Courtly Love In The Knight's Tale

This can be seen through a comparison of parallel protagonists Palamon and Ferdinand, as well as parallel antagonists Arcite and Caliban. Their many similarities reveal an insight to each author’s view of love and how it is gained. Palamon and Ferdinand are men of the heart who do not have the girl initially, nor do they claim her. Instead, they wish the best for her and are willing to work for and serve her, regardless of the outcome. In contrast, Arcite and Caliban are men of the physical who take the woman they love by force and physically serve her in order to fulfill their prideful desires, completely disregarding the wishes of their beloved. Strikingly, all four of these men are of noble birth, and all four willingly lower themselves from a position of power to a position of service in order to gain a woman’s love; however, only the men who also serve her selflessly succeed in winning her love. Both men of the heart end up “getting the girl” in the metaphorical sense, although it takes time and they must be patient. In contrast, the men who have the girl initially –Arcite and Caliban – begin by taking her by force and have her in the literal sense, but lose her in the end. All of these elements show that Chaucer and Shakespeare believe the selfless and humble approach to be the most effective way to gain

First, one of the key things that the Medieval stories did to depict the ideal of courtly love

He knew nat Catoun for his wit was rude, that bad man sholde wedde his similitude” (Lines 113-120). Absolon on the other hand just wanted sex, and as much Alisoun despised him he would not stop stalking her. The Miller’s tale is cynical, because love is either misguided or lust and humans often are confused between the two. The author wanted to point that humans must know the difference or else the outcome would most likely be devastating thus leading to one’s own fault. While others might say this theme was not about love, but more about sexual desires, it was not the case. Sexual desires was only part of the theme because sex has always been alined with love in every relationship good or bad. Chaucer want readers to get past the sexual imagery and look at the love theme which incorporated in this story. The love theme represented the trouble behind human minds and how lust can be confused as love.

Although the Nun holds a lower position in society than the Knight, she tries to act similarly to the Knight by attempting to show good manners and a sophisticated attitude. Chaucer writes that the Knight is “ever honored for his noble graces” (Chaucer 146.50), demonstrating how the sophisticated way the Knight acts results in him being liked and honored by many. Chaucer describes the Nun’s usage of manners by writing “no morsel from her lips did she let fall” (Chaucer 148.132). Here, it is made apparent that the Nun did her best to act in an experienced, worldly manner, even though at the time it was unusual for a nun and a knight to have similar manners due to the large hiatus between their positions in the social hierarchy. Chaucer uses both of these characters’ manners to contribute to the overall theme of The Canterbury Tales by giving a specific example of

"The Knight's Tale" is one of many tales from the Canterbury Tales. This story sets in the city of Athens. Which opens into the theme of violence, foolishness, impetuousness, and impulsiveness; initially exceedingly emotional responses. One example is when two of our main characters, Palmon and Arcite, both fall in love with Theseus's sister-in-law (Emelye). These two blood brothers, leave each other after seeing Emelye out of the window of the tower. Which, I believe is a very impulsive decision, for they have not got time to know who she is and her personality. Also, they act like mortal enemies after just seeing her, so this thought process was completely impulsive and based on her looks. And later, Arcite tries to get to know her better after he was released from his imprisonment sentence by disguising himself, so he can take a job as a page in Emelye's chamber. I believe this shows that he wants to know her, but also it shows he is not being honest with her, which shows he was being impulsive and deceiving. He only learned about the little things that she liked, not her personality. Emelye learned a little bit about Arcite after the little conversing they shared, so they learned a little of each other's personality. This shows that the friendship was growing and not an intimate relationship, like Arcite wanted. So the story goes on and both Palmon and Arcite have been released from prison. And they happen to both decide to wander in the woods. Then they confront each other, each claiming the right to Emelye. The next day, they were brutally hacking away at each other. Honestly, I believe they are being impulsive and violent, they still barely knew Emelye (especially Palmon), and they decide to go kill each other. Then here shows up Theseus, which a loving and wise duke, but he can also be a little impulse when it comes to violence (which is fairly normal for a duke in the 1390s). Theseus tries to be loving when he sees the two men fighting, but he changes his mind when he found out it was Palmon and Arcite fighting. And that they were fighting because they "love" Emelye. Then Theseus was about to respond by killing them, but his loving wife and Emelye intervened, pleading for their lives. They pleaded

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.

The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom

In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.

Palomon says, " The Beauty of the lady whom I see wandering yonder in the garden

The Canterbury Tales begin with The Knight’s Tale; which chronicles the tragic love triangle of Palamon, Arcite and Emilye. The following tale, which is told by the Miller, is also a love triangle, and is in many ways similar to the Knight’s tale. However, the Miller’s tale sharply contrasts the Knight’s, almost parodying it. The Knight’s tale is a tragic of nobility, heritage and focuses heavily on mythology and astrology, whereas The Miller’s tale is a comedy, focusing on the common-man and his less civilized, and bawdy lifestyle. The two stories mirror one another in many ways, but are presented from completely different sides of the spectrum. When the two tales are looked at closely, it doesn’t seem to be a coincidence that they occur

The Canterbury Tales, written by Geoffrey Chaucer around 1386, is a collection of tale told by pilgrims on a religious pilgrimage. Two of these tales, "The Knight's Tale" and "The Wife of Bath's Tale", involve different kinds of love and different love relationships. Some of the loves are based on nobility, some are forced, and some are based on mutual respect for each partner. My idea of love is one that combines aspects from each of the tales told in The Canterbury Tales.

At the end of Medieval literature a new literature was created. Women wanted stories where they could have a role. The women wanted to be treated like queens. This idea of courtly love-where a knight honored a married woman like he would “his liege lord” (Schwartz 1) can be found in Gardner’s translation of Sir Gawain and the Green Knight. Sir Gawain must honor such a lady. Because Sir Gawain honors a married woman, he struggles with being an honest and loyal knight.

Chaucer’s most brutal attack was on the high ranking class and nobility, his use of satire allowed for him to make accusations of their lack of accountability for their actions. This concept was outlined in the Wife of Bath’s Tale, where a young knight physically assaulted a maiden the instance was brought to a court of the king and the knight was then sentenced to execution. The queen, however, chose to spare the knight’s life if he was able to find what women desired most within one year. He returned to the court a year later and revealed that women wanted freedom more than anything, and in return he was forced to marry an old lady that revealed the secret to him. This was what taught him the ultimate lesson. The old lady made a deal with the knight, he could have her old and ugly, but loyal or he could have a young and beautiful wife that he could not trust; when presented with the choice the knight chose to let the woman decide. “The knight thought long, and with a piteous groan at last he said, with the care in life, “My lady and my love, my dearest wife, I leave the matter to your wise decision. You make the choice yourself, for the provision of what may be agreeable and right in honor to us both, I don't care which; whatever pleases you suffices me.” (lines 374-381) The knight has learned that he cannot control his wife and have her love him, as a result of this revelation the lady changes herself into a loyal and beautiful wife. This lesson

Moving on to Chaucer’s second tale, there are many lessons to be taught about chivalry. This tale tells the story of a narcissistic knight that rapes a young woman alongside a river. Once King Arthur finds about this sin he demands the knights head. Fortunately, the knight is spared by the woman but in a redeemable manner. The knight is set out on a year long mission in order to answer one question- “what do women want the most?”. After the year long mission the knight returns and answers the question successfully. This answer the knight gives is what coincides with the prologue’s last lesson. “Women want the same self-sovereignty over her husband, as over her lover, and master him, he must not be above her”(Chaucer, 214-218). This saying, again, is addressing the balance in power within a relationship. There is no doubt that Chaucer believes a successful marriage needs a balance