Creon In Oedipus The King

Creon has more of a reserved personality. He likes to discuss things in private and talk things over before discussing information with the general public. When Creon brings word from Apollo that the murderer of King Laius must be punished, there is a short discussion between Oedipus and Creon about whether or not to publicly announce Apollo’s declaration.

In Oedipus Rex, Oedipus believes Tiresias and Creon are working together to overthrow him. During this time Creon gives a prolonged speech, how he doesn’t want to be the King, but in Antigone, Creon is seen as a unswaying sovereign, unwilling to listen to anyone. Creon is likewise blinded by his own corruption. His excessive pride gets the best of him. Antigone, Haemon, and Tiresias warn Creon

     Oedipus and Creon are alike in yet another way. They both committed vile acts of hubris. Both of them went against the gods for feckless and pointless reasons. Oedipus committed hubris by insulting Tiresias. He accuses Tiresias of “betraying us, destroying Thebes” (177). Tiresias is a prophet of the gods. He is just telling Oedipus what he has seen. Tiresias’s refusal to tell Oedipus his secrets only results in more name-calling and humiliation. Oedipus calls him the “scum of the earth” (178). Oedipus is so enraged by his prophecies that he accuses him of “helping to hatch the plot” (178). Oedipus suspects that Tiresias is being bribed. “Who primed you for this? Not your prophet’s trade” (179), he says. Oedipus’ rashness lead him to accuse Tiresias, a prophet of the gods and a wise seer, that he is corrupt and a fraud. This is obviously

In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.

With his great knowledge and accomplishment establishing him as a man of insight and honor he is crowned King of Thebes. Oedipus, unwilling to hear or see truth, smites a blind man in the midst of his own ignorance and denial to reality. Teiresias, a blind prophet, is stood before Oedipus to reveal his visions about the identity of the murderer. “PAGE 11/40 TEIRESIAS thou hast not spared To twit me with my blindness--thou hast eyes, Yet see'st not in what misery thou art fallen, Nor where thou dwellest nor with whom for mate. Dost know thy lineage? Nay, thou know'st it not, And all unwitting art a double foe...” Teiresias reveals Oedipus' fate to him. He reveals that Oedipus doesn't know who his true parents are, and is living a doubly bad fate. Oedipus becomes engaged and accusatory of Teiresias at the thought of someone threatening his preconceived reality. “PAGE 10/40 OEDIPUS There is strength where there is truth, but not in you Oedipus. You don't possess this quality, for you are blind in your ears, mind, and eyes.” Oedipus even goes as far as to suggest that Teiresias murdered King Laius. “PAGE 10/40 OEDIPUS Thou methinks thou art he, I think that you are he who planned this crime, and he who even committed it too..” Oedipus, self righteous and pompous, believes that he can do no wrong. His ego is so big that he tears down and slanders

Creon is does not think things thoroughly and therefore, he acts rather quickly. For example, in the first ode of Antigone, the Guard brings news to Creon telling him that someone had buried Polyneices’s body. Creon then automatically assumes that the Guard was the one who was responsible for burying the body and says, “No more of this! You are a babbling fool!”. The Guard then replies “If so, I cannot be the one who did it.” Creon then says “Yes, but you did- selling your life for money!”. This shows how impulsive Creon is because he was so quick to assume that the Guard buried the body and that he did it for the money. An effective leader cannot be so impulsive because being impulsive leads to wrongful assumptions and that is what Creon did. He wrongfully accused the Guard for something he did not do which was burying

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

    One example of Creon undergoing a transformation between the two plays is him going from a loyal friend to a manipulative enemy.  In the beginning of the first of the ancient greek productions, this character comes back with information that Oedipus ordered him to get. Oedipus says “I am troubled, for he has overstayed his time. What is he doing? He has been gone to long.” This shows that Creon will do what he has to for his king and city no matter how long it takes. He also expresses his loyalty with quotes like “A true friend thrown aside-why, life itself is not more precious!” when he talks with Oedipus. In the second part of this play, Creon is manipulative. As he

