Creon as the Ideal Tragic Hero of Sophocles' Antigone Essay

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

Lastly, Creon was a tragic hero because he realized his flaws too late in time. Referring back to the prophecy of Tiresias, after the prophecy of Thebes was declared and Creon denying it, it soon came to pass. The chorus leader cries “My lord, my lord, such dreadful prophecies- and how he's gone..Since my hair changed colour from black to white, I know here in the city he's never uttered a false prophecy” (Antigone line 1220). Creon then replies to him by acknowledging his wrong and the effect of his wrong in the situation. “Aaii- mistakes made by a foolish mind, cruel mistakes that bring on

Creon also demonstrates loyalty as one of his defining characteristics; however, contrary to Beowulf, Creon's loyalty is not seen as virtuous. Rather, his staunchness is seen as extreme and harsh. His loyalty to himself and his own opinions on matters sets up quite a predicament with Antigone, who feels that his actions are a result of selfish loyalty, and therefore sinful (p228). The extreme measures that Creon takes to keep anyone from honoring the body of Polyneices shows that he feels the brother dishonored Creon's country. In Creon's eyes, this sin is

Aristotle once said, regarding his principles that a certain character is a tragic hero, "A man cannot become a hero until he can see the root of his own downfall." This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by his own fate, leading to the punishment exceeding the crime and the character’s realization leading to the fall. The audience experiences a catharsis at the end of the play, which allows the audience feel that society is “right” again. All six of

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

The tragic hero of a story has to have his/her tragic flaw. Creon and Antigone both shared the beliefs of freedom and the protection of personal dignity; those must be their tragic flaws. Creon believed that if he made a direct command he would carry it out all the way and not bend the rules for anyone. That shows how stubborn he was and how heartless and vile he was. Those are the traits of his tragic flaw. Antigone believed that everyone has their equal rights no matter whom they are fighting for, especially if they are part of her family. She would be stubborn and would not bend her ideals for anyone like Creon. She would go as far as it would take for her to get her point across. A tragic hero must realize that he/she has a tragic flaw and must then try to change themselves.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

Creon said, ?...And whoever places a friend above the good of his own county, he is nothing: I have no use for him.? (203-205). Again, his high standards and honor for his country are shown in great detail: ?I could never stand by silent, watching destruction march against our city, putting safety to rout? (207-208). Creon shows a high sense of morality when he properly buried Eteocles, and then is showing his noble character by not burying Polyneices, who attacked Creon?s country; again his value of his country is shown. Creon is a good ruler because he like any king would punish evil and reward good. Creon is seen by the chorus to have ?goodness? and leadership. (Lines 691). The chorus praises Creon for his loyalty to the country after the great war, they look forward to his kingly rule and nobility in the future by saying, ?. . . Creon, the new man for the great new day?(Lines 173). Love of his country and his punishment of Polyneices show this great nobility and loyalty talked about by the chorus. Clearly Creon qualifies under the first criterion of being a tragic hero.

Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between, as humans are. The audience can relate to this and they admire his qualities of intelligence in political affairs. They can also relate to his ability to make hard decisions with apparent ease. These hard decisions are

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

In question six it is asked if Antigone or Creon is the tragic hero. In the play of Antigone, Creon is the tragic hero. Sophocles at first portrays Creon as a just leader. He has good, rational reasons for his laws and punishments. By the end of the play Creon’s hubris, has taken over him, which leads to his demise. He does not realize how bad his hubris has interfered with his dealing of problems until Teiresias’s prophecy, “Therefore the Gods accept not of us now Solemn peace-offering or burnt sacrifice, Nor bird trills out a happy-boding note, Gorged with the fatness of a slain man’s blood” (Sophocles 38). By then it is too late. This is the path of a tragic character. Creon’s pride and hubris got the better of himself when he thought himself higher than the Gods. Creon finally realizes that things will not turn out