Creon Character Analysis

Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin

Creon is a man of principles, who is devoted to the state as well as upholding the law in a dominant and control freak type of manner. Creon uses his first speech as a way to explain his ideas, expectations of the people, and his first law regarding the body of Polynices. Knowing the people of Thebes will disregard his word, he explains to the populace that, “Whoever places a friend above the good of his own country, he is nothing”(67). He brings up the threat of death due to the uncertainty of future rebellion and clearly states, “Our country is our safety”(68). This type of indoctrination starts from the head and trickles its way down to the people regardless of whether they want it or not. Bribery is another one of his major concerns. Knowing that corruption leads to dysfunction, rebellion, and torment, Creon poetically makes another law regarding, “Money! Nothing worse in our lives, so current, rampant, so corrupting… No limit, you make them adept at every kind of outrage, every godless crime-money!...

All of this lead to Creon’s wife and son committing suicide and Creon left with nothing. In the play, Creon’s character development starts to degenerate from loyal king to a tyrant, leading to his downfall due to his hamartia, position as king, and his reluctance to see from anyone else’s POV but himself.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

For these reasons, his character is a feared leader. First of all, the fact that he issues that his nephew cannot be buried shows that- one, he demands loyalty, even over loyalty to the gods, and two, he defends his country over his family. He continues displaying his beliefs when he doesn’t revoke the edict even after his wife, and niece clearly disagree with it. Creon’s pride continues to take precedent when he begins falsely accusing

Creon has to live with the consequences of his actions. His bad characteristics overcame the good but lost in the end. He

of Creon’s cruelty, he lost his loved ones and all of his respect, because it was only

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

Throughout the play, Creon shows many examples of how he is imperfect. One example would be how he believes that the state is primary to his family and relationships, “If this is your pleasure, Creon, treating our city’s enemy and our friend this way … the power is yours, I suppose, to enforce it with the laws, both for the dead and all of us, the living,” this quotation said by the leader of the chorus describes how the elder people of Thebes respect their family more than the state, but they held back on their opinions, knowing of what Creon, the leader, wanted to hear (235-240). Another example of how Creon shows the audience of how he is imperfect is when, Creon meets with Haemon. Creon argues with Haemon about how people should act towards the country which they reside in, “But whoever steps out of line, violates the laws or presumes to hand out orders to his superiors, he’ll win no praise from me. But that man the city places in authority, his orders must be obeyed, large and small, right and wrong,” Creon believes since he has the highest throne in his country, that he should be obeyed whether the circumstance (745-751). Lastly, Creon demonstrates to the audience that he is imperfect by wanting to protect his country too much. This is visible when Creon sentences Antigone to a slow death, because of burying her brother, who was outcasted as a traitor. Creon put the state over his family which will lead to the complete

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

Creon says to Antigone that “A good man does not wish what we give him to be the same an evil man receives.” The quote develops the theme because Creon begins the story hot headed and by the end of the story he is cold headed and he starts making laws. The quote develops the theme because Creon starts to make laws so the people of Thebes or else they won’t get a proper burial. This paragraph shows that Creon is an Arrogant person in the next paragraph I will be talking about how Creon is a power hungry

When Creon finds them both dead he realizes that it was his power as king that has caused this to happen. He begins to realize mistakes he has made. He has followed quite closely in the footsteps of Oedipus. Through his suffering we begin to see him as a human rather than a powerful tyrant.

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.

Due to his unwavering pride and refusal to see through the eyes of others, Creon falls from his position of immense power and wealth which in the end doesn’t matter because all his loved ones and family are now dead.