Creon Antigone Analysis

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)

In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

Later in the play, Antigone was captured for being caught in the act of burying her brother and is now conversing with King Creon about her decision made to revolt. On page 783, Creon is surprised when he says, “…you dared defy the law,” to Antigone due to boasting her rebellious actions. In this demonstration, Antigone does not deny her guilt, but declares all of the information, provided by the guards, true. Antigone does not care for the consequences, which is death; she knew what she would create for herself when she chose to bury her brother. A second example of this is on page 784 when Antigone states, “There is no guilt in reverence for the dead.” By what Antigone said, she believes it should not be against the law to have reverence or lamentation towards the dead, especially if the deceased is part

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

Throughout the play, Creon shows many examples of how he is imperfect. One example would be how he believes that the state is primary to his family and relationships, “If this is your pleasure, Creon, treating our city’s enemy and our friend this way … the power is yours, I suppose, to enforce it with the laws, both for the dead and all of us, the living,” this quotation said by the leader of the chorus describes how the elder people of Thebes respect their family more than the state, but they held back on their opinions, knowing of what Creon, the leader, wanted to hear (235-240). Another example of how Creon shows the audience of how he is imperfect is when, Creon meets with Haemon. Creon argues with Haemon about how people should act towards the country which they reside in, “But whoever steps out of line, violates the laws or presumes to hand out orders to his superiors, he’ll win no praise from me. But that man the city places in authority, his orders must be obeyed, large and small, right and wrong,” Creon believes since he has the highest throne in his country, that he should be obeyed whether the circumstance (745-751). Lastly, Creon demonstrates to the audience that he is imperfect by wanting to protect his country too much. This is visible when Creon sentences Antigone to a slow death, because of burying her brother, who was outcasted as a traitor. Creon put the state over his family which will lead to the complete

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.

Until Creon follows the simple burial rites, numerous misfortunes, including the deaths of his loved ones, will occur as a result of his actions. One may think that Creon must challenge the Gods because Antigone challenges his laws; however, fear of the Gods and guilt motivate Antigone to defy Creon. Antigone’s defiance does not lead to the deaths of others because she defies an individual who did not follow the law, while Creon’s disobedience ends in violence.

Sophocles expresses his devotion to family throughout Creon’s actions in the play as well. Prior to Creon first deciding to let Antigone die, the choragus convinces him to release her. Creon, reluctant at first, listens to the choragus and says to them, “It is hard to deny the heart! ” (SceneV. 235). Creon, knowing in his heart, that he has finally done the right thing by letting Antigone have freedom. Although Creon wants Antigone to pay for defiance of his law, the family ties prove to be stronger than his devotion to authority. As Creon orders the choragus on what weapons to bring, Creon exclaims, “I buried her, I/ Will set her free”

In the play Creon rejects the burial of Polyneices but still seems to value family heavily. When Creon speaks with Haemon he expresses that he should listen to his father’s choice over anything else “Stand by your father’s ideas in all things.” (Page 37), showing that Creon values family honor. Sophocles shows moments of family love throughout the play, Creon knows letting Antigone go after burying her brother is the right thing to do so he makes the decision to let her go free for the action she performed “I myself, since my judgement has turned and seen better ways, I bound her up and I will go and release her.” (Page 54), this shows that Creon truly loves Antigone and chose family over authority by freeing her. As Haemon finds out Antigone has hanged herself, in

The argument between the law of the state and the law of the gods, or religious, is mentioned many times throughout the story. Creon refers to Antigone's brother as one who betrayed his city and he upholds an order for Thebes, forbidding Antigone's brother to be buried. Antigone refers to burying her brother as a moral responsibility. Creon is astonished when he finds that she has disobeyed his