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Covert Censorship In Wag The Dog

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With relation to the media and the public, how information is presented and understood depends on a few crucial factors. These factors include overt versus covert censorship and also official versus folk reality. Terry Hansen clearly defines each of these in terms of how they relate to the public. Overt censorship occurs when the public is aware that news suppression is occurring but exactly what is being suppressed is not known (Hansen, 2000). Covert censorship differs because both the media and public are unaware that information is being suppressed, however, elite news media companies often comply with these censorship programs willingly (Hansen, 2000). It could be argued that the use of this was prominent in the 1997 film, Wag the …show more content…

This would be due to the fact that a political public relations/media specialist worked alongside government workers in order to divert attention from one topic to another. The image or story that is then presented to the public is what Hansen refers to as official reality (Hansen, 2000). Essentially, official reality is the worldview that is presented by the elite news media and accepted by the public (Hansen, 2000). Contrary to official reality, folk reality is what the public actually believes and accepts (Hansen, 2000). What the public actually experiences can be reflected in this view (Hansen, 2000). In relation to Wag the Dog, what the public seems to experience to an extreme is official reality because of how they take the information that they receive from the elite media as being true (Wag the Dog, 1997). With Wag the Dog, covert censorship and official reality are almost operating in accordance with one another because the results of covert censorship influence the official reality that is presented to the public (Wag the …show more content…

The reasoning for the media and government working together to enhance their image/position is because cooperation with the government often leads to career benefits even if no pay results (Hansen, 2000). Another reason for the media aiding the government in the film could be that those who don’t follow the orders of higher authority members often suffer for doing so (Hansen, 2000). This also related to the conflict approach in the sense that it deals with noting how power is disproportional and therefore a source of conflict (Macaluso, 2016). It also notes how those in power don’t necessarily care about the “common good” even if it is the claim (Macaluso, 2016); most of the time, they are only concerned with advancing themselves (Macaluso, 2016). In the film, since the media/government workers are indulging in the use of covert censorship to cover recent news, and doing so only to promote and maintain their current position of power, it could be seen as hegemonic. Hegemony, as defined by David Grazian, is the class that is the ruling material for society is also the ruling intellectual force (Grazian, 2010). Therefore, ideologies, norms, and values that benefit the status of the ruling class are perpetuated, which allows them to maintain their position of power (Macaluso, 2016).

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