Copyright Of Copyright And Copyright

Piracy has become a major issue in the United States. For every motion picture that has been featured in theaters also has been pirated onto the Internet the next day, and for every new musical album that is released, yet there is a free torrent file of the album within the same hour. Even though these online pirates steal music and movies from other companies and make a drastic profit, yet these “rogue” websites receive 53 billions visits a year from across the globe according to Creative America. The persistence of the thieves that break copyright laws of the productions has lead the entertainment business to place a definitive complaint to the U.S. government of the constant notion of piracy. While the notion of piracy was not left

Piracy has always been an issue for intellectual property owners. Piracy existed even as early as the 1500’s. In one famous instance, Renaissance artist Marcantonio Raimondi copied some of Albrecht Dürer’s works and claimed it was his own (Gambino, 2011). Politicians and content creators try to combat piracy with laws and lawsuits, but people engaging in piracy remain active and elusive. However, the development of the Internet has exacerbated this issue. Technological advancements, specifically the advancements in file sharing, have made the exchange of information extremely inexpensive, quick, and easy. People have direct access to unauthorized copies of millions of movies and songs due to programs such as Napster and Limewire. Thus, illegal

In the various media industries there are extreme worries concerning unauthorized downloading and copying of their products known as piracy. Piracy of items has been part of commerce for centuries; counterfeiting of currency for example. With the information age the ease at which media can be pirated has caused an explosion of this phenomenon. This practice is an illegal act that is done by individuals for personal use and also for profit. The first do not seem to see the issues caused by this practice such as; the spreading of viruses and lower quality products. We will use Reynolds' Seven-Step Ethical Decision Making Approach for the breakdown of the ethical reality of software piracy.

Traditional legal principles and processes are constantly challenged by the need to keep pace with copyright issues in particular piracy.

Darrell Panethiere wrote in “The Persistence Of Piracy” on page 2 that “'Piracy refers to the activity of manufacturing unauthorised copies ('pirate copies') of protected material and dealing with such copies by way of distribution and

The Global music industry makes around $43.9 billion dollars a year. $12.5 billion of that is lost each year due to Piracy in the music industry and 70% of online users find nothing wrong with online piracy (“Music’s Last Decade: Sales Cut in Half”). Is it wrong? Is music piracy stealing? This topic is said to have inspired Charles W. Moore to illustrate these points in his essay. Charles W. Moore writes the essay “Is Music Piracy Stealing?” and tries to answer his own question. Moore starts off by explaining that current day pirates simply do not care about copyright laws. He goes into detail about the philosophy, ethics, and morality of the threat to the free exchange of music over the Internet. Moore says, “Digital copywriting is as serious and criminal as stealing a CD from a record shop or a DVD from a video shop” (242). The subject on piracy is a controversial and an argumentative subject. Although Moore gives many great examples throughout his essay, he also has some faulty reasoning such as the root question of his argument is not provable, his factual data is excessive, he has lousy introduction and closing paragraphs, and his views are biased.

There are many forms of digital content. All of them can be stolen and this is illegal as is any other form of stealing. Digital piracy is the sharing and downloading digital content illegally. The problem with digital piracy has been around for over 20 years, however due to many factors such as the recession and the increasing development of technology the problem is becoming increasing difficult to manage (QUIGLEY, 2008). However the ability to buy the content online has boosted the profit for many creators of digital content.

In a nut-shell, although there are anti-piracy laws in place, piracy activities are still prevalent. the Looking at the statistics the piracy activities in Australia is predicted to decrease. However, piracy activities worldwide are increasing. Therefore, piracy preventive measures such as improved anti-piracy legislation and strategy, subscription-based business models and anti-piracy law awareness

Often, the argument against piracy is a slightly odd one. For many people it is a simple black and white affair -- it's not yours, and if you take it without paying for it you are stealing. But for others, online piracy -- be it movies, music or software -- is not tantamount to theft. It is the ethereal, non-physical nature of these types of goods that seems to bring about confusion.

Since the 1990’s, the world has experienced boundless improvements and expansion with information systems, technology and the Internet, and as a result, laws have had to evolve as well. Such laws have been up against some very complex and sensitive issues such as how to control piracy of copyrights. In response to such complex issues, Congress passed the Digital Millennium Copyright Act (DMCA) of 1998.

Online piracy is commonly referred to as a threat to businesses in the creative industries. The WTO Agreement on Trade-related Aspects of Intellectual Property Rights (a.k.a. “the TRIPS” agreement) defines piracy as:

We all know that downloading pirated music and films is illegal, but what exactly is it? The term piracy refers to the copying and selling of music, films and other media illegally; in other words you are copying and selling copyrighted media without the permission of the original owner (NiDirect, n.d.). With the massive growth of the internet and its ability to store and capture vast amounts of data, we have become much more reliable on information systems in all aspects of life, but it does not come without the risk of information technology being used unethically. With the number of IT breakthroughs in recent years “the importance of ethics and human values has been underemphasised” often resulting in various consequences. Not surprisingly one of the many public concerns about the ethical use of IT is that “millions of people have downloaded music and movies at no charge and in apparent violation of copyright laws at tremendous expense to the owners of those copyrights” (Reynolds, Ethics in Information Technology, 2015). This essay covers the ethical issues of downloading pirated music and films and the impact it has on music corporations and recording and film companies.

In our present day in age, technology and the internet has made it very easy to find and obtain music, movies, television shows, and other media forms without having to pay a fee. In recent years, the music and movie industry, the Recording Industry Association of America (RIAA) and the Motion Picture Association of America (MPAA) initiated a campaign to combat the illegal sharing and downloading of files, songs, and movies. These illegal files are usually transferred through users and peer-to-peer networks including LimeWire, FrostWire, Bearshare, Kazaa, and most importantly Napster, which initiated it all. The illegal files are not only limited to music and movies but also various types of pirated software, such as Microsoft Office or Adobe Photoshop, that are accompanied with serial numbers and instructional manuals. The RIAA and MPAA argued that if an individual exerts much time, effort, and money into a piece of art or software that they created, they should be thoroughly compensated. Therefore, the Digital Millennium Copyright Act was created and instituted by the United States Congress to restrict internet piracy by banning the fabrication, allocation, and illegal distribution of pirated materials. In addition, the DMCA was used to accommodate the constant changes of the growing digital age into current copyright laws that are usually reserved for books, magazines, or articles. The Digital Millennium Copyright Act is just and protects the rights of the artists and

Julian Sanchez, research fellow at the Cato Institute, provides an interesting outlook on the issue of piracy, and what should be done. He compares the actions taken in the movie and television industry to prevent piracy by stating:

Internet piracy is a major problem that been brought by the advancement with the Internet, and it affects not only just one area but across multiple different fields worldwide, including movies, tv dramas, music and software industries. The biggest impact come with copyright infringement is economic damage, film piracy was estimated to cost the economy up to $18.5 billion annually in Hollywood production (Bialik, 2013), and the number raised to $20.5 billion to the industry (Gibbs, 2014) while still increasing to nowadays.