​The legitimacy of a state or political leader has often been questioned in many different countries throughout the years. In Antigone one can question the legitimacy to rule of Creon. In different instances throughout Antigone, it is evident that many of Creon’s subjects obey his laws and demands because of fear, not because they believe his orders and laws are justified. For example, Antigone’s sister Isemene refused to help Antigone with the burial in fear of being captured and killed by Creon (Sophocles, p. 3). In another instance, the Sentry obeys Creon’s order to find and capture the one who disobeyed him, Antigone, in order to save himself from the wrath of Creon (Sophocles, p. 13). Creon instills fear in his subjects in order to obtain

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

As this drama progresses, Oedipus begins connecting the dots and restoring his vision. When Jocasta explains how her husband died to Oedipus, he says, “I have a terrible fear the blind seer can see” (823). Oedipus is now suspecting that the prophecy is true because of the similarities between Laius’ death and the man he had killed. He begins to stop worrying about his ego and

Through the course of the play Oedipus is the detective, the judge, and the jury. He investigates, decides a verdict, and carries out his own punishment. When Tiresias arrives at Thebes Oedipus questions him looking for answers. Tiresias is a blind man, who ironically can see the future and truths of people’s lives. It is Tiresias who is the first person to tell Oedipus that he has killed his own father. He tells Oedipus “you do not see the evil in which you live.” Oedipus doubts Tiresias’ ability to see the truths because of his physical blindness and states, “ You

At the beginning, Oedipus is ignorant and is constantly avoids and ignores the truth in order to protect his reputation. Oedipus’ unwillingness to open his ears to the truth develops when Tiresias reveals that he killed Laius and one of his responses is, “Your words are nothing-- / futile” (416-417). Although Oedipus begged to hear Tiresias’ words, he was not willing to pay attention or open his eyes to the unfortunate idea. Oedipus pushes aside the words Tiresias says, refusing to believe that he could be the one who killed Laius, the one who must be cursed. Later, Tiresias brings up Oedipus’ ignorance saying “you’re blind to the corruption of your life” (471), and telling him a few lines later that “No man will ever / be rooted from the earth as brutally as you” (488-489). Oedipus was put in his place and blatantly told that he is ignorant but his rise to knowledge will also bring his demise. Sophocles foreshadowed using Tiresias in that way, but Oedipus was so into avoiding any confrontation with the truth at the beginning that he would respond calling Tiresias’ visions “absurdities” (494). Therefore, even though the truth has been revealed to him, Oedipus still chooses to remain blind to the truth in order to remain good in the eyes of his people.

In the play Oedipus the King, by Sophocles, a man named Oedipus is trying to figure out what is causing a plague in the city. Throughout the play, many people are trying to give him clues that he is the cause for marrying his mother. Realizing this, Oedipus stabs out his eyeballs and leaves the city. In the play Antigone, by Sophocles, Antigone buried Polyneices, and Creon wants to have her killed because of it. Tiresias, the blind prophet, tries to persuade Creon that the gods actually want Polyneices buried. Creon then wants to release Antigone, but she had already hung herself. The rest of the family then commits suicide. In the end of both plays, Creon and Oedipus both suffer due to blindness vs. sight.

As prophets are the messengers of the gods, contesting with Tiresias is tantamount to defying the gods themselves. As king, he feels that he has the power to determine truth, and that he has supreme power over the city. He accuses Creon of conspiring with Tiresias, and threatens to exile or even kill him. Before Oedipus was the accused, his status as king gave him confidence and leadership, which are attributes that were productive in solving the mystery. After he was accused of murdering the former king, this status became a negative and caused him to be too overwhelmed with his power to identify the truth. This is also the point at which he stops trusting the divine ability of prophets. His mother Jocasta seems to stop trusting prophets at this point as well. She began to tell Oedipus not to listen to Tiresias, even though she proved at various points earlier in the story that she believed in prophecies. She pretentiously conveys a disbelief in prophecies as she speaks to her son and husband: "Fear? What should a man fear? It's all chance, chance rules our lives. Not a man on earth can see a day ahead, groping through the dark." She realizes that she failed in preventing the predetermined fate, but attempts to maintain the stability and reputation of the royal family by hiding the truth. The family would inevitably be destroyed, however, as was the will of the god Apollo. The inferiority of the family's political power compared with the divine power of