Conventions/Rules Of High Renaissance Art

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

The Renaissance occurred in Europe between 1400 and 1600. This event began in Italy during the Medieval period and then expanded to the rest of Europe, marking the start of the Modern age. The Renaissance began in Florence Italy in the 14th century. It was a cultural movement that had an enormous impact in Europe during the early modern period. The Renaissance’s influenced politics, science, literature, art, philosophy, religion, music, and other aspects. Around the 13th century in Italy started the Renaissance’s art influence. Leonardo da Vinci, was known as the "Renaissance man," because of his art masterpieces and his studies in other fields during this time. Italy wasn’t a political concept in the

First of all, art during the Renaissance was a major improvement from Middle Ages art. Art during the Middle Ages was very dark, gloomy, and was centered on the ideas of the Roman Catholic Church. In document A it states that Bouninsegna’s painting is about Mary on the throne with baby Jesus. Middle Ages art was very two dimensional. During the Renaissance, paintings stopped focusing on the ideas of the church and more on the beauty of humans. In document A it says, “[...] see well defined landscapes, natural folds in drapery, three dimensional figures[...]” Renaissance art was very vibrant and life like with natural colors and people that were not

During the Middle Ages there were a lot of churches and castles. The style was very gothic, and very detailed. It was all 2D and had no emotion, or perspective. It was all very blunt and boring, and did not really catch the eye. On the other hand, during the Renaissance, there was a lot of symmetry and proportion, which was adapted from the Greeks and Romans. Unlike the Middle Ages, where the paintings were really flat, in the Renaissance, there was a lot of perspective, definition, and emotion. During the renaissance there was a lot of use of bronze, which can be credited to Donatello. There was also a high use of the hieratic scale, which showed higher status figures look bigger. This proves that the style of the Renaissance was very different than the Middle Ages, which support the fact that the Renaissance was not a high point of the Middle

Another characteristic of this period is the lack of distinct or realistic perspective in renderings. Michelangelo was one of the first artist who pioneered the Mannerism at the Laurentian Library in Florence Italy according to Britannica (2012). One such painting that employed the Mannerism characteristics such as eroticism and obscure imagery is the "Madonna with the Long Neck" painted by Girolamo Francesco Maria Mazzola, also known as Parmigianino (Artble, 2012). In 1520 the humanistic model of the classical Renaissance such as the serenity, beauty, and order began to break down as a negative world view began to emerge due to machinations and wars of Spain, France, and the Holy Roman Empire. (Ozarks, 2012)

Renaissance art created standards and principles that every painting and artist had to utilize in order to even be considered good, let alone great. Characteristics such as the phenomenon of natural light, one-point and linear perspective, and highly idealized religious or mythological figures changed into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated allegory, and unidealized realism. Additionally, “… the Baroque trend dominated and gave its name to the age… [but it was the presence of both styles] that give the Italian seventeenth century its richness and diversity.” (4) Italy, and Rome especially, is home to what can

Eugène Delacroix, Death of Sardanapalus, 1827, taking its Orientalist subject from a play by Lord Byron.

Neoclassical Art was an art form that followed the Baroque and Rococo art periods. Neoclassicism was a way for artists to display their wish to return to meaningful art, to escape the frivolity of landscapes and still life paintings, and paint something that had a moral, educational or inspirational value to the viewer. Neoclassical art was an attempt to return knowledge and purity back to art. Neoclassicism was mainly focused on Greek and Roman arts and stories of the classical era with some new advancement. It was a revival of antiquity.

The Renaissance Era was widely influenced by many of the playwrights and literary geniuses of this time. The way people spoke, acted, or treated others was incredibly different from our societal “norms”. For each citizen there was a certain level of maturity, poise, and etiquette expected of them.The three social classes consisted of the Clergy( or the church), the nobles and ruling class, and the peasants, merchants, and townspeople. People of the Renaissance era valued extremely different ideas of behavior , romantically, at the table, or even just as everyday common courtesy.

The Early vs. the High Renaissance - I've decided to go with Piero Della - Francesca Battista Sforza and Frederico Da Montefeltro vs. Raphael Agnelo Doni and Maddalena Strozzi. Paintings. Despite their many differences, there are also some similarities between the portraits made by these two artists. Discussing pg. 620 (20-31) Piero Della Francesca Battista Sforza and his wife and Frederico Da Montefeltro, an Italian artist during the Early Renaissance, Fifteenth Century in Uffizi, Florence. The artist showed the small panels that resembles Flemish painting in their detail luminosity, their record of surface and texture, and their vast landscapes. as mentioned on page (620) the reason why they are turned side ways is due to male in the portrait

One of the greatest stories from the Italian Renaissance is the one of Fillipo Brunelleschi and Lorenzo Ghiberti. In 1401, the directors of the art of the Santa Maria del Fiore Cathedral held a contest for artists; to create panels for a the doors on the east entrance (Kleiner, 560-2). Because the east doors faced the cathedral, the people thought it extremely prestigious to be able to participate in such a massive creation. After the first competition round, two finalists remained; Brunelleschi, an accomplished and experienced artist, and Ghiberti, a younger artist, but one with just as much talent. The two competitors were required to create a panel (or square) of Abraham readying to sacrifice Issac. Before reading which was which,

What is Rebirth? The Renaissance, a cultural and historical movement, began in the 15th and 16th Centuries. Throughout the Renaissance, the influence of Ancient Rome was rediscovered after many advances in thought had been lost during the medieval dark ages. The center of this ideological revolution based itself in Italy. Renowned artists involved in the revolution include Leonardo Da Vinci, Michelangelo, Raphael, and Jan Van Eyck. After hundreds of years, numerous pieces of work which these gentlemen crafted still stand. The Renaissance springboarded numerous, unique styles of art and dramatically impacted modern day art.

years, adding just a little personal variation to the story and the style of the painting. It

When looking at "Madonna with the Long Neck," the colors are subdued and dull but his use of color with the High Renaissance formula - the primary colors. In terms of mannerism, elongation was thought to create a more elegant and graceful look, which may be one of the main reasons why Mannerist art contained a lot of unnatural looking human figures. In the painting, I see a lot of elongation being used in different areas as well as oddly proportioned bodies. Madonna herself has a very extended neck, which holds up her smaller sized head making her look unusual and abnormal. Below her neck, I see her unnaturally slanted shoulders and her elongated fingers resting on her chest. Her legs also appear to be very long as they look much bigger than her narrow upper body. This makes for Madonna being a very colossal and dominant figure. Furthermore, when comparing Madonna to the women who stand beside her, Madonna is huge. In Madonna's lap is her baby Christ who also has unnaturally long features. The body of baby Christ is so long especially his legs. It looks like a much older boy. I think Pontormo wanted the audience to focus more on the bodies and the drama, rather than the specific details.

This period housed many depictions of the Virgin Mary, including Cimabue’s Enthroned Madonna and Child. Mary was seen as the perfect example of feminine virtue, showing chastity, piety, humility, and maternity. Images of the Madonna, or Mary, whether sculpture or painting, encouraged women to live up to her. Mary wasn’t the only woman that was looked up to in Renaissance art. Women could be portrayed as witches, saints, temptresses, or members of the working class, and their image would still be an encouragement to dress and behave properly. (Jacobs)