Copula Variation Across Two Decades of Hip Hop Nation Language

As society begins to change so do other aspects that are within that particular society. Within the articles “Why Good English is Good for You” by John Simon, “Do You Speak American” by Robert MacNeil, and “Lost in America” by Douglas McGrey, each author gives their own insight as to how social changes have impacted the language within America, as well as the implications of those changes. While they each argue different views on how those implications have benefitted or hindered the language, they all agree on the fact that the language is ever-changing.

Over the years, African American Music has developed as not only as cultural but also artistic phenomenon affecting the world. The music takes its own stand of being dominant as well of having a prevailing means of expression through the use of the lyrics. The lyrics of many songs tend to use a specific type of language in order to create that connection between the listeners. This certain style of language helps the listeners to think on a deeper level about the real meaning behind the lyrics.

As thorough and rewarding as Bradley’s close reading can be, it is this sole focus that becomes problematic in Book of Rhymes. He stays on the surface, privileging the discussion of linguistic elements over cultural impact. He begins his wordplay chapter with an anecdote about a friend who disapproves of the misogynistic and violent elements of the Notorious B.I.G.’s lyrics, a qualm addressed by Bradley in a customary manner: “It’s not what he’s saying, it’s how he’s saying it” (86). Bradley is partially correct; how he’s saying it is the aesthetically appealing aspect of hip hop, the reason millions of people around the world enjoy the music. But what he’s saying is the more compelling aspect. The environment that produced the attitudes reflected in hip hop, the source of Biggie’s misogyny and violent imagery, must be given its proper treatment in order to understand rap music on deeper levels than the beauty and complexity of its poetic structures.

“Language is a product of society. As society changes, so does language.” Because of this, over time, English speakers all over the world have reinvented language and in some cases come up with their own very different ways of speaking. African American Vernacular English (AAVE), also referred to as Ebonics, is one of these variations of American English, most commonly spoken today by urban working-class and middle-class African Americans. Not only does Ebonics make up an immense part of African American social life and communication, but also it is heavily used in the music industry. Its use in the music industry today, particularly in the hip-hop industry, has definitely had an effect on society’s use of language, especially today’s youth. Although widely used by African Americans, many other ethnicities also use Ebonics as a way of communication. The use of Ebonics has steered many away from learning and/or using Standard English and unfortunately, this has lead to communication barriers between speakers of Ebonics and speakers of Standard English especially within academic environments. Due to this, it is extremely important for school systems to incorporate Ebonics as well as elements from the hip-hop culture into their curriculum to ensure the success of their students.

Hip hop cannot be understood by just examining how the artists might carry themselves or just their lyrics alone. The uniting of hip-hop in to society gave accommodations in an integrated generation of young Americans and it changed the racial dynamics in the United States. Even though you might not be born in the 70’s when hip hop was originated, it has become a part of our generation and has stuck around ever since. This paper is written with the intentions to prove how the evolution of hip-hop or rap music has ultimately made America

Everyone has various styles of speaking and various ranges of vocabulary that they utilize depending upon with whom they speak. This concept, known as code switching, portrays an integral part of our lives in today’s society. The fact that different groups of people speak in different ways necessitates the use of code switching. One would not speak to a group of high school students in the manner that one would speak to a scholar, or speak to a prison inmate in the same regard that one would speak with the President of the United States. Speaking in standard American English and then in African American Vernacular English (AAVE), or Ebonics, portrays the most prominent use of code

Hip-Hop Culture and race have had a complicated relationship in the past two decades. It has been commonly referred to as “black music” and a reflection of black culture. However, recent studies done by the Mediamark Research Inc. showed that 60% of rap music buyers are white. With the emergence of white, Latino, Asian, and other rappers with diverse backgrounds on the Hip Hop scene it is important recognize the changing color of the genre and the stereotype it holds as “black music”. Black culture has also been subject to appropriation because of the popularization of Hip-hop music. However, much of the discourse on the topic confuses cultural appropriation and cultural appreciation, and states that hip-hop music is strictly for African Americans or that it doesn’t belong to anyone at all. Hip-Hop is a black art form that transcends cultural boundaries and can be appreciated through the lenses of different cultures as long as those who enjoy it acknowledge its roots. The genre’s growing number of non-black rappers is not due to the appropriation of the genre by other cultures but as an expansion of it due to it’s growing popularity across the world.

