Courtly Love In Medieval Movies: Chivalric Love

A common belief is that a big part in the code of chivalry is courtly love. This is false. The documentary says the code of chivalry bound the aristocratic fighting class and protected the aristocracy families. This doesn’t have and didn’t have much to do with romance. Courtly love is more of the term to use for the code the knights followed in regards to romance. Chivalry was mostly a knights’ duties, roles, and behaviors he was to follow in order to remain honorable. It relates to the knights’ relationship with one another. Courtly love focused on how a knight treated his women. In The Knight’s Tale these two codes are at war with one another.

of romantic love, courtly love goes hand and hand with chivalry. Chivalry is the code of conduct

The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom

     An act of chivalry is described as the qualifications or character of the ideal knight. Knights were expected to uphold this code of conduct. In the English literature Le Morte d?Arthur, French for ?The Death of Arthur?, by Sir Thomas Malory, the characters display acts of chivalry from beginning to end. Though the code of chivalry contains many qualities or acts, nevertheless bravery, loyalty, and courtly love are demonstrated more throughout this literature.

The Canterbury Tales, written by Geoffrey Chaucer around 1386, is a collection of tale told by pilgrims on a religious pilgrimage. Two of these tales, "The Knight's Tale" and "The Wife of Bath's Tale", involve different kinds of love and different love relationships. Some of the loves are based on nobility, some are forced, and some are based on mutual respect for each partner. My idea of love is one that combines aspects from each of the tales told in The Canterbury Tales.

“The motto of chivalry is also the motto of wisdom to serve all, but love only one” (Balzac 1). During the Medieval Age, there once existed a moral system that introduced a set of conducts such as, virtues, honor, and courtly love. This was known as the Code of Chivalry. These codes where available and practiced in knight's daily life. The idea of chivalry is extremely valuable to the people, that even everything a knight wore symbolized something valuable or unique. In other words, chivalry was no game. Authors during the chivalric period were influenced by the concept of chivalry and romance that the authors wrote about it in their work. During the Medieval Age and the Renaissance period chivalry, courtly love, and romance played a

Whats a good medieval romance without chivalry? The combination of qualities expected of an ideal knight, especially courage, honor, courtesy, justice, and a readiness to help the weak. “The world of Sir Gawain and the Green Knight is governed by well-defined codes of behavior. ... The ideals of Christian morality and knightly chivalry are brought together in Gawain's symbolic shield. The pentangle represents the five virtues of knights: friendship, generosity, chastity, courtesy, and piety.”

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

Moreover, the last main obstacle that has a negative effect on love is misconception and assumptions. For instance, the quote, “You thief of love; what, have you come by night/And stolen my love’s heart from him?”

At the end of Medieval literature a new literature was created. Women wanted stories where they could have a role. The women wanted to be treated like queens. This idea of courtly love-where a knight honored a married woman like he would “his liege lord” (Schwartz 1) can be found in Gardner’s translation of Sir Gawain and the Green Knight. Sir Gawain must honor such a lady. Because Sir Gawain honors a married woman, he struggles with being an honest and loyal knight.

Courtly love is a ritual designed to be performed over a series of years, yet in “The Knight’s Tale”,

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.

“The courtly lady…possesses a curiously hybrid gender. While maintaining stereotypically female sexuality, she also holds, in principle at least, the status of a feudal lord.” Burns’ statement insinuates a reversal of power dynamics between man and woman in the courtly love lyric, implying that the woman’s stereotypical beauty and sexuality in courtship, is a gateway to subverting and overpowering the lovesick male, making her a superior lord. The Amour Courtois lyric is deemed inconsistent with the representation of woman as an empowered “feudal lord” due to the sheer objectification of femininity and beauty. Poets such as Geoffrey Chaucer and William Dunbar commend a woman’s aesthetic appeal or satirise the lack of it, thus elevating medieval misogynistic expectations of physical beauty as a feminine necessity that objectifies women under the control of man’s advances. Throughout courtly love lyrics female beauty is a purely frivolous and superficial trait lacking predominant depth, to render woman as a “lord” would be poetically conflicting as the only power exemplified by female subjects in courtship is through the idolisation and sexual lust of the male devotee.

Courtly love or domnei was a medieval European conception of nobly and chivalrously expressing love and admiration.[1] Generally, courtly love was secret and between members of the nobility.[2] It was also generally not practiced between husband and wife.[2][3]

Though different both courtly love and chivalry are related. Chivalry is one of many manners