Coppola's Interpretation of Dracula as a Love Story Essay

            Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story.  Stoker goes to great lengths in order to create an

The 1992 movie adaptation of Dracula is quite loyal to the book. However it made quite an exaggeration in Dracula and Mina’s connection. Also there are fabricated parts in the movie, particularly the way it begins having the origin of Vlad the impaler that is not technically found in Stoker’s writing. Character of Dracula is not that scary as it was in the book than being projected visually in the screen. Perhaps to have a more impact in viewers’ emotions. Some scenes were also fractured in the movie, for instance is Mina’s and Lucy’s stay in Whitby which never occurred in the book. Even so, the film had interpreted the book well and it although some scenes were fractured, it did not depart much

Desire and fear some of the most prominent emotions exhibited in Dracula. Bram Stoker, Nosferatu, F.W. Murnau, Dracula, Tod Browning, and Bram Stoker’s Dracula, Francis Ford Coppola. “Human characters are caught up in the struggle between these emotions when it comes to vampires; this opposition drives forward the different plots… vampire attributes such as physical attraction, sexuality, power and thoughtless violence are common threads throughout the studied works. Characters in these stories fear the powerful abilities of vampires, yet show an unmistakable pull towards them. The vampires in all of these works incorporate physical attraction, sensuality, and awesome power. They often use this superhuman strength

Another character worth analyzing is Renfield. Curiously enough, Renfield’s Syndrome was a term coined by psychologist Herschel

Though it appears on the surface to be an engaging horror story about a blood-sucking Transylvanian man, upon diving deeper into Bram Stoker's novel Dracula, one can find issues of female sexuality, homoeroticism, and gender roles. Many read Dracula as an entertaining story full of scary castles, seductive vampires, and mysterious forces, yet at the same time, they are being bombarded with descriptions of sex, images of rape, and homosexual relationships. In Francis Coppola's Bram Stoker's Dracula, Stoker's presentation of homoeroticism is taken, reworked, and presented in a different, stronger light. Coppola does much in the area of emphasizing a homoerotic relationship between Mina Harker and Lucy Westerna: a relationship Bram Stoker

Texts can be modified or appropriated to suit different audiences or purposes, yet still remain firmly within the genre. Discuss Stoker’s ‘Dracula’ and at least one of the films you have studied.

    Perhaps no work of literature has ever been composed without being a product of its era, mainly because the human being responsible for writing it develops their worldview within a particular era.  Thus, with Bram Stoker's Dracula, though we have a vampire myth novel filled with terror, horror, and evil, the story is a thinly veiled disguise of the repressed sexual mores of the Victorian era.  If we look to critical interpretation and commentary to win support for such a thesis, we find it aplenty "For erotic Dracula certainly is.  'Quasi-pornography' one critic labels it.  Another describes it as a 'kind of incestuous, necrophilious, oral-anal-sadistic all-in-wrestling matching'.  A

Dracula’s actions are also significant in explaining how he might represent the evil of the devil in that Dracula’s actions are perversions of Christian ideals or beliefs, just as the devil. The most notable of these perversions is the way in which Dracula is able to survive, taking blood from humans. This could be taken to be a perversion of Communion. In the book of John in the Bible, Jesus tells his

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.

Dracula is a signet classic novel written by Bram Stoker. This novel is portrayed by an antagonist character known as Count Dracula. He has been dead for centuries yet he may never die. He has a peculiar power of hypnotic fascination but he is weak in god’s daylight. He is immortal as long as he is able to drink blood from the living. He can change his form into a wolf, a bat or a puff of smoke. Dracula get in touch with Jonathan Harker through a real estate transaction. He went to Dracula’s castle through a carriage as were planned. After a few days, he felt as if he were prisoned in the castle as his movements were restricted. Meanwhile, Harker has a fiancée named Mina

Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are

Ever since Bram Stoker wrote his entrancing novel people have been adapting it, and the story is one of the most reproduced ideas in history. Each innovation of the novel influences the story for the creators own purpose, and in doing so generates another version of Dracula. Count Dracula has become an infamous character in history, and has been captured in many different mediums, such as the Japanese anime and manga series Vampire Hunter D, which follows Draculas son D in his adventures (Kikuchi). However, one of the adaptations that endures in modern minds is the 1992 film by Francis Ford Coppola, Bram Stoker's Dracula. This version of Dracula was meant to be loyal to the novel, but it diverged from the original in many ways.

Bram Stoker's Dracula is a true Gothic novel that belongs on any gothic literature course. Focusing in on the recurring themes, characters and settings used throughout the novel one sees how Dracula has set the standard for Gothic literature today.

Bram Stoker’s frightening tale of Count Dracula has struck horror into the hearts of many since it was originally penned. In 1987, Bram Stoker wrote the revolutionary tale Dracula that played off the fears of the people of the era. The plot and characters that make the novel great also translate nearly perfectly to cinematic adaptations. Starting in the early 1900’s, directors have done their best to portray the terror that the original novel inspired. Francis Ford Coppola’s Bram Stoker’s Dracula was released in 1992 and follows the book’s storyline very closely. However, to appeal to his generations ideals on relationships and sex, Coppola made some changes to the plot; however, many of the characters and themes are kept intact. He also