Slang has been around for centuries; everyone, no matter his or her race or ethnicity uses it, but it is more comely used by African Americans. In “What’s Black, Then White, and Said All Over,” Leslie Savan talks about covert prestige and how black-inspired language is used around the mainstream, not only in pop music but also in marketing methods. Helen Epstein in her essay “AIDS, Inc.,” talked about the different advertising methods the people in Africa used to try to lower the AIDS rate. Both essays touch the topic of advertising but Savan’s paper was mainly focused on the impact that black talk had on the mainstream, marketing, and convert prestige.

The United States of America is one of the world’s most ethnically diverse and multicultural nations. Even though there is not an official national language, most Americans speak Standard American English (SAE). However, the most prevalent native English vernacular dialect in the United States is African American Vernacular English (AAVE). According to Sharon Vaughn, AAVE is “a dialect used by some African Americans” (110). In order to examine AAVE, one must explore the origins, grammatical features, and prominent resolutions, which created a precedent for educating students that speak dialects other than Standard American English.

Hip Hop is an adapting culture that allows artists to verbally discusses their views and experiences over a flashy beat. Hip Hop is categorized in many different ways. Moving forward, Hip Hop is best known for its cultural roots to the African community. In terms of Halifu Osumare, investigating Hip Hop’s relationship to Aesthetic, impacts of popular culture and connective marginalities on Africanist aesthetic and Hip Hop, and African diasporic cultures. Contemporary technology advancements adapted hip hop, and Nommo compposing orality, through divine linguists.

African American English is diverging from Standard American English. As shown in Do You Speak American (2005), AAE originates from the time of the trans-Atlantic slave trade. English was introduced to trade ports in Africa by colonialists, resulting in the creation of pidgin - a mixture of English and African languages that is still in use today. More recently, African Americans who have moved from the South to the North have been more segregated, creating greater divergence between AAE and SAE. As many African Americans maintain ties to the South, such as continued contact with friends or family in the south, similarities between AAE and southern dialects remain. However, each group have selected features that are important, such as maintaining ‘r’ in the North or keeping certain features as a way of preserving history, resulting in different dialect patterns between the North and the South to develop.

Language change happens every day. New words are constantly being added and new dialects are forming. People have always argued about the causes of language change and tried to control the changes that occurred but ultimately they accomplished nothing. Languages changes and spread as a result of the people who use it daily. African American English and California English are both examples of the different ways language can change. People try to resist the changes in their language because they do not want to see it change. Language change is a natural process that can be affected by others but never stopped. This course has done an excellent job explaining how language change starts and spreads.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance

African American Vernacular English (AAVE) is the variety previously known as Black English Vernacular or Vernacular Black English by sociolinguists, and commonly called Ebonics outside the academic community. However, some characteristics of AAVE are seemingly unique in its structure. It also includes a number of standard and nonstandard English varieties are spoken by the US and the Caribbean people. AAVE has been the core of many public debates and also the analysis of this variety has encouraged and sustained debates amongst sociolinguists.  Some speakers may use some special aspects of pronunciation and vocabulary. Nevertheless, the grammatical features are not connected with the variety. Several sociolinguists would reserve the term AAVE for varieties which are marked by the existence of specific distinctive grammatical features and some of them are discussed below. The history of AAVE and what language varieties it is related to are also a matter of argument. Some scholars confirm that AAVE developed out a connection between speakers of West African languages and speakers of vernacular English varieties. According to such an opinion, West Africans learnt English on plantations in the southern Coastal States from very few native speakers. Some say that this led to the development of a rudimentary pidgin, a very simple language which has been extended through a process of colorization later.

The communication skills are not as strong today because of the influence of hip-hop. Hip-hop music is known for containing a great deal of slang. A slang word is a word that many people associate with poor grammar and questionable diction. What most of us do not realize is how much slang is used in day-to-day life. It is simply considered a part of normal and accepted language. It has a negative effect on our young black males because they tend to learn slang before starting kindergarten, which contributes to the illiteracy of black people. The same people, who learn slang before learning proper English, begin incorporating slang into communications with other people, essentially deflecting from improving society’s view about black people. Hip-hop music uses a variety of slang terms that change as hip-hop evolves and changes. Much of its lexicon is drawn from African-American vernacular English. Hip-hop slang gives ordinary words new meanings. Harlem rapper Lamont Coleman (stage name Big L) released a song on his posthumous album "The Big Picture" entitled "Ebonics". In this song, Big L goes through various hip-hop slang terms and gives their proper meanings.