Cowgirl Book Report

Thinking of the farmhouse window made her have a slight change of heart, and knowing she would be able to have the window again changed her behaviour. While describing the farmhouse window, the thought of the old window coming back gave her have a new outlook on life. It was almost like the window brought back a piece from her old life making her feel more whole again. The window is symbolic because it shows the past of Leah and how she is slowly stepping away from the past. Allowing for a bigger window is symbolic because it resembles Leah’s mind, being more open and seeing things more clearly. The house itself has an overall darkness to it and this is shown through Leah’s character and the description of the kitchen, “In the kitchen a naked bulb hung from a twisted back cord [...] Its hard yellow glare revealed every grease mark on the motley wallpaper, every chip in the rust-coloured sink, it shone unmercifully on Ruth’s tired face and unkempt hair” (Morgan 4). The more light that is brought in can have an effect; this effect shows how the darkness that once overshadowed their family is coming to an end. The light from the window is a symbol showing that there is more light coming their way, showing that Leah’s dark and unpleasant mind is changing along with the window.

This novel “is a book that truly speaks to adolescents in contemporary language and with teenage characters about adolescent sexuality” (Kaplan 27). Katherine is learning about her sexuality in the novel.

What inspired the author to write a book about such a crazy thing? My book is called “ Hideout” by Watt Key. This book was published on January 10, 2017. It was published by Farrar, Straus, and Giroux (BYR). It also has 320 riveting pages that won't let you put the book down! This is my absolute favorite book ever and is full of mystery and edge.

The social deviance anomie theory also known as strain theory is defined as means to an end. This means that if the goals that society holds for people are unreachable individuals may turn to illegitimate ways of getting there. Throughout this paper I will provide details as to why we should use anomie theory when defining deviance among brothel workers presented in Brothel Mustang Ranch and its Women written by Alexa Albert.

I am currently reading Cujo by Stephen King. I grew up watching Stephen King movies such as Carrie, It, and Pet Sematary so last year I decided to start reading a few of his classic novels in order to better understand what had inspired the movies I had grown to love. I was surprised to find myself loving his books more than his movies and Cujo is just another example of King’s talent. I think characterization plays the largest role in what makes his novels so gripping, he makes his characters extremely real and relatable. Cujo revolves around a small family trying to recover after trading their New York City lifestyle for a quiet life in Castle Rock, Maine. The book is set in a small town in the 80’s. Toys, cars, technology, and characters

After reading 80 pages of, “Skud,” by Dennis Foon, I felt motivated by the actions and determination shown by the main characters of the story, especially Andy. In the book, all the characters had a goal or objective and worked hard to reach that goal. Although most people would not advise someone to center their life around one certain thing, I think that when one finds a purpose or objective in life they should always do their best to reach this goal regardless of what others say or thinks of it. In the book, Andy dream was to become a popular actor.Although the possibility of getting cast is low and although he was hurt and unwell, Andy still went to the audition because of that small possibility. After reading about this, I felt determined and motivated by actions like this.

A warrior is recognized as sonmeone who battles for his/her beliefs. Even after receiving mortal wounds many times, such a person never leaves the battlefield. However, the inspiring and metaphorical idea of a warrior can certainly extend beyond the actual battlefield, and into the universal battle of living life. A woman must face this world like a warrior. She must endure the pain of a past that oppressed her, the adversity of a present that is only beginning to understand her, and a future that will continuously test her. From the beginning of time, Native American women have been a driving force in their cultures, retaining their immense strength throughout

Daisy is a Buchanan, a family with enormous hereditary wealth, where Myrtle lives in the Valley of Ashes with an auto mechanic as a husband. Their differences become striking when we compare the first bits of information about them: where they reside. Whilst Daisy's home is described as a 'cheerful red-and-white Georgian colonial mansion'. This house not only connotes to wealth but also hereditary wealth through the premodifier 'Georgian'. The Buchanans couch is compared to an 'anchored balloon', that could be suggesting that wealth 'anchors' security in the society of 1922. Contrastingly, Myrtle's home in the valley of ashes is overlooked b the eyes of T.J Eckleberg. This could be an indication of how capitalism is hampering them as a less than wealthy couple. This idea of the wealthy hampering the poor is reinforced by Carraway ignorance to the way poor people live, implied when he assumes that the 'shadow of a garage must be a blind, and that sumptuous and romantic apartments were concealed overhead'. As he struggles to believe that people live in such conditions. This difference is all more evident when we consider how when Carraway is describing the Buchanans' home he uses colours like 'red', 'white', 'rose' and 'wine'; all of which connote to luxury. Whereas in describing the Wilsons' home, colours like 'whitewashed', 'blond' and 'light blue'. Colours that a very pale and

