Creon And Haimon In Sophocles Antigone

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

“Your temper terrifies them” (Sophocles 222). In Sophocles’ tragedy “Antigone”, Creon, the obstinate king of Thebes, embodies the stereotypical monarch. Ancient Athens, where Sophocles called home, used plays to educate their audience and persuade them to think a certain way; thus, Sophocles wrote of the struggle between Creon, and his son, Haimon, from the perspective of a member if a democratic government. Sophocles sought to influence his audiences political beliefs by creating the character Creon, the King of Thebes’, whose power hunger and temper makes monarchies appear absurd; however, strengthening stereotypes as a political weapon did not cease in Ancient Greece. In the past century, American screenwriters have

He feels that Haimon is too young to know what he is talking about especially when it comes to Antigone. Creon believes that Haimon is blinded by love. Creon wouldn’t even take anything that Haimon said into consideration. He also did the same thing with Teiresias, a blind prophetwho has always been right in other situations. Teiresias told Creon that his actions have angered the Gods and that it would be in his best interest to let Antigone go free, otherwise his family would be cursed and he would suffer a great deal. Creon, whom was obviously in denial, didn’t believe a word Teiresias said and accused him of lying and taking bribes from the people.

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Antigone versus Creon In the play Antigone, the character Antigone serves as a foil character for Creon in an attempt to show Creon the wrong in his judgement. The play is based around the belief of right by burial which Creon so happens to be denying a certain man of that right, Polynices, one of Antigone's brothers. Antigone serves a foil for Creon through most of her actions throughout the play. She buries her brother not once but twice, she argues with Creon over the right by burial belief, and Creon has a chain reaction of loss that was caused by Antigone’s death.

Written by the Greek writer Sophocles, the play Antigone continues to touch audiences around the world with themes that are relevant to this day. In the play, Antigone, daughter of Oedipus, and his wife Jocasta, is confronted with conflict as both of her brothers had slain each other after Polynices was exiled from Thebes, then marched back to regain his throne. Creon, the now ruler of Thebes, put forth a declaration stating that only Eteocles was to be buried, while Polynices had been barred from burial as he was considered a traitor. During the play, Antigone fights back and forth on her decision of putting the unwritten law of the gods before the law posted Creon. Two important themes that are showcased throughout the story

“Am I to rule this land at someone else’s whim or by myself?” (Lines 836-837) says Creon, angrily to his son Haemon, who is attempting to reason with him about the execution of his fiance, Antigone. This causes an uproar between the two and brings out Creon's selfish intentions. Throughout the story the conflict with the ideals and motivations between the two change the theme of the story from love and loyalty to hatred and betrayal. This not only contributes to Creon’s characteristics of a tragic hero, but also to the suicide of both, Antigone and Haemon.

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

King Creon’s tragic flaw is hubris. He does not listen to advice given to him by the blind prophet Teiresias. When Teiresias tells Creon, “Give in to the dead man, then: do not fight with a corpse- what glory is it to kill a man who is dead? Think, I beg you: It is for your own good that I speak as I do. You should be able to yield for your own good” (Antigone 36-40). King Creon does not like the fact that the prophet believes he is wrong and should do what everyone else has so far advised him to do. He accuses Teiresias as giving him such a prophecy because of bribery from others and a hunger for gold. Hubris is also revealed from King Creon in Scene III. Creon’s son, Haemon, tells Creon that the people of Thebes believe they have never seen a girl die such a shameful death and that the people live in fear of Creon. Haemon tells Creon he also believes Antigone should have been allowed to bury Polyneices and should be set free. King Creon responds with, “You consider it right for a man of my years and experience to go to school to a boy?” (Antigone 95-96). This shows that Creon does not believe a man of such age, “wisdom”, and “experience” should listen to anyone or change because of anyone else’s

This is evident because Creon himself has ignored his son’s points in their argument due to the fact that Haimon is only a boy that has taken the side of a woman, Antigone. He did not bring up any counter arguments against Haimon that included logic or reasoning, he only said he will not be so shameful as to be swayed by a young boy or a woman(III. 95-114). Antigone has also stated that [everyone] would praise [her] / were their lips not frozen shut with fear of [Creon](II. 99-102). This shows that most are afraid of speaking up against Creon because he will not listen and will jump to anger when his ideas are challenged. This trait has caused what is left of Creon’s family to be killed as he was too stubborn to save them in time. If he had dropped his pride and decided to release Antigone before Tiresias warned him that the Gods had been angered, then he might have saved her, therefore saving his son and wife as well as avoiding the

Haemon insists he is trying to prevent his father from pursuing an injustice while Creon accuses his son of siding with a reckless traitorous woman over his own father, to whom he owes obedience. In fact, Creon is more devoted to his laws than he is to even his own son Haemon’s happiness, refusing to pardon Antigone for burying Polynices even though she is Haemon’s fiancée. Antigone, on the other hand, places long held traditions and loyalty to her family above obedience to the city or to its ruler. In doing so, she makes the case that there are loyalties to both the gods and one’s own family that outweigh one’s loyalty to a

Yet, “[Haimon, Antigone and Eurydice] are dead, [Creon is] guilty [for] their death.” (733, 170). But once Choragos is able to convince Creon to bury Polyneices and free Antigone, because of what Teiresias’s prophecy had said. When they reach Antigone’s vault they saw, “She had made a noose of her fine linen veil// And hanged herself,” (734, 59-60). Haimon was found by her side, he was furious with his father. This brought him to, “suddenly [draw] his sword,” (735, 690) and go at his father with the intention of killing him. But Haimon, “desperate against himself, drove it half its length// Into his own side,” (735, 71-72), he had killed himself. Creon’s wife, Eurydice, could not live with herself knowing that her husband had been the reason for her son's death, so she took her own life. Creon realizes then how his arrogance caused all the issues in his

Antigone is a play based on a Greek tragedy, that takes place in the city of Thebes. Antigone is one of four siblings, her two brothers, Eteocles and Polyneices, and her sister, Ismene, and soon to be married to Haimon. Her two brothers Eteocles and Polyneices do not live to the end of this drama, but die fighting one another for the throne of the kingdom. Creon, a ruthless leader, takes the heir of the throne. He demands Polyneices not have a burial for he was a traitor, and anyone who attempts to disobey his ruling would be punished. Antigone violated the ruling and attempted to bury Polyneices. Creon showed no pity for the fact that she was his only son’s fiancee and instead gave Antigone a death punishment. Antigone states multiple times that she believes she did nothing wrong, as well as others in the city think that. Haimon uses rhetorical devices throughout the drama in attempts to keep his father from killing Antigone and to show his father how he is affecting the city.

CREON. Another? Have you lost your senses? Is this an open threat?” (3.118-121)The gods must have robbed him of his common sense, because Haimon was trying to tell his father that he would commit suicide if he killed Antigone. Creon would not listen. He put his family on the backburner and forever burdened one of his dead nephews and Antigone, all because of his pride and his greed for power. That pride and hotheadedness turned into a big problem, as he would have preferred to, “End his life and die than live with the agony of his mistakes” (Exodos134-138). In Creon case his fate was caused again and again crossing the line between laws set by the gods and the laws set by man.

Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.