Creative Writing: The Handmaid's Tale

The enchanted forest pulsed in, it’s ancient heartbeat, the deep, haunting song sweeping through the swaying leaves. The woody incense of thousands of leaves and branches matting the forest floor filled the air and dominated our nostrils. Soon, the branches will bend to the will of the whispering wind, allowing the sun to fill every nook and cranny with its the lustrous, golden light, illuminating the full grandeur of a forest that is steeped in plushness and opulence. But for now, the sprawling limbs of centuries-old trees still guarded the darkness, blotting out most of the gentle rays of dawn’s light.

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of

Paula Hawkins, a well-known British author, once said, “I have lost control over everything, even the places in my head.” In Margaret Atwood’s futuristic dystopia The Handmaid’s Tale, a woman named Offred feels she is losing control over everything in her life. Offred lives in the Republic of Gilead. A group of fundamentalists create the Republic of Gilead after they murder the President of the United States and members of Congress. The fundamentalists use the power to their advantage and restrict women’s freedom. As a result, each woman is assigned a specific duty to perform in society. Offred’s husband and child are taken away from her and she is now forced to live her life as a Handmaid. Offred’s role in society is to produce a child

THE OPPRESSION OF WOMEN IN ATWOOD’S THE HANDMAID’S TALE AND THEIR WAYS OF RESISTING THE REGIME

It was at the peak of the night’s darkness, fog covered the kingdom. The town was fast asleep, the King and his thanes were also out cold. There was an eerie sense in the air. It had almost been too long without any commotion. The kingdom, at the top of the Food chain, hadn’t been attacked for nearly two years now.

Offred, in Margaret Atwood’s disturbing novel The Handmaid’s Tale says, “But who can remember pain once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.” The society of Gilead causes the aforementioned pain and demoralization by using women’s bodies as political instruments. Similar to Atwood’s novel, today’s men put immense pressure on women to be a certain way, give them children, and take care of the home and the like. In Atwood’s novel, The Handmaid’s Tale, she examines the theme of demoralization of women through graphic predictions of what women’s futures may look like.

Can human live without love? The answer is evidently no. Love can be defined as: the most spectacular, indescribable, deep euphoric feeling for someone. Margaret Atwood, the author of the outstanding dystopian fiction the handmaid 's tale (1985) had once in her book said: " nobody dies from lack of sex. It 's lack of love we die from.” In this novel, Atwood specifically depicts a society where relationships have been altered, undermined and in many ways forbidden. The key word in the issue of relationships is love. In the Republic of Gilead, a form of theocratic government, women had lost their ability to love. The protagonist Offred is a handmaid whose sole purpose in life is to reproduce a child. Gilead expects its handmaids to have faith in its commandments, but has removed love and hope from them. Women became objects and sex slaves to men. Therefore, the relationships of the protagonist Offred are unhealthy as well as abnormal, yet they are source of hope for Offred to survive from this theocratic form of government. Her relationship with the commander is strained but profitable, her relationship with Serena Joy has lots of tensions and conflicts; and her relationship with Nick is subtle as well as controversial.

The night’s sky was a foreboding glow, displaying the remnants of the chaos that proceeded on that very night. The air was calm and still, leaving no trace of the strong, mighty wind that had once seized it. Seeker Gawin and Annabelle emerge from the Great Fall forest, heading in the direction of the marketplace of the Masonburge Village with a bewildered first commander, who was heading back to the castle, passing them with his men riding a few feet behind. The people of the village have gathered in a somber mood, watching the last of the king’s men carry away bodies on one of their horses.

Serena Joy is the most powerful female presence in the hierarchy of Gileadean women; she is the central character in the dystopian novel, signifying the foundation for the Gileadean regime. Atwood uses Serena Joy as a symbol for the present dystopian society, justifying why the society of Gilead arose and how its oppression had infiltrated the lives of unsuspecting people.

A woman’s power and privileges depend on which societal class she is in. In Margaret Atwood’s novel The Handmaid’s Tale each group of women are each represented in a different way. The three classes of women from the novel are the Handmaids, the Marthas and the Wives. The ways in which the women are portrayed reflect their societal power and their privileges that they bestow.

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

It made Lydia feel guilty, hiding the truth. Except she couldn't think of a way to tell her that she'd sold her grandchild to a man who'd sell it again for a profit. That the child would probably grow up on a human farm where it would stay for awhile before it was sold yet again to be used for lord knows what. Maybe they would be used by the company, who'd leave them brain dead so that someone would have room plant their subconscious into their head. Perhaps they'd be deemed an unfit host and sent right back to the city where they'd been bought from in the first place. The truth was that she didn't know. It often haunted her at night, wondering where her other children were. Her eldest would be 7 now. She didn't know the gender but she always

The central social hierarchy within the novel is the gender hierarchy, placing men in a position of extreme power. This is evident in every aspect of the book, as the entire Gilead society is male dominated. The Commander is at the top of the hierarchy and is involved with designing and establishing the current society taking control of a nation of women, and exploiting their power by controlling what is taught, what they can teach themselves and the words that they can use. Soon all of the women will become brainwashed, simply because it is made nearly impossible to defy the rules

Throughout the novel, Offred articulates a variety of stories which prove to be crucial for her survival. Specifically, the majority of her narratives center on her daily occurrences in Gilead which range from shopping with Ofglen to discovering various trifling details while exploring her room. While these stories may appear trivial at first, upon closer examination one can see that Offred’s retelling of these events acts as a survival strategy for keeping her sane and safe amidst the maddening society she resides in. Due to the restrictive nature of Gilead, Offred’s life is filled with constant paranoia and uncertainty; there is a relentless air of secrecy which

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from,” (Atwood 24). The Handmaid’s Tale, written by Margaret Atwood, is a novel set in the near future where societal roles have severely changed. The most notable change is that concerning women. Whereas, in the past, women have been gaining rights and earning more “freedom to’s”, the women in the society of The Handmaid’s Tale have “freedom froms”. They have the freedom from being abused and having sexist phrases yelled at them by strangers. While this may seem like a safer society, all of the “safeness” comes at a drastic cost. Atwood depicts a dystopia in The Handmaid’s Tale