Through Women’s Eyes by Ellen Carol DuBois and Lynn Dumenil addresses American History from 1865 until present day. The third edition of this textbook includes visual and primary sources over several centuries. I used this textbook in a history course, “Women in the United States, 1890 – Present;” I found the textbook to be engaging, helpful, and useful throughout the course. The way in which in the information was presented allowed me to learn, assess, and analyze the difficulties women faced.

There are many symbolic houses in the novel: the one on Grand Isle, the one in New Orleans, the pigeon house, the house in which Edna falls asleep on Cheniere Caminada. The first two of these houses serve as cages for Edna. She is expected to be a "mother-woman" on Grand Isle and to be the perfect social hostess in New Orleans. The other two are places of supposed freedom. On the island she can sleep and dream, and in the pigeon house she can create a world of her own. In the same way, places have a similar significance. Grand Isle itself is a place of women.

and burning gardens"(23) of the front lawn give a subtle hint of the empty home the Buchanans share. The brick walks

Going Bovine is strange and interesting story that really twists and turns with your ideas on what the book is going to be like. That being said, I thought it was a very good book, with enough sarcasm and swears to keep the rowdy teenagers, like myself, interested. The book starts off with your standard issue apathetic pot-smoking teenager, slowy making his way through high school. This teenager named Cameron Smith, after several hallucinations and bouts of excruciating pain, is diagnosed with Bovine Spongiform Encephalopathy, the human form of mad cow disease. He ends up in the hospital for several weeks, next to as he puts it, a neurotic dwarf, that’s roughly his same age. After an angel comes to him and tells him about a quest he must

As she is developing, she is tantalized by the societal norms he represents. She is ready to give up the backwoods (a symbol of herself) for all he (a symbol of society) has to offer. Convinced of that, she sets off to find the secret of the elusive white heron and in order to find the heron, she had to climb to what was literally the top of the world for her, the top of the pine tree. The world from the top was different than the city and it was different from the woods at ground level. From the top her perspective about the world changed, it was vast and awesome, and she understood her place in it more than before. She understood it to mean more than to sacrifice her own self for the gifts this man had to offer that were tantalizing but incapitable with her personality and true self.

Carver presents symbolism throughout his story to represent a darker side of the human heart when it is wounded. “Don’t, she said. You’re hurting the baby, she said. I’m not hurting the baby, he said.” The baby represents the relationship of the man and woman. There is not an actual baby that is being hurt, but their relationship together. Once the “issue was decided” towards the end, it represents how the man and woman’s relationship was no more. In addition, snow is brought up in the beginning to start the mood of the relationship. “...The snow was melting into dirty water.” The snow represents the pure white relationship they had in the beginning. Once the snow melted into dirty water, that shows that their relationship is tainted, fading away, and can never be the same. This also leads into the light that is set towards the house. “The kitchen window gave no light.” The window showing both the darkness of the outside and the inside of the house, represents how darkness is taking over the relationship, and how there is no more light to shine on their love for each other. All three of these symbols connect back to how the man and woman have a codependent relationship.

As an image of decrepit grandeur, Miss Emily’s house is used to symbolize Miss Emily’s character herself, the historical setting in which the story takes place, and some of the story’s central themes. Described as “a big, squarish frame house that had once been white, decorates with cupolas and spires and scrolled balconies” (Faulkner 1), the house is ornate and grand in design, even being located on what was once an exclusive street in Jefferson. However, over time, it had become dilapidated and unkempt, with the interior being dark and full of dust, possessing “a close, dank smell” (Faulkner 1). Similarly, Miss Emily was once a young lady of high standing, opulent in her own ways, but slowly aged and lost her grandeur, becoming “a small, fat woman” (Faulkner 1) whose hair was turning grayer as the days went by. Much like her home, Miss Emily was losing her charm over time, showing that her character was stubbornly grasping on to the idea that she still retained an image of splendor she no longer possessed, all while isolating herself from the rest of the town.