Cosette In The Movie

The novel The Kite Runner by Khaled Hosseini introduces multiple cases in which society defines people as well as the novel Les Miserables by Victor Hugo. In Les Miserables, Cosette is introduced as the daughter of Fantine. She was given to the Thenardiers, a family who owned an Inn and treated her like a slave. Since a young age she was made to take the role of a grown women. She was saved by Jean ValJean, a formal criminal who changed his life.

Since she had no child to take care, she had to find some entertainments for herself. She spent lot of money on her banquets, parties, fashion clothing, jewelry, gambling, and other entertainments. All of these spending causes a lot of disadvantages to the country, and these money were from the government; the taxes from the citizens. She kept wasting a lot of money that were not actually her money. In this case, we can know that she did not played her role well as the queen of the France. She spent time and money on her entertainment instead of doing her duties.

The epistolary style of The Coquette allows the reader to see both sides of the story and see things that might not otherwise be apparent. For instance, in The Coquette, we are following the flirtatious excursions of Eliza and occasionally we get an insight into what General Sanford’s views. The trickery of Sanford is hidden until we read his letter to Mr. Deighton where he states, “but I fancy this young lady is a coquette; and if so, I shall avenge my sex by retaliating the mischiefs she mediates against us.” (Coquette, location 407) The theme of correspondence becomes apparent from this point because it shows the reader that women can be naïve to the intentions of others. This plays out throughout the novel in many ways through the actions of Eliza and the reactions of Boyer and Sanford. Eliza spends much of her time writing to friends, attempting to persuade them that she is not a coquette. This is where the theme of sexual freedom and liberation comes into play.

Throughout the novel, the readers have the ability to follow along Jeanette’s life story. She deals with her distracted yet present parents. They remind her of the important lessons in life. One of the most important lessons that Jeannette learns is that life will eventually work in the end and if it still isn't working that just means it is not the end

The last half of the book shows the most change in Jeanette’s relationship with her mother. Since the start, Jeanette’s mother has been more concerned with the church and religion than spending time with her daughter. And in this half of the book, it is apparent that she loves the church more than her daughter. When Jeanette finally comes out, and no longer hides the fact that she is a lesbian. Her mother kicks her out, and basically disowns her. That shows the reader that her mother does not love her daughter no matter what. She only loved her when she was doing what she wanted. She wanted Jeanette to be a miniature her, and when she disappointed her, she no longer seemed to love her. However, at the very end of the novel, Jeanette goes back home to see her mother. She is welcomed into her home even though she is still very religious, but they do

From the moment on he dedicated his life solely to her, to protecting her from the sorrows of poverty. From that moment he could no longer be Jean Valjean, or Monsieur Madeleine, he had to start his life over once again and Cosette was all he had in it. He sacrificed in order to gain self-approval and the ability to forgive himself.

attention for towards Patrice leaving him to be exactly in the same position as Isabelle-Marie.

The fact that Desiree derives her happiness from pleasing Armand shows that she is not only his slave, but also that she helps to put herself into this position.  “When he frowned she trembled, but loved him” (317).  Desiree’s simultaneous fear and love of Armand elevates him to a god-like status in

Desiree?s words show that her life depends on the race, notions, and social class of her husband and consequently, she feels obligated to obey his every desire. Desiree is presented as vulnerable to whatever Armand wants and tells her to do when she says, ?Do you want me to go?? (177). Desiree displays through her actions that in many ways, her happiness only comes from pleasing her husband. Therefore, Desiree must decide whether to live completely separate from Armand, or to live with him in constant fear and unpleasantness. Desiree achieves personal freedom and independence from Armand when ?she disappeared among the reeds and willows that grew thing along the banks of the deep, sluggish bayou; she did not come back again? (177). It is not even an option and is unheard of that Armand, being a male holding a respectable background, could possibly be black. Consequently, Desiree feels compelled to leave because she wants to please him. When Desiree decides to kill herself and her child, she shows that she is sensitive and vulnerable to her husband?s thoughts and actions.

As she grows up she starts to understand more of what is going on around her. towards the beginning of the story whenever her parents got into fights she would know the outcome of the fight and not be worried. after a while though with more and more fights happening she would begin to talk to her sister and her brother about how bad it all was. Jeanette even tried to convince her mother to leave her father “ Mom never told Dad that I'd urged her to leave him”(189 walls) This shows how negative she thought her life has gotten. Just by the way she talks to her family members shows the negative tone towards the end of the book.

Everyone needs someone to love and care for as well as someone who can return that love and care. When Cosette comes into Valjean’s life, it makes him feel something he didn’t feel in a long time, “When he saw Cosette, when he had taken her, carried her away, and rescued her, he felt his heart move” (123). At this point, she becomes more than just a girl but another symbol in Valjean’s

Madame Pernelle knows her station in life as set forth by society. The reader can assume that she is an older lady and has been brought up in social circles. Despite being a widow, she does not seem to possess great independence. Her harsh words to her family members preach traditional values, such as leaving business matters and advice to the men, but merely uttering those words in mixed company she pushes against the societal walls. She may not have a great sense of independence, but she does express her opinion, and even argues with men, namely Cleante and Orgon.

This book also, at times, focuses on the wrong things. This book does a very good job of telling us about the revolution without sounding like a history book. Yet it also takes away from the actual story line with weird focusing on sexual exploits. Such as the whole Pauline story. Pauline is the wife of a military head. She does not have much to do with the freeing of slaves, yet she still plays a very important role in this book. She likes to sexually play with a slave. The author heavily focuses on this, and it takes away from what was actually going on in the revolution.

Cosette is deprived of the love that she desires and deserves. She longs for love and instead receives the opposite. The Thenardiers do not care for Cosette and do not view her as their child, to them she is a servant girl. When Jean Valjean offers to take Cosette away from the Thenardiers, they reply, “Ah monsieur! My good monsieur! Take her, keep her, take her away, carry her off, sugar her, stuff her, drink her, eat her, and be blessed by the holy Virgin and all the saints in paradise!” (154). The Thenardiers want Cosette out of their house, and no longer want the responsibility of taking care of the “imbecile child” (147). It is a blessing to them that this traveler has come to take Cosette away forever. Because of Jean Valjean's good deed, Cosette's life can improve and she can finally experience the emotion of love she longs for. Although Jean Valjean offers Cosette all the love he is capable of giving, it is not enough to satisfy Cosette. She craves for a different, romantic love after she is introduced to Marius. Hugo,

Jean Valjean sacrificed much as he sought redemption. One of the first sacrifices that Jean Valjean makes is that of his identity, during the Champmathieu affair. As Monsieur Madeleine, Jean Valjean was a trusted official in a high position. He struggled with himself when he heard that the ‘real’ Jean Valjean had been caught: should he stay in M—sur m—where he was comfortable and popular, or do the right thing, remove a man from an undeserved galley life, and become a convict once more. When Madeleine revealed himself as Jean Valjean, he forever gave up that comfortable position of authority. He became a convict again – a wanted convict. He would now live out the rest of his life hiding, of not running, from the police. Jean sacrificed his safety. Saving Marius’ life by carrying him through the sewers also proved to be a sacrifice. Jean’s entire existence revolved around Cosette. She was what kept him on the track the bishop set him on. He adored her. He was devastated to learn that she was in love with Marius, yet he saved