Cormac Mccarthy's Palpable Silence

Flannery O’Connor has long been criticized for her blatant incorporation of religious symbols into sinister, dark stories. In the short story “A Good Man Is Hard To Find,” the dark and apathetic Misfit is said to portray, in an allegorical sense, a Christ-like figure. However, through the interpretation of the inversions of divine characteristics, his repulsion of Christ’s very existence, and the denial of any powers beyond the observable realm, we find that the Misfit is actually representative of the Anti-Christ.

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

The use of McCarthy’s style of writing is written in a way that someone can detect the feelings of the character rather than the story of what happened. The purpose for narratives is to focused on the plot of the story but McCarthy wants the readers to really feel exactly what the characters feel so he in repetitive of how “Cold and Grey” (McCarthy 19) the world around them is Even when they are physically battle something like hunger, you can really feel that they were almost always “Out of food” (McCarthy 197).

Flannery O´Connor is consider as one most influence Christian American writers of the XX century and author of the story revelator story “The Enduring Chill” as part of the book “Everything That Rises Must Converge.” Flannery O´Connor is known overall for being a Roman Catholic writer, who in her stories explores the complexity of morality and ethics through a Christian worldview. A faithful example of this work wrote a year before of his death is “The Enduring Chill,” a story developed in a Farm in the time of Slavery on The United States (Andretta). This Southern Gothic style story stablishes its plot mainly in the spiritual and corporal affection of the twenty-five years old prideful protagonist and Asbury Fox and the conflict with his sixteen years old mother. The story positions Asbury as the victim a villain of the story, that surrounded of pain looks for significant moment in his miserable life. However, in an unexpected final at the “deathbed” of Asbury, he ended up achieving the redemption by the grace of God through the Holy Ghost.

Montag lives in a selfish society where everyone thinks solely about themselves. When Montag says this is the age of the disposable tissue, he is not really referencing the handkerchief someone would blow their nose with. He is enlightening the reader on how people in his society only utilize other people for the goods and services they contribute. Someone in his society would be friends with another person merely because they could benefit them in some way. An example from the book that would prove he is correct is when Mildred uses Montag for the money he is able to provide her with. When he threatens to quit his job, she leaves him and calls the fire department exposing his secret stash of books. He is implying that this is an unacceptable way of life. Montag used to act this way and think nothing of it. Then he met Clarisse and she

To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.

Archetypal criticism follows a basic rule of categorizing or relating any work of literature into a set framework. It works from a subjective basis, it is used to determine and grasp the ideas of universal truths messages through literary work. The universal truths and messages are determined by identifying patterns like character types, storylines, settings, symbols. The Road by Cormac McCarthy is a novel that accurately exemplifies the principles of archetypal criticism. This narrative account associates the characters of a young minor and his father to encapsulate the ideas of archetypal criticism. McCarthy presents the novel by setting the scene of a death-defying journey through a post-apocalyptic wasteland of America. The young lad

Cormac McCarthy’s novel, No Country for Old Men, enlightens the life of Llewellyn Moss, a welder and Vietnam veteran, who happens to stumble upon several murdered bodies, a sufficient supply of cocaine, and two million dollars of cartel drug money. Moss decides to seize the money and consequently sets off a chase for his life against the old hand sheriff Ed Tom Bell and hired psychopathic killer Anton Chigurh. However, McCarthy essentially exploits Moss’ and Chigurh’s escapade only as a subplot and ultimately conveys a deeper meaning. The novelist heavily relies on Bell’s failure to reconcile his morals of the approach crime used to take years before. Through analyzing the characters, moral relativism, and

Cormac McCarthy’s No Country for Old Men has created controversial views on the significance of this novel. This piece involves a drug deal gone wrong when Llewelyn Moss, a veteran, happens to stumble upon three dead bodies, heroine, and a briefcase full of 2 million dollars. Told in different perspectives, the story continues with Moss on the run from a psychopathic killer Anton Chigurh in search of the money while also being tracked down by Sheriff Bell. Critics like James Wood from The New Yorker see this novel as “an unimportant, stripped-down thriller” solely based on the novel’s outer surface . On the other hand, William Cobb from the Houston Chronicle refers to McCarthy as the greatest living writer and that this novel “... has conjured up a heated story that brands the reader 's mind...and this is a novel that must be read and remembered”(Cooper 2). The literary merit of the novel becomes noticeable when looking beyond the thriller perspective. McCarthy’s literary merit in the novel is discrete, which is why it just appears to be a western thriller that many believe has no greater purpose other than an entertaining story. No Country for Old Men is a neo western thriller based on its writing style that divides the story into different perspectives containing elements such as fragmented sentences and untypical dialogue. The novel remains within the context of a 1980’s Texas plot which influences the diction so it can reflect a western atmosphere. Although it contains

In Alice Munro’s “Silence”, Juliet, a single working mother, is abandoned by her daughter Penelope, who left without a warning or a trace to explore her spirituality and start a new life for herself. Juliet is at first baffled and distraught, as she cannot understand why Penelope would leave. She had thought that Penelope had always been very happy at home. Juliet never does hear definitively why Penelope left, but throughout this short story she analyzes why it might be and what it means for her life now. The use of simple and straightforward diction, emotional monologues, and harsh conclusions show a drastic case of how children can grow apart from their parents. These techniques align with Poe’s theory that a story should evoke a unique

Cormac McCarthy’s novel, Suttree, demonstrates the prejudice deeply ingrained within society, as well as the way it largely affects its readers. The misogynistic attitude is certainly not a new one. Women have been oppressed and viewed as less than men, in personal accounts and in narratives, for a long time. In the minds of the men in this novel, women are seen as merely an addition to men or an afterthought, and certainly not able to hold the value of a whole person on their own. The only real relationships with women the reader observes are Cornelius Suttree’s romance with Wanda, and then with Joyce. The lens through which Suttree views women is skewed, hostile and distrustful. He consistently views women as either irrational, emotional, or as purely sexual objects. There are many examples of the twisted language used to describe women, from Suttree’s wife, to his mother, to waitresses in restaurants, to these women with which he is intimate.

In a postmodern world it is worth contemplating in what we can put our faith. Does culture, religion, or God merit our trust? Or is this a world of mechanical and biological evolutionary processes void of any meaning and purpose? The Sunset Limited, “a novel in dramatic form,” by Cormac McCarthy, is a dialogue between two persons who approach each other from opposite worlds to answer these questions. Black, a born-again believer and ex-con, and White, a nihilistic college professor, attempt to determine whether belief in God is viable in this world and if life is worth living. Despite Black’s efforts to convince him otherwise, White remains a Depressed Self who denies God’s existence, affirms his view of the world as deranged, and leaves to complete his suicide.

After the events of WWII, to say that America had changed drastically was an understatement; with the entirety of the Cold War, the Korean and Vietnam wars, and all the other political strife at home and abroad, America during this time could be considered an era of conflicting ideals. As a result of this change of times, literature changed it’s perspective; effectively, the transition from modernist ideals to postmodernist ideals. Much like modernism, however, post-modernism offered to reject ideals presented by both prior literary trends and the popular ideas of their time; yet for postmodernism, the rejection mostly dealt with homogeneity (a conformed universal standard defined by advancements in American quality of life) and how literature deconstructs the ideas of homogeneity (Byam 2259-2260). Yet many of these deconstructions during this era ended up clashing due to increased influences of psychological and sociological advancements, which gave better understanding of human nature; which then lead to a major schism between literary writers and critics. As a result, many writers during that era flourished from that clash of ideals (albeit long after their works were published); yet one, in particular, stands out: Flannery O’Connor. Specifically, O’Connor is a notable postmodernist American writer out of her own take of the movement: a witty deconstruction of conventional regionalist tropes.

The silence of the night was broken by a scream. She passed out of exhaustion but she was successful, she had pushed the baby out of her and now it was the newborn child’s turn to disturb the peace. Halfway around the world there was another scream but it wasn’t followed by good news. A man had been murdered and his mother fainted on seeing his corpse.