Countee Cullen Analysis

Upon first glance the differences between Hughes and Cullen seem very clear. Hughes writes in rhythm, while Cullens writes in rhyme, but those are just the stylistic differences. Hughes and Cullen may write poems in a different style but they both write about similar themes. The time they wrote in was during the Harlem Renaissance, a time period when African Americans were discovering their heritage and trying to become accepted in the once white dominated society. The African Americans had their own cultures and their own style of music and writing but they wanted everyone to know they were still human, that they were still American, even though the differences in color were

Cullen is hopeful to get to a place where people of different races will be able to look at others without prejudice and discrimination. However, the poem “Incident” is of a less positive tone. She expresses her experience in a shocked manner, saying, a boy stuck his “tongue out and, called, [her] ‘Nigger’,” (Cullen 8). She was so shocked that “From May until December; .../… of all the things that happened... /… that’s all [she could remember” in Baltimore (Cullen 10-12). At the young age that she was at, it is surprising and upsetting to her to be discriminated against for no reason.

The well known poet Langston Hughes was an inspiring character during the Harlem Renaissance to provide a push for the black communities to fight for the rights they deserved. Hughes wrote his poetry to deliver important messages and provide support to the movements. When he was at a young age a teacher introduced him to poets Carl Sandburg and Walt Whitman, and they inspired him to start his own. Being a “darker brother,” as he called blacks, he experienced and wanted his rights, and that inspired him. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes used the Blues and Jazz to add effect to his work as well as his extravagant word use and literary

The book Brown Girl Dreaming by Jacqueline Woodson is about Jackie and how her childhood during the time of slavery and racism, leads her to be able to become a writer. The book shows how someone’s identity isn’t just based on how you’re born. Identity is how you react to things that are happening on the outside and also things that are happening on the inside. Because of where Jacqueline was living, her family, and the time period she was living in she was able to be inspired and become a writer.

Throughout the poem Incident by Countee Cullen, the author uses the change of tone to reflect the ideas and purpose of the Harlem Renaissance. Throughout the poem, the tone changes from the young child being thrilled about arriving to a heartbreaking memory. In the poem, cullen writes “Once riding in old Baltimore? Heart-filled, head filled with glee/ I saw a Baltimorean/ Keep looking straight at me/ Now I was eight and very small,/ And he was no whit bigger,” (lines 1-6). In this part of the poem, the child had just recently arrived in Baltimore and is more than excited to be in a different place other than in the plantations. He’s very optimistic about meeting someone whom he thought would be his friend. The tone explains how during the Harlem

Langston Hughes was someone who never gave up on his dream. He was an African-American born in Missouri in 1902. He received his education at Columbia University and later went on to go to Lincoln University. Although he is most well known for being a poet, he held a variety of other jobs ranging from a busboy to a columnist in his early years. In the 1920s America entered the Harlem Renaissance, a time of appreciation for black heritage. It was at this point in history that he became an important writer. The reason he was so important to this time in history is because his writing, “offers a transcription of urban life through a portrayals of the speech habits attitudes and feelings of an oppressed people. The poems do more, however, than

After graduating, Cullen entered New York University, where his works attracted critical attention. Cullen's first collection of poems, Color was published in the same year he graduated from NYU. Written in a traditional style, the work celebrated black beauty and deplored the effects of racism. (Brown, 2012)

This is where his love for poetry was birthed and gained an audience. He also participated in literary contests one of which he made a poem "I Have a Rendezvous with Life," that was inspired by Alan Seeger's "I Have a Rendezvous with Death." He continued his great work and produced his first three volumes: Color (1925), Copper Sun (1927), and The Ballad of the Brown Girl (1927). “He was certainly not the first Negro to attempt to write such verse but he was first to do so with such extensive education and with such a complete understanding of himself as a poet” (Early 2001). This was said in response to the fact that his writing was considered to be “white”. Nevertheless, this was the genesis of the Harlem Renaissance regime. As Clifton Johnson indicated, Alain Locke (1926) extended praises to him in Opportunity: "Ladies and Gentlemen! A genius! Posterity will laugh at us if we do not proclaim him now. Color transcends all of the limiting qualifications that might be brought forward if it were merely a work of talent." In 1947, an incredible collection of Cullen's poetry, On These I Stand: An Anthology of the Best Poems of Countee Cullen was published. His work paid off after death when public schools were named after him and Harlem's 135th Street Branch library now being called the Countee Cullen Library. Also, literary scholars are referring to Cullen's life and writings as the years go by and in 2012 a biography of Cullen was published, And Bid Him Sing, by Charles

This mother --symbolizing discrimination-- is puritan and modest in a way that, according to the racist white Americans, was normal and reasonable. It was a part of their lifestyles to discriminate the black population of which they viewed inferior compared to themselves and other white people. The “inferior” African American population as a whole, including Countee Cullen himself, is represented by the son of the father and mother in Cullen's poem. The parents and son are having an argument. The child questions how he is in the wrong when the parents used to be and maybe even still are just like their son. The speaker of the poem, the son, argues that he can be who he wants to be and no one was born worse or better than he was born as. This is expressed in the lines, “Why should he deem it pure mischance / A son of his is fain / To do a naked tribal dance” (Cullen 17-19). A “naked tribal dance” is a major connection to the issue of racial inequality during Cullen’s life and the Harlem Renaissance. The aforementioned phrase included in the poem, “Fruit of the Flower”, along with the mentioning of “checkered sod” setting the mother’s “flesh aquiver” (Cullen 15-16) and the “mystic river” that the mother chants for (Cullen 14) all connect to Africa. An important African-American figure of the Harlem Renaissance is a man named Marcus Garvey. Garvey publicizes his belief that African Americans should go (back) to Africa and start their own

Countee Cullen and his poem “Yet Do I Marvel” talks about the relationship between God and man but the main point of the poem is his position in the world as a being black and being a black poet. His skin color is placed

Langston Hughes is a famous poet known mostly for his contribution to the Harlem Renaissance. He wrote many inspirational poems that are still read and used for educational purposes. Many of his poems were inspired by his life and his story. One of his many poems entitled “Theme for English B” talks about how his teacher instructed him to write a page about himself and it will be true. In a “Theme for English B”, Hughes uses tone, and characterization to display a relationship between race and writing.

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

The theme of double consciousness pervades the poetry of the Harlem Renaissance. Reasons for expressing double-consciousness stem from historical, cultural, and psychological realities facing African-Americans realities that continue to define the sociocultural landscape in the United States. In Countee Cullen's poem "Heritage," the opening line is "What is Africa to me?" The narrator ponders what it means to be of African heritage, especially given the astounding number of generations separating ancestral ties from life in twentieth century America. Moreover, slavery tore apart families and communities, rendering African identity into a fragmented entity and African-American identity even more inchoate. The Harlem Renaissance represented a revolutionary shift in the way that the sons, grandsons, daughters, and granddaughters of slaves begun to conceptualize the African-American culture. African-American identity is naturally one of double- or even multiple-consciousness, and this consciousness is conveyed throughout the literature of the Harlem Renaissance.

According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.

One of the Harlem Renaissance writer was Langston Hughes (1902-1967). He was an American poet who was at the same time a social activist, novelist, playwright, and columnist. He was also one of the pioneers of the literature art form jazz poetry. Hughes’ began to write poems when he was still in his eighth grade. Particularly, he wrote “The Negro Speaks of Rivers” when he was passing by the Mississippi River, on board on a train down to Mexico with his father (Shmoop 4). Hughes was a key icon during the Harlem Renaissance because his works has helped the black arts and culture flourish in the 1920s. Hughes’ writing reflected his advocacy that “Black is