomas Nast as an artist reflects on the differences between the Republican and Democratic parties. The political parties now are different from when the cartoon was published. The Republican Party was the party of the people, mostly supported by the North. The Democratic Party, on the other hand, was the party of the South, of business, and was noted for being supported by former Confederate soldiers and sympathizers.

This political cartoon was created by Jim Morin. This cartoon was created to show the shooting at a movie theater in Aurora, Colorado. The shooting took place in July 2012. Jim’s political cartoon was created to mock the government when it came to the NRA. It shows that the government is under the authority when it comes to shootings with the NRA.

Political cartoons could be defined as illustrations or cartoon strips that contain a social and/or political message in them. Political cartoons are often based on the current events around when they were written.

Censorship in cartoons: The Cleveland Show: The show titled, “The Cleveland Brown show, is a show that was created for the sole purpose of entertainment of the adult audience, yet the show is aired at the times most young children are able to view the show, particularly on the cable network. Cartoons are not being made the way that they use to, they are no longer the regular “Saturday morning” cartoon displaying the normal innocent and funny comedy that was sure to grab a child’s imagination. The show contains nudity, some acts of violence and a great amount of profane language. This show definitely won’t be on the favorite cartoons list of most parents.

Herblock's cartoon could be criticised for potential inaccuracies in his political cartoon, Transported. For example, claiming "war, poverty, and prejudice" are happening, but to what extent could it be true for the whole earth? Herblock uses logos in presenting commonly known facts, but this probably wouldn't stand up to more in depth analysis. Furthermore, although there was an element of entertainment to the actual moon landings, the men who performed these tasks faced extreme danger, from the moment they took off to the time they landed back at home. However, with his use of pathos, it is very hard to deny the truth of the cartoon. The cartoon has very strong pathos that get the message across to the reader. Earth focusing all of its attention

Originating in the 19th century, political cartoons are created and drawn as a means to deliver a message. Whether it be about politics, events or social concerns, the artist is able to express themselves creatively. The cartoons are not only meant to express the view of the creator, but are also open to interpretation. Most political cartoons have a biased point of view and uses rhetoric to persuade its audience.

Political cartoons are an illustrative technique that political cartoonist use to display a message to the viewers about government, world affairs, and politics. In 1754, publishers of the Pennsylvania Gazette published the first political cartoon illustrated by Benjamin Franklin (West, par. 1). Benjamin Franklin used his first political cartoon, titled Join or Die, to gain support from the colonies for the Crown’s war against the French (West, par. 1). Since the 1700s, illustrators use political cartoons as a medium to display political messages to its viewers (West, par. 1). On March 10, 2015, publishers of the Columbia Daily Tribune published a political cartoon, illustrated by John Darkow, titled Hillary Has A Primary Opponent (Darkow,

The political cartoons of the 1800s reflected the feelings of many laborers of the time. The American Revolution began in the early 1800s and continued through much of the 19th century. The low wages and high fees of being a laborer, added to the long hours many worked, made people desperate to find a better way of life. Despite their need for a better life, many laborers had little skill or ability to anything else. As the cartoon shows they are being crushed between their high rent that they are required to pay and the low wages being driven by the new monopolies and corporations of the time. Eventually riots broke out in the cities as the workers got more and more desperate to push for an increase in wages.

It is very important to be aware that the media is capable of controlling the flow of information that citizens receive. Furthermore, much of the content suppressed in this country is for fear of retribution from others. When governments and other institutions suppress information, citizens are not able to address matters concerning their country, as well as around the globe. In ‘The Decline of American Press Freedom’ by Anne Applebaum, Applebaum explains a recent controversy with Yale University and the publishing of a contentious comic in a scholarly report on the global consequences of political comics. The comics in question were satirical in nature and displayed the Islamic prophet Muhammad in an offensive manner. In an aniconic religion where visual depiction of the prophet is inherently blasphemous, the Islamic response to these comics were violent. When an analysis of the comics and the cultural backlash was written, instead of publishing it, Yale University swept it under the rug for fear of offending Islamic extremists. Applebaum argues that if “Yale University Press refuses to publish [the comics], then that makes it much harder for anybody else to treat the cartoon controversy as a legitimate matter for scholarly and political debate” (Applebaum 640). By not allowing the publishing of this analysis, Yale University is censoring what the American populace have access to in terms of global controversy. The issue becomes trivialized because institutions fear retribution from extremist groups. Without these scholarly points of reference of this issue and others, it is difficult to have a serious conversations about the ramifications of political and religious satire. This leads to people remaining uneducated and ignorant of these serious issues, and liable to repeat these same actions that so sorely offended an extremist

The house of representatives makes and passes federal laws. They are one of two chambers that creates the U.S legislative branch. The house may even be referred to as “the people house” because it’s representative’s are viewed and based upon the population or amount of people in each state. In this political cartoon, there are two sides one side is labeled “the people's house” which is the outside view of the Capitol building, while the other side shows citizens inside the Capitol building scared. The Capitol building holds meeting's and debates with the electives, however, the scared citizens show a negative connotation because they are not providing respect to the building and what's surrounding them. The ironic part of this cartoon is

The political cartoon shown here is strongly satirizing against the control of children’s education in Texas by the Board of Education. Through the Board’s selection of what is included in children’s learning material, Texas kids in schools become biased towards certain political views. The textbooks here all contain extreme conservative attitudes, such as disbelief in climate change with the title, “BRRRRR! Our chilly planet”, and emphasis on anglo-american christianity “saving the day” for a free-market capitalist economy. Ironically, the book “Numbers Lie (Just like liberals!)” is paired with a false math equation on the bottom left of the cartoon, as 2+2 does not equal 5. However, this is significant in the sense that textbooks which are

In the event of the cartoon, President Roosevelt sent American Naval so that the Europeans can calm and negotiate and back away. President Roosevelt goal was to protect the “relations between the Western Hemisphere and Europe, but it did serve as justification for U.S. intervention in Cuba, Nicaragua, Haiti, and the Dominican Republic” (Roosevelt Corollary to the Monroe Doctrine, 1904, n.d.). After the incident, United States was appreciated and looked up to

Cartoons have been a prominent and interesting apparatus for politics throughout the ages. Political movements, parties, and groups using propaganda to further their beliefs dates back to the eighteenth and nineteenth century. Though America faces an austere history, lighthearted propaganda colors its decades and gives them life. Political cartoons are so widely used in America that they have become a significant piece of pop culture. Moreover, because of their ability to capture the reader’s attention, propaganda is exploited throughout politics.The cartoons are wonders of the human imagination; illustrators create comical images and intertwine profound political opinions to influence their viewer’s mind. For example, one movement that abundantly grew from propaganda was the women’s rights movement. The artists of the seemingly despised cause drew controversial cartoons that set a fire in the hearts of women all over the world. Consequently, the same cartoons ignited a passionate war between women who wanted freedom, and those who believed that women could not handle that freedom. Through the use of colorful concepts and daring expressions, political cartoons display the influence of the women’s rights movement throughout history, while the cartoons of Anti-Feminists demonstrates the world’s reaction to the movement.

In this political cartoon, Trump is sawing down a tree that says “big government” on it. Below the tree there’s a sleeping donkey in a blue tie, sitting under the shade of the tree. The donkey seems to represent the Democratic Party. In March, the Trump administration decided that they would make cuts to many government programs. The Democrats are relying on an increase in government spending for a big government, as a safety cushion. Since Trump is a republican president it’s going to benefit the republicans and their point of views. Republicans like smaller governments because to them it’s efficient and taxpayers don’t get bothered by it as much.

Two political cartoons, “School Begins” by Puck and “Uncle Sam’s Thanksgiving Dinner” by G.F Keller, both published in the late nineteenth century, avail of distinct examples in order to reveal America's attempt to civilize immigrants and non-white groups as a means of granting them social acceptance throughout the nineteenth century. “School Begins” exhibits Uncle Sam, a popular U.S. cartoon figure throughout history, as the dominant white American male in the center. In the cartoon, the class is made up of well-disciplined students studying books labeled with their state’s name, juxtaposed with the disorderly class seated in the front made up of the “Philippines, Hawaii, Porto Rico, and Cuba.” The territories are depicted as uncivilized, serving the racist and denigrating image that justified the right to govern the new territories gained after the Spanish-American War of 1898. In “Uncle Sam’s Thanksgiving Dinner”, immigrants and Americans of different backgrounds sit around a table, prepared for the feast . The groups represented at the dinner reveal unruly characteristics and stereotypical representations of each group’s food to highlight their conflicting differences in American society. By looking at how the artists utilize the exaggeration of non-white and immigrant groups, we can see the dominant civilizing narrative the U.S. secured through imperialism and assimilation, and this is salient because it exhibits a racist hierarchy that justified Western civilization