Corruption And Violence In Stown

Sothern gothic literature that include Works like Flannery O’Connor’s “A Late encounter with the enemy” incorporates the idea of “investigating madness, decay and despair, and the continuing pressures of the past upon the present, particularly with respect to the lost ideals of a dispossessed Southern aristocracy and to the continuance of racial hostilities.”(Marshall 3). These ideas all share a common theme that O’Connor brings to the table in “A Late Encounter with the enemy, along with “The American South serves as the nation’s ‘other,’ becoming the repository of everything from which the nation wants to disassociate itself” (Marshall 3–4). But in true Gothic fashion, the horrors of the past continue to dominate the present.” (Marshall

A setting in an unnatural or exotic place as well as multitudes of supernatural occurrences are characteristics that define a piece of literature as gothic. Gothicism, as a part of the Romantic Movement in the late eighteenth and early nineteenth centuries, was commonly used during this time period as a way to entertain audiences in an unfamiliar way that would keep them engaged. Gothic pieces are written to be “thrill-provoking manipulations of our unconscious” (Randel 185). The setting is a very important aspect of gothic literature, with “the rationale for setting its horrors in particular places ... ‘what happens depends a lot on where it happens’” (185). The places that dark situations occur tend to add to the suspense and the gruesomeness.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

There are a lot of theories and opinions that differ between whether Stown is a classic or contemporary part of Southern Gothic Literature. Southern Gothic Literature is a genre of Southern writing that often uses violence and grotesque topics. It also used many other elements that go through the whole story and each element happens multiple times, especially in Stown. The listener was always in suspense and never knew what was going to happen next, especially when John was in the subject. This piece is going to show how each element can contradict each other and how this piece is classic, so as the reader, they are in for a fun ride. How decay, violence and irony can prove that this podcast is classic. Stown is a classic piece of Southern Gothic Literature because of decay, violence and Irony.

“You’re beginning to figure it out now, aren’t you?”, John asks Brian after spending time together writing a piece of southern gothic literature, which turns out to become a piece of more contemporary southern gothic literature. In southern gothic literature a majority of people think of the aged definition, but Stown shows us the more contemporary piece of writing. Mostly every element of southern gothic literature matches the classic definition, but the irony, outsiders, and social issues have a more contemporary definition. Stown is a piece of contemporary Southern Gothic Literature as a result of the elements of irony, outsiders, and social issues.

Southern Gothic is a regional genre used in film, music, and literature that criticizes the moral blindness of a historical era. Traits of this genre include: disturbed personalities, macabre situation, and a list of themes. These specific themes are: Race, Unrequited Love, Good Versus Evil, Being an outsider, and Violence. In our class we read a selection of stories from many different southern gothic authors. A few of them are: “A Good Man is Hard to Find” by Flannery O'Connor, “Possibility of Evil” by Shirley Jackson, and “A Rose for Emily” by William Faulkner. Other famous authors such as; Harper Lee, Truman Capote, and Tennessee Williams, have also composed southern gothic literature. These stories clearly portray southern gothic in the way it proves the moral blindness of the south and the hypocrisy they sometimes show.

S-Town interacts with Contemporary Southern Gothic Literature, with so many elements such as Irony, Violence, and Social Issues. What makes Southern Gothic Literature the way it is? Like listening to John and Brian talk about all the Violence and Irony that happens. The reason for the listeners to stay tuned into listening to this is to be informed about the tragic life of John B. McLemore. Listen to John talk to Brian about the case of the death of a local resident of Woodstock. S-Town interacts with Contemporary Southern Gothic Literature, with so many elements such as Irony, Violence, and, Social Issues.

Gloomy, violent, ironic and historical would be the most adequate words that come to mind when it comes to describing Southern Gothic literature. Classic Southern Gothic literature is full of chilling and disturbing surprises that leave people puzzled and anxious for more. However, contemporary forms of Southern Gothic literature are just as disturbingly thrilling. Newer Southern Gothics help explain and give insight on a newer world and the issues it beholds. Understanding the effects of the world around allows people to have an insight on a world filled with corruption and violence. Stown gave excellent insight on a world of corruption and violence. From an alleged murder to a puzzling suicide, Brian Reed, with the help of several others, told the heavy-hearted story of worldly problems and a dispirited man named John B. McLemore from Woodstock, Alabama, or in the words of John, ‘Shittown’. With its tactless humor and modern setting, Stown is a contemporary piece of Southern Gothic literature as it examples Southern Gothic elements like decay, violence and irony.

Stown is a story of trust, hate, and love, but is it a southern gothic lit piece? Maybe it is due to the fact that it is filled with elements that everyone can relate to. Some of these elements include irony, decay, and social issues. These three elements are capable of defining who a person was, and who they have become because of them. Stown is a contemporary Southern Gothic Lit piece because of the irony, decay, and social issues represented throughout the story.

John asks Brian, “You’re beginning to figure it out now, aren’t you?” after spending time together writing a piece of southern gothic literature, which turns out to become a piece of more contemporary southern gothic literature. In southern gothic literature most people think of the old definition but Stown shows us the more contemporary piece of writing. Mostly every element of southern gothic literature matches the classic definition but irony, outsiders, and social issues have a more contemporary definitions. Stown is a piece of contemporary Southern Gothic Literature because of the elements of irony, outsiders, and social issues.

Stown is a classic piece of Southern Gothic Literature, by showing elements of violence, social issues, and outsiders. I would like to make statement for people to understand and follow so we can all better our lives. Our world has changed a lot through the years, like from Civil War and the South’s values and morals, but some places in the world change slower than others. So does this mean that some places in America today still have these same values and morals as back then? The main points that will help to prove that Stown is a classic piece of Southern Gothic Literature are the following points violence, social issues, and outsiders to prove why Stown is a classic piece of Southern Gothic Literature.

Southern Gothic literature is a writing style that emphasizes the use of macabre and irony to expose social problems in the south. The Southern Gothic writing style aims to expose the ignorance and moral blindness of the American South (Bjerre). Southern Gothic literature uses the writing style to enhance the message of the author. In other words, the author uses Southern Gothic elements to place emphasis on their critical views of the south. The authors use macabre and irony to emotionally influence the reader so that the message has the greatest impact. This essay will explore the use of this writing style as presented in A Good Man is Hard to Find, A Rose for Emily and Good Country People. Each of the stories analyzed in this essay

The South’s history is brimming with tensions, suppression, corruption and sorrows, each of which are mirrored in Southern Gothic Literature. Yet another subtopic of Southern Gothic literature is Southern Grotesque, the genre of The Violent Bear It Away. This genre focuses on physical and mental deformities, the rejection of traditional morals and the conflict between reality and what is perceived. Summary

Richmond, Calif. — IN 2007, this city of about 100,000 people, north of Berkeley, had the dubious distinction of being the ninth most dangerous in America. That year saw a total of 47 homicides. In some neighborhoods, gunfire was almost a daily event.

As Brian and John B. Mclemore walk through the maze John had built himself, John exclaims “It’s kind of funny being lost in something you designed yourself.” This ironic statement perfectly describes the life of John in this piece of southern gothic literature. The story of John’s eccentric life is told spectacularly told by Brian Reed in Stown. Stown’s southern setting and values makes it a piece of southern gothic literature, but Stown goes further and relates to today making it more contemporary. S-town is a contemporary piece of southern gothic literature because of the social issues, decay, and irony it presents throughout.