Creon Character Analysis

When Creon finds them both dead he realizes that it was his power as king that has caused this to happen. He begins to realize mistakes he has made. He has followed quite closely in the footsteps of Oedipus. Through his suffering we begin to see him as a human rather than a powerful tyrant.

The famous playwright not only introduces characters who promote feminism, but he also punishes those who believe women are inferior. Creon believes that women should obey men’s orders and is eventually punished for misogyny. “[Creon] wish(es) [that he] weren’t alive” (65) as a result of having a misogynistic attitude. He is soon punished as he realizes that the death of his son Haemon and his wife Eurydice were all caused due to his misogynistic attitude and stubbornness towards the decisions he later regrets. Furthermore, Creon is punished due to the fact that his set laws prohibited women to freely express their opinion and such resulted in him being the main victim of several deaths. Creon “invite(s) death” (65) and causes the citizens of Thebes to revolt against his foolish decisions resulting in his reputation as a king to diminish. Likewise,

Secondly, Aristotle suggests that to be a tragic hero, one must not be perfect although his character is pre-eminently great. This is certainly true of Creon’s case. For example, in the above paragraph, we proved that Creon is essentially good because he chose to punish Polyneices. However, his choice of punishment—not burying Polyneices—does not rank as high on the moral spectrum. In fact, Antigone believes that Creon "dishonors" Polyneices by not burying him, by not "honoring what the gods have honored" (line 89). By going against his people’s centuries of beliefs, Creon’s character finds its imperfection.

Aristotle once said, regarding his principles that a certain character is a tragic hero, "A man cannot become a hero until he can see the root of his own downfall." This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by his own fate, leading to the punishment exceeding the crime and the character’s realization leading to the fall. The audience experiences a catharsis at the end of the play, which allows the audience feel that society is “right” again. All six of

Creon is a man who has just become the king of Thebes and has a flaw of having too much pride. He can’t control the power of being over other people and he lets the power go to his head. “ I now possess the throne and all its powers. No, he must be left unburied, his corpse carrion for the birds and dogs

perspectives. Creon 's pride causes him to be afraid to admit that he has made a

guilt caught up to him he starting to hear stuff like a mentally ill person would

Creon, like all main characters in Greek drama, suffers many losses and undergoes emotional pain and anguish. A target of the curse on the House of Oedipus by relation, Creon was already a

For these reasons, his character is a feared leader. First of all, the fact that he issues that his nephew cannot be buried shows that- one, he demands loyalty, even over loyalty to the gods, and two, he defends his country over his family. He continues displaying his beliefs when he doesn’t revoke the edict even after his wife, and niece clearly disagree with it. Creon’s pride continues to take precedent when he begins falsely accusing

was the only one that he felt he had the power to make, how could he take the

Due to his unwavering pride and refusal to see through the eyes of others, Creon falls from his position of immense power and wealth which in the end doesn’t matter because all his loved ones and family are now dead.

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

The second criterion for being a tragic hero is that one is neither purely evil nor pre-eminently great. Although Creon possesses many good kingly qualities, as far a honor and nobility, his imperfection lies in his excessive pride and hubris, as well as his self indulgence as King of Thebes. Creon shows his power and pride

Creon is a man of principles, who is devoted to the state as well as upholding the law in a dominant and control freak type of manner. Creon uses his first speech as a way to explain his ideas, expectations of the people, and his first law regarding the body of Polynices. Knowing the people of Thebes will disregard his word, he explains to the populace that, “Whoever places a friend above the good of his own country, he is nothing”(67). He brings up the threat of death due to the uncertainty of future rebellion and clearly states, “Our country is our safety”(68). This type of indoctrination starts from the head and trickles its way down to the people regardless of whether they want it or not. Bribery is another one of his major concerns. Knowing that corruption leads to dysfunction, rebellion, and torment, Creon poetically makes another law regarding, “Money! Nothing worse in our lives, so current, rampant, so corrupting… No limit, you make them adept at every kind of outrage, every godless crime-money!...