Corelli's Mandolin by Louis de Bernieres Essay

One might think that masculinity is only a mental and ethical issue, yet throughout the tragic play of Romeo and Juliet by William Shakespeare, masculinity proves to be a two headed beast that not only is a mental but also physical problem. All the way from the beginning in scene 1.1 to the final scene of act 5, there was constant conflict occurring with short breaks of love and triumph collapsed by more ensuing conflict. Furthermore, a majority of this clash between the two families, Capulets and Montagues, was indirectly or directly evoked by the masculine behavior exerted by the men in the story. All things considered, the tragedy where two lovers upon many others meet their ultimate fate of death would have never been a tragedy without all of the masculinity that all of the men characters seem to exude. All throughout this essay, it will become more apparent that the idea of the internal and external need for masculinity in the men has consequently kindled the fire of conflict between the Montagues and Capulets in the tragedy because of the status quo, disrespect for women, and mindset of a masculine man.

Dallaire did exceptional when it comes to the naming of his essay, by not only simplifying the subject but maintaining the true meaning. “Cri de coeur,” also known as “A cry from the heart”, is not only heartbreaking but truthfully eye opening. Every event recounted is straight from Dallaire’s point of view, which could have made his rhetorical appeals intertwine. It is clear from reading that one appeal stood above the rest while reading, which is pathos. Dallaire decided to share something with the world that a majority have never experienced nor hopefully will ever have to. By doing so, he deliberately unleashed a handful of emotions. Using pathos allowed him to appeal to our

Of the Qualities for Which Men, and Most of all Princes, are Praised and Blamed

On October 23, 1844, in Red River Manitoba, Louis Riel Sr and Julie Lagimodiere, devout Christians, brought a young Métis boy into the world. Little did they know, Louis Riel Jr. would grow up to become known to many as “the founder of Manitoba.” His life was filled with excitement, both political and personal. The question is, were his actions against the government acts of honor and truth, or deception and lies?

When they are at home, they are young boys and stupid and maybe they fake shoot each other. But then, they have to go to war. “We are not youth any longer. We don’t want to take the world by storm. We are fleeing. We fly from

The movie surveyed a wide array of the troubles faced by boys and men as they try to navigate the realm of masculinity. A common theme was the command “be a man” and the cultural baggage that comes with living up to that ideal. To “be a man” means to not cry, to not be sensitive, to not let people mess with you, to respond with violence, to be angry, to drink, to womanize.

Why would someone sacrifice their life as they know it to go somewhere far away from home?

Louis Riel is one of the bravest people in Canadian history. Louis was born and raised in what is now known as Winnipeg, Manitoba as a Metis. Riel was also the founder of Manitoba, a politician, and the leader of the Metis during the red river rebellion. The Hudson Bay Company sold Rupert’s land to the new Domain of Canada. However, the people living on this land already, which many of them were Metis and the first nation had not been negotiated or confirmed about this. They feared for their culture, and land rights under the control of Canada. This is what sparked the red river rebellion. They created their own government and made Louis Riel their leader. This revolution is also what prompted the creation of Manitoba and is why Louis Riel

He is going through a very rough time. Without the bonds that he has made with his company there would be no reason for him to move on with the war and keep

‘The Pianist’ is a cinematic masterpiece by the Polish director Roman Polanski. One of the key ideas that appear throughout much of the film is that of ‘hope being instrumental in our survival’. This idea is portrayed through Wladyslaw Szpilman, a Polish pianist, as he struggles for survival in Warsaw as everybody that he once knew and everything that he once had is lost. The idea of ‘hope being instrumental in our survival’ is worth learning about as it allows the audience to realise the importance of hope in todays society – and to understand how Polanski uses music to symbolise ‘hope’ for Szpilman in the film. Polanski effectively utilises an array of visual and oral text features such as music, dialogue, and lighting to build further

man that his father hopes for because he himself wants to believe it. In other

Since the Baroque era, the concerto has played a vital role in the music world. According to the Merriam Webster dictionary, a concerto is “a composition for one or more soloists and orchestra with three contrasting movements.” There are two main types: the concerto grosso and the classical concerto; both will be discussed later. While the term concerto is relatively easy to understand in context, when put into use the term becomes more complicated to define.

His many works include the “Palazzo di Parte Guelfa,” the “Rotonda degli Angeli,” and the “Ponte a Mare at Pisa.” There is however some debate to whether Brunelleschi was responsible for the original designs for the Pitti Palace. After his death he was buried in Santa Maria del Fiore. However, his tomb was not discovered until 1972 (Lombroso 5).

Thesis: I believe that the identity of manliness, is not only defined by a male. Think you are able to gain manly qualities, and lose them.

In 1600 a new style of music began to evolve, this form of music was