Counterculture Movement In Easy Rider

Citizens throughout American history have often presented the “home of the free” and the “land of the brave” as the perfect nation, filled with perfect families, and more extreme examples of how impeccable the nation truly is. No time presented the United States of America in a more splendid light than the 1950’s. The 1950’s are remembered as a decade of prosperity but as with every time period, multiple historical issues marred this time. The United States encountered political, diplomatic, and social issues throughout this decade (Hewitt and Lawson, 832). Hairspray, the 1988 film by John Waters, was set in the 1950’s and reveals depths of racism and stereotypes during this period, while presenting smaller examples of the issues of sexism, religion, and inequality.

Yet, numerous Hippies associated themselves with drugs, such as; LSD and Marijuana, as these drugs were effortlessly assessable throughout that era. LSD effects the user and causes them to have hallucinations and effect the person’s mind space and perception of reality; triggering them to hear or see things that do not happen. “Drug experiences shaped many of their symbols and ideas.”(World Book Encyclopedia, 2004

Therefore, the Vietnam War not only holds the basis of the film but also gives it its historical accuracy. (Appendix D) The comparison of the civil rights movement in the United States and the fight for indigenous Australian peoples equality help the movie flow. The use of these historical events allows the film to give itself credibility without the negative effect of

The movie ‘‘Pleasantville’’, written, produced and directed by Gary Ross, approaches a period in America’s history which subsequent generations idealise as a better and more stable society. He portrays this time period of the 1950s as a time when people and life were less complicated; a time when everyone knew their place in society. However, as the film ironically shows, this was a time when people were more ignorant, racist and most certainly sexist. Ross demolishes this illusion of the great 1950s American society by showing how its defects are gradually changed from black and white to colour. Ross shows that ‘change is inevitable’ once a catalyst for change is added to the ordered life of “Pleasantville”. Once David and Mary-Sue begin

While the 1970’s and 80’s marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking practices, he also changed American filmmaking as a whole.” Lee is perhaps one of the most influential film makers of the time, likely of all time. He thrusted black Brooklyn into light, shifting away from the popularity of Harlem. By putting complex characters into an urban space that is not only defined by poverty, drugs, and crime, it suggests the community is more than the black city it once was, it is instead a complex cityscape. Despite them being addressed to an African American audience, Lee’s film attract a mixed audience. Spike lee’s Do the Right Thing painted a different image of the African American community, “The construction of the African American city as community differs from more mainstream examples of the represents black city spaces from the rime period, such as Colors…, which presented its African American and Mexican American communities through the eyes of white LAPD officers.”

Looking at the socially or culturally history of the United States, many historians use Hollywood films as a primary source. I also used many films such as Easy Rider (1969) or Dance, Girl, Dance (1941) to support my historical thesis paper and to make the topic more vivid by using the images of the film. Even though, some people think that films are accurate and authentic in its depiction, it is important to mention that films are still fictional. Directors and actors are responsible to make us believe their story, but this story does not have to be necessarily true. In that way, fictional films cannot be used as historical evidence in terms of how things looked like during that specific

This movie is a great example of social groups, leadership, culture, norms, society, nature and nurture, and social lives. This movie represents how the American culture chooses our social class in society. Some sociologists believed that lifestyle choices are an important influence on our social class position (Giddens, 209). Our class position is the way we dress, where we eat, where we sleep, and how we relax (Giddens,

Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.

This film highlights the flaws of humanity in a western world. The films ability to touch on topics of classism, prostitution, and alcoholism makes the content mature and unlike typical western films. This revolutionary and innovative western created a foundation for many future films. The sophistication of the content, and lack of adherence to the production code makes this film an “adult”

A lot can happen in sixty years, and America is no exception to that statement. It is arguable that one of the biggest differences regarding America in the 1950s to modern America is culture. The movie “Pleasantville” reflects much of these cultural differences from 1950s to today in a creative and thoughtful way. It also provides much useful insight into the cultural conflicts America faced throughout the 1950s. The many differences between 1950s culture and modern day culture, my own opinion which time period I would personally choose to live in and cultural conflicts of the 1950s will be discussed throughout this essay.

Development and adaptation of the western genre has occurred throughout the twentieth century in relation to the shift in context, this is still relevant. Stereotypes of a western genre and the context are determined by the time in which the film is being produced. The time in which they were produced determine how social construction, gender ideas, values and attitudes, the setting and SWAT codes are demonstrated. I have chosen to present this speech by looking at the film studied in class, and a film of my choice and how the difference in context has changed in the tie of these two films.

The theory that I chose that I thought was best for explaining the Road Warriors documentary was deviant subcultures. According to the textbook within deviant subcultures “deviance or conformity arises from the relative opportunity structure that frames a persons life” (Macionis, 2015, p.204). The textbook then states two paths that deviance may take when people are unable to find legal or illegal opportunities, being conflict subcultures or retreatist subcultures (Macionis, 2015, p.204). Furthermore, the textbook adds that there are delinquent subcultures within deviant subcultures. These delinquent subcultures contain six characteristics being trouble, toughness, smartness, need for excitement, belief in fate, and a desire in freedom (Macionis, 2015, p.204).

The “hippies” of the 1960s had many effects on the American society. The visual appearance and lifestyle of the hippies were in sharp contrast to the conservative nature of the older generation, which defined them as a counterculture. The hippie lifestyle was based on free love, rock music, shared property, and drug experimentation. They introduced a new perspective on drugs, freedom of expression, appearance, music, attitudes toward work, and held a much more liberal political view than mainstream society.

The film Pleasantville written, directed and produced by Gary Ross shows a time period in American History where life was more comfortable, stable and ‘perfect’ if you would generalise it. However, as the film ironically shows, this was a time when people were more ignorant, racist and most certainly sexist. Ross demolishes this illusion of the great 1950s American society by showing how its defects are gradually changed from black and white to colour. Ross uses various settings to help show the viewer the imperfect aspects of Pleasantville’s

The review of this movie is based on sociological matters that are outshined in the film and touch on the lives of the individuals, their way of living, morals, behavior and cultural aspects. The film is set in a real society and concentrating much on social issues of the society more than the economic, technological and political status of this society based in New York.