Corruption Of Greed In Joseph Conrad's Heart Of Darkness

“Oh, propriety...We’re always so concerned with propriety. Even in total madness, we will stick to our hierarchies and chains of command.” This concept--human concern with fitting societal standards and hierarchies--is a clear theme in Joseph Conrad’s Heart of Darkness. Even as ivory transporter Charles Marlow journeys into Central Africa, a land described as “mad” and “savage”, those around him remain primarily interested in maintaining a set image and social standards, a strange concept amidst such perceived “madness”. This obsession with propriety in Heart of Darkness is seen through the anomalous character development of both Kurtz and Marlow, and the Company’s response. Overall, this contributes to a larger meaning explored by the novel--the question of good and evil and whether or not the two are truly distinguishable.

Joseph Conrad’s novella, Heart of Darkness, was written in 1899, near the end of the imperialism of Africa. Far from European civilization, the imperialists are without rules and ransacking Africa in search ivory and glory. One of the most significant themes in Heart of Darkness is the psychological issues catalyzed by the lawlessness of the jungle. Due to the breakdown of societal convention, the characters of Heart of Darkness are exposed to not only the corruption of imperialism, but the sickness of their minds.

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

The novella, Heart of Darkness by Joseph Conrad, is a piece that pushed the envelope of its time due to an oppositional stance on the forced imperialism of primitive and/or impoverished countries. The protagonist of this story is the self-proclaimed explorer, Marlow, who decides to leave the heart of light and purity (Europe) and take a job as a steamboat captain in the dark jungles of the Congo Free State in Africa. Upon his arrival, Marlow begins to see the impact of Belgium’s intrusion on the Congo by means of implementing slavery, commandeering ivory (a valuable resource), and presenting a negative attitude toward the primitive population. Marlow eventually becomes obsessed with an ivory

Conrad describes them as having “faces like grotesque masks” and their actions are referred to as an “incomprehensible frenzy”. Conrad paints a picture of the African people presenting a “wild passionate uproar” as the Europeans approach; he further states the scene was “ugly. Yes it was ugly enough”. Conrad then continues to contradict his statement admitting “they were man enough” and there was meaning in all the upheaval that “you could comprehend” meaning; relate to. This shows his attempt to understand the perspective of African people. Conrad here accepts the humanness of the African people but nonetheless in a manner that is seen as unconventional today. Conrad’s reference to the “edge of black mass”; the Africans, to be “prehistoric” could be interpreted as derogatory but at the time in which Conrad wrote; was normal. Conrad uses rich imagery as a key method to depict the African people; “the bush was swarming with human limbs in movement, glistening of bronze colour”, this imagery endorses colonialist views as it dehumanises the African people in a way which denotes animalistic characteristics. Conrad refers to their body’s as ‘limbs’ which are moving, through the ‘swarming’ bush which implies animalistic movements, furthermore reference to their skin is a way of noting difference between the Europeans and the Africans and hence marginalizes the African people.

Greed exists at the centre of evil on not only an individual level, but also that of a communal and global level. Contextually there is a superficial alteration in the stimulus (Ivory vs. diamond) for greed and of global awareness towards the issue, although in the century that separates Joseph Conrad’s exploration of colonial regime in his novella Heart of Darkness and Edward Zwick’s post-colonial film Blood Diamond, the values driving the major characters and factions from the different texts are comparably similar.

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

In Joseph Conrad’s Heart of Darkness, the author fiercely challenges imperialism. Through this challenge, he demonstrates the internal battles of good and evil. In his work, he also displays issues of personal morals and alienation. At the time the novella was written, Europe had established territories across the map. It holds true that power corrupts and absolute power corrupts absolutely, especially when said power reigns over the fate of humans in society. Conrad illustrates the corruption of power through the books’ motif of darkness and the renegade of Kurtz.

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

Greed can push both ruthless and innocent people to hurt others. In the 18th and 19th centuries, Europeans wanted to imperialize many countries in Africa for land and resources such as gold and cash crops. They also desired economic, social, and political control along with the success of converting Africans to European politics and religion. Europeans sought to have an economic and political dominance over African Americans. The cruelty that the Africans faced is displayed in Joseph Conrad’s, Heart of Darkness. Raising questions about both racism and imperialism, the novel includes Kurtz, a character with greed for the valuable resource, ivory. Conrad comments on the horrific corruptibility of humanity through the narrator, Charles

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

In the book, Heart of Darkness by Joseph Conrad, all the characters are pulled into a well of black despair. Conrad uses the darkness of the situation contrasted to the light of society to show man’s dependence on western morals, and how when these morals are challenged by the darkness, the light crumbles under its newly weakened foundation. The contrast between light and dark is most stark in the themes of setting, the changes in Europeans as they drive farther into the Congo, and the white man’s collapse under the ultimate darkness of the Innermost Congo.

  In Heart of Darkness, Joseph Conrad, challenges a dominant view by exposing the evil nature and the darkness associated with the colonialist ventures. It is expressed by Marlow as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle a darkness." The European colonialists are portrayed as blind lightbearers, people having a façade of progress and culture, yet are blind of their actions. They think they are brining a light to a darkness, yet they are the real darkness or evil. Conrad's critique of European colonialism is most apparent through the oppositions of light and darkness, with the

The conquering of a place and its people does not just affect the land and its resources; it also affects those inhabiting it. Marlow describes the Congolese’s spirituality being oppressed, “The conquest of the earth, which mostly means the taking is away from those who have a different complexion of slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad, 69). Marlow discusses his aunt’s thoughts on the process, “She talked about weaning those ignorant millions from their horrid ways.” He watches the Europeans using their own laws to control and oppress the people of the Congo, for example, he sees an ugly chain-gang at the first station, which does not seem as though they are criminals. Nevertheless, the European law had decided for the natives, Marlow describes, “like shells from the man-of-war, like an insoluble mystery from the sea. (Conrad, 12). The Congolese appointed to work on his ship, he describes as, still belonging, “to the beginnings of time,” but “as long as there was a piece of paper written over in accordance with some farcical law or other made down the river, it didn’t enter anybody’s head to trouble how they would live. (Conrad, 33-34). Skulls of then men judged by the European law were set on stakes around Kurtz’s