Cosmology: The Venus Of Laussel

The Venus of Willendorf can be a considered a landmark of the Paleolithic Era for various reasons. For one, it is not native to its land. It is unknown as to where it was originally created. Whenever it was found in 1908 researchers discovered that the statue was made of a type of limestone that was not native to that area, which led them to conclude that it had been brought to that particular area. Secondly, some experts believe that the statue gives a clear indication of what the people of that time worshiped. Some researches found that many people during the time worshiped the Venus of Willendorf as a fertility goddess.

The painting itself has a plethora of things going on it and there is a lot of symbolism in this piece of art. In the sky, it looks like there is either a moon or a sun that it is setting in the sky. The moon or sun is about a

Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body.

The Venus of Willendorf is a sculpture that was sculpted out of limestone and stands to be 4 ½’’ tall. The figurine was most likely carved out of limestone because early pre-historic artists generally had to create art out of whatever materials they had available. The figurine is only 4 ½” tall is because it was common for pre-historic artists to carve small, hand held, portable figurines. The sculpture was found on the banks of the Danube River, an area where pre-historic hunter-gatherers were thought to have lived and traded goods with other civilians. The use of this piece of artwork is to portray the importance of women and fertility in pre-historic times because these features are ones that ensured the survival and future of mankind.

The love of marriage is shown in the small myrtle flower lying beside Venus, the flower petals and shell above her head are both said to be in connection to marriage. What's also very important to the painting is the way the bodies are positioned and what they are doing. Venus lying down placing her hand amongst her chest, this further resembles the institution of marriage in partnership and brings forth desire. Cupid on the other hand, which I was curious about, is peeing in Venus’s direction, through an ivy plant which is mentioned to represent fertility. On the Museums website this act along with the veil, crown, and pearl earrings, represent fertility referenced by “Italian Venetians”. What I found most interesting about this painting is the tiny snake near Venus. Why is it there? Especially in a painting that resembles marriage. The museum website mentions that this snake reveals the “darker aspect” of marriage. That is, “illicit”, not approved of. I also wondered about the rod that lies near Venus, and the website does say that it is most likely used to discipline Cupid. Nevertheless, the meaning of the painting is marriage as a happy institution, the museum also mentions that the message of “epithalamia” is conveyed as necessary, and that marriage is something everyone must do, and experience, and that this is in our nature to do so. Which explains the very natural

Double pieces that have lasted over thousands of ages to offer scholars with references to human existence during the Paleolithic period are the Woman of Willendorf figure and the Lion Man of Hohlenstein-Stadel. Each figure is condensed with amazing features, even though they are not thorough to the level of realism. The Woman of Willendorf is one of the best instances of the small ‘Venuses’ that have been uncovered meaning that her persistence was a part of a ethnic set of views about women and fertility. The Lion Man, is a more exclusive artifact that recounts to the complex figures that are recognized from other cultures within which the related mythologies that have been revealed. The Lion Man has no known mythology that is obtainable in known written history to this day. The two pieces propose the unknown about the Paleolithic era, recognizing a sagacity of religion and rituals that were part of the lives of those who lived during that era and enlightening recent scholars on some aspects of the people during that time.

For my vacation, my family has chosen to go to Venus. This our first year traveling outside of earth so we chose a planet close. Venus is covered with a thick layer of sulfuric acid which will be a blast to land into but on the inside Venus is solid. Venus shines super bright and has orangish yellow tint. The overall look of Venus is dreary and the gas covers the area with a goldish hue and everything looks like gunmetal. Venus is VERY hot, it temperature reaches to about 870 degrees Fahrenheit! On top of the scorching heat the Atmospheric pressure is bone crushing and highly dense.Venus is about 0.72 light years away from the Sun and blank light years from Earth. Venus is very much like earth and not very much like earth. Venus is about the same size as earth

During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures were made from various materials, including ivory, bone, clay, and even stone. They represented humans, as well as animals; they even combined them at times. Most of the sculptures from this time show a high level of skill. From this time, there were two very influential sculptures, The Venus of Willendorf and the Venus of Laussel. This paper will discuss both sculptures, in detail, as well as, compare and contrast them.

Astrological calendars have been in existence since ancient times where time was measured according to the number of Moons that had passed in a certain period, or in consonance with the shadows that were cast by either the Sun or Moon. Solar years are calculated based on the sun’s motions, whereas lunar years are mutually based on the moons motions. A lunar year consists of approximately 354 days, whereas there are 365 days in solar year. By virtue of the eleven day disparity between a solar and lunar year, an additional month is added to the lunar calendar every three years, and as for the solar calendar, every fourth year, a leap day is added to the month of February. A lunar year is comprised of twelve lunar months, which corresponds to the time that elapses as the moon carries out each of its phases and proceeds to its position of origin. In contrast, a solar month is one twelfth of a solar year, given that a solar year is span of time that elapses as the Earth completes a single revolution around the sun.

Venus of Urbino illustrates a young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman depicted means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body.

nude goddess and depicted the same image in his painting The Birth of Venus (1482). This

For example, during one of our earliest cultures, the Paleolithic period, the Women of Willendorf sculpture portrays a grossly heavy female figure representing fertility and beauty of being

Artemisia Gentileschi, Venus and Cupid, ca. 1625-30. Oil on canvas, 38 x 56 5/6 inches. Virginia Museum of Fine Arts, Richmond, VA.

The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.

The Birth of Venus (Nascita di Venere) is a painting done by Florentine artist Sandro Botticelli in 1486. The painting depicts the moment the goddess Venus first emerges from the waters of the sea and prepares to step onto the shore. Through linear techinques and artistic symbolism, the painting not only depicts the story and narrative of the goddess Venus’s birth but also seeks to exhibit the many different types of love and adoration which surround the creation